Jimmy Heath Sextet - The Thumper / Jazz Workshop 180 Gram vinyl

Sold Date: June 30, 2018
Start Date: May 30, 2018
Final Price: $17.00 (USD)
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------------------------------------------------------------------------------------------------------------------------------ New and factory sealed 180 Gram Vinyl from Jazz Workshop - New & Sealed
Jimmy Heath Sextet - The Thumper / Jazz Workshop 180 Gram vinyl
Personnel:  Nat Adderley (cnt), Curtis Fuller (tb), Jimmy Heath (ts), Wynton Kelly (p), Paul Chambers (b), Albert 'Tootie' Heath (d)
Reference: JW-052 LP
Format: LP / 12" / 33rpm / STEREO Label: JAZZ WORKSHOP Catalogue Reference: JW-052 Recording Year: 1959 Country of Pressing: SPAIN Comments: Sealed New Copy Reissue of the original Riverside RLP 1160 Cover Grade: MINT Vinyl Grade: MINT

Side One:
1. For Minors Only (Heath) 2. Who Needs It? (Kelly) 3. Don't You Know I Care (David-Ellington) 4. Two Tees (Heath)
Side Two:
1. The Thumper (Heath) 2. New Keep (Heath) 3. For All We Know (Coots-Lewis) 4. I Can Make You Love Me (DeRose-Russell) 5. Nice People (Heath)
Originally issued in Stereo on RIVERSIDE RLP 1160
Personnel: JIMMY HEATH SEXTET Nat Adderley (cornet), Curtis Fuller (trombone), Jimmy Heath (tenor sax), Wynton Kelly (piano), Paul Chambers (bass), Albert 'Tootie' Heath (drums). Recorded at Reeves Sound Studios, New York City, on September 1, 1959
Original recordings produced by Orrin Keepnews
Recording Engineer: Jack Higgins
Original cover design: Paul Bacon Photography by Lawrence N. Shustack
Liner notes by Orrin Keepnews ________________________________________________________________________________________________
Review:
"Jimmy Heath at age 33 made his recording debut as a leader on this Riverside session which has been reissued on CD in the OJC series. The hard bop tenor-saxophonist is in superior form, contributing five originals (of which "For Minors Only" is best known), jamming with an all-star sextet (including cornetist Nat Adderley, trombonist Curtis Fuller, pianist Wynton Kelly, bassist Paul Chambers and drummer Albert "Tootie" Heath) and taking two standards as ballad features. The excellent session of late '50s straightahead jazz is uplifted above the normal level by Heath's writing."
Scott Yanow -All Music Guide