Track Listing

A1: Let It Go (Part One)
A2: That's The Way (I Like It)
A3: Get Down Tonight
A4: Boogie Shoes

B1: Ain't Nothin' Wrong
B2: I'm So Crazy ('Bout You)
B3: What Makes You Happy
B4: I Get Lifted
B5: Let It Go (Part Two)

Guilty pleasure records don't come better than this freewheeling 1975 set! Featuring "Get Down Tonight".

It's okay to admit it. While few openly confess their love for KC and the Sunshine Band, who among us doesn't light up the instant that the super-catchy "Get Down Tonight" or giddy sing-a-long invitation "That's the Way (I Like It)" begins to play? Yeah, just by reading that last sentence, it's likely you're already humming the tune in your head, or feeling a twitch in your feet. The music is that addictive. And that universally recognised. It's time you finally enjoy it on a pressing that brings everything that's been buried in those deep grooves to the surface.

Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (the best record plant in North America), Silver Label numbered limited edition LP presents the 1975 triple-platinum smash in the absolute best sound it's ever had. The ensemble's brassy horns, funky guitars, tropical percussion, and snappy vocals take their respective place amidst a gargantuan soundstage that, in your listening room, will double as a discothèque. Get your dancing shoes ready!

Coming from a musical strain then known as the Miami Sound, KC and the Sunshine Band perfected its mix of boisterous rhythms, disco-floor grooves, slick funk riffs, R&B hooks, carefree choruses, and dance commands on this self-titled release. The world immediately took notice. Focused on nothing but fun, letting go, and channelling feel-good emotions, the group revolutionised pop music by getting even the most hardened, resistant rock purists to embrace its appeal.

Rather than live in secrecy or settle for an inferior version, go ahead, indulge yourself, and grab this '70s classic on remastered, audiophile-grade vinyl. You'll be surprised at the amount of new information that's revealed, whether it's the depth of the low frequencies or timbrel properties of the horns.

GAIN 2™ Ultra Analog™ System for Vinyl

GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of Mobile Fidelity Sound Lab's founding fathers - Stan Ricker, an audio engineer responsible for many of MFSL's most heralded past releases.

The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customised reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)

First and foremost, Mobile Fidelity Sound Labs only utilise first generation original master recordings as source material for their releases. MFSL then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master's sonic information. The lacquers are then plated in a specialised process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). MFSL further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors' items, ensure that the quality of the last pressing matches the quality of the first.