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Here you will find thousands of Imports, Out of print, New Releases, and hard to find Jazz CD's & LP's.
If you buy 5 or more items I will ship for free worldwide. (LP free shipping overseas not included) See all eligible items in my eBay store.  
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$4.00 first cd/ each additional $1.50
$5.00 first lp/ each additional $2.00
NON USA - $10.00 first cd/ each additional 2.00
NON USA - $18.00 first lp/ each additional 2.00 ------------------------------------------------------------------------------------------------------------------------------ New and factory sealed 180 Gram Vinyl from Jazz Workshop - New & Sealed
Pepper Adams & Jimmy Knepper / Pepper - Knepper Quintet - Jazz Workshop Vinyl
Personnel:  Pepper Adams (bs), Jimmy Knepper (tb), Wynton Kelly (p, org), Doug Watkins (b), Elvin Jones (d)
Reference: JW-003 LP
This JAZZ WORSHOP album is available once again in a very limited edition
Format: LP / 12" / 33rpm / MONO Label: JAZZ WORKSHOP Catalogue Reference: JW-003 Recording Year: 1958 Country of Pressing: SPAIN Comments: Sealed New Copy Reissue of the original Metrojazz E1004 Cover Grade: MINT Vinyl Grade: MINT

Side One:
1. Minor Catastrophe (Jon Hendricks) 6:05 2. All Too Soon (Duke Ellington) 5:53 3. Beaubien (Pepper Adams) 6:23
Side Two:
1. Adams in the Apple (jimmy Knepper) 4:49 2. Riverside Drive (Duke Ellington) 4:27 3. I Didn't Know (Jimmy Knepper) 4:27 4. Primrose Path (Jimmy Knepper) 7:04
Originally issued in Mono on METROJAZZ E1004
Personnel: Pepper Adams (baritone sax), Jimmy Knepper (trombone), Wynton Kelly (piano, organ only on 'I Didn't Know'), Doug Watkins (bass), Elvin Jones (drums). Recorded at Beltone Studios in New York City, on March 25, 1958
Recording session supervised by Leonard Feather ____________________________________________________________________________________________________
"It would be too easy to characterize this session by pigeonholing its musical nature simply as "hard bop". As anyone knows who has made a close study of the work of these men, they are equipped with far more subtlety and originality than is implied by that overworked, obsolescence-bound phrase. It was a date at wich everyone dug everyone else, with just enough written music to guide and never enough to hamper the participants. In short, a swinging session."
(Taken from the back cover liner-notes)
-Leonard Feather, author of 'The Book of Jazz,' and 'The Encyclopedia of Jazz'