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$4.00 first cd/ each additional $1.50
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NON USA - $18.00 first lp/ each additional 2.00 ------------------------------------------------------------------------------------------------------------------------------ New and factory sealed 180 Gram Vinyl from Jazz Workshop - New & Sealed
Wynton Kelly  /  Kelly Blue (Audiophile 180gr. HQ Vinyl) Jazz Workshop New
Personnel:  Wynton Kelly (p), Paul Chambers (b), Jimmy Cobb (d), Nat Adderley (cnt), Bobby Jaspar (fl), Benny Golson (ts)
Reference: JW-094 LP
Format: LP / 12" / 33rpm / STEREO Label: JAZZ WORKSHOP Catalogue Reference: JW-094 Recording Year: 1959 Country of Pressing: SPAIN Comments: Sealed New Copy Reissue of the original Riverside RLP 1142 Cover Grade: MINT Vinyl Grade: MINT
Tracklisting:  Side One:
1. Kelly Blue (Wynton Kelly) 10:41 * 2. Softly As in a Morning Sunrise (Romberg-Hammerstein II) 6:24 3. Willow Weep for Me (Ann Ronnell) 6:03
Side Two:
1. Keep it Moving (Wynton Kelly) 7:26 * 2. Green Dolphin Street (Bronislav Kaper) 4:39 3. Old Clothes (Wynton Kelly) 7:37 4. Do Nothin' till You Hear From Me (Ellington-Russell) 4:22
Originally issued in Mono on RIVERSIDE RLP 1142
Personnel: Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums). Sextet (*): Nat Adderley (cornet), Bobby Jaspar (flute), Benny Golson (tenor sax), added. Recorded at Reeves Sound Studios, New York City, on Febraury 19 (*) and March 10, 1959
Production & notes written by Orrin Keepnews Engineer: Jack Higgins (Reeves Sound Studios) Mastered by Jack Matthews (Components Corp.) Cover design: Paul Bacon, Ken Braren & Harris Lewine Photography: Burt Goldblatt-Paul Bacon ___________________________________________________________________________________________________
Press reviews:  Recorded for Riverside, this set mostly features the influential pianist Wynton Kelly in a trio with his fellow rhythm-section mates from the Miles Davis bands, bassist Paul Chambers and drummer Jimmy Cobb. "Kelly Blue" and "Keep It Moving" add cornetist Nat Adderley, flutist Bobby Jaspar and the tenor of Benny Golson to the band for some variety. Kelly was renowned as an accompanist, but as he shows on a set including three of his originals and four familiar standards (including "Softly, As in a Morning Sunrise" and "Willow Weep for Me"), he was also a strong bop-based soloist too. A fine example of his talents. Some reissues augment the program with a previously unreleased "Do Nothin' Till You Hear from Me."
Scott Yanow -All Music Guide