Tigger2's Music Madness Thin Lizzy: Bad Reputation FACTORY SEALED LP

Format: Sealed LP
Country: U.S.A. Record Company & Release Number: Mercury: SRM-1-1186
Original release date: 1977
Bar Code: NONE Condition of the cover: Mint
Condition of the record: Sealed - Assumed Mint Shipping Weight: 1 pounds, 2 ounces
My inventory number: 209423C Notes: - - -

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Songs

Soldier of Fortune Bad Reputation Opium Trail Southbound Dancing in the Moonlight (It's Caught Me in Its Spotlight) Killer Without a Cause Downtown Sundown That Woman's Gonna Break Your Heart Dear Lord

Credits

Kenny Morris: Vocals Brian Robertson: Guitar, Keyboards, Voice Box Tony Visconti: Piano, Recorder, Producer, Engineer Ed Stone: Assistant Engineer Ken Morris: Vocals (Background), Assistant Engineer Chris Morrison Mary Hopkin-Visconti: Vocals (Background) Sutton Cooper: Art Direction Chris O'Donnell: Art Coordinator Phil Lynott: Bass, Guitar (Bass), Strings, Harp, String Machine, Producer, Vocals Jon Bojic: Vocals, Vocals (Background), Assistant Engineer Brian Downey: Percussion, Drums Scott Gorham: Guitar John Helliwell: Clarinet, Saxophone Mary Hopkin: Vocals, Vocals (Background) Thin Lizzy: Producer, Main Performer

Album Review

If Thin Lizzy got a bit too grand and florid on Johnny the Fox, they quickly corrected themselves on its 1977 follow-up, Bad Reputation. Teaming up with the legendary producer Tony Visconti, Thin Lizzy managed to pull of a nifty trick of sounding leaner, tougher than they did on Johnny, yet they also had a broader sonic palette. Much of this is due, of course, to Visconti, who always had a flair for subtle dramatics that never called attention to themselves -- witness Ziggy Stardust, which is layered with color but still sounds muscular -- and he puts this to use in dramatic effect here, to the extent that Lizzy sounds stripped down to their bare bones, even when they have horns pushing them forward on "Dancing in the Moonlight" or when overdubbed vocals pile up on the title track. Of course, they were stripped down to a trio on this record, lacking guitarist Brian Robertson, but Scott Gorham's double duty makes his absence unnoticeable. Plus, this is pure visceral rock & roll, the hardest and heaviest that Thin Lizzy ever made, living up to the promise of the title track. And, as always, a lot of this has to do with Phil Lynott's writing, which is in top form whether he's romanticizing "Soldiers of Fortune" or heading down the "Opium Trail." It adds up to an album that rivals Jailbreak as their best studio album. ~ Stephen Thomas Erlewine, All Music Guide

Biography

Thin Lizzy biography by John Dougan, All Music Guide

Despite a huge hit single in the mid-'70s ("The Boys Are Back in Town") and becoming a popular act with hard rock/heavy metal fans, Thin Lizzy are still, in the pantheon of '70s rock bands, underappreciated. Formed in the late '60s by Irish singer/songwriter/bassist Phil Lynott, Lizzy, though not the first band to do so, combined romanticized working-class sentiments with their ferocious, twin-lead guitar attack. As the band's creative force, Lynott was a more insightful and intelligent writer than many of his ilk, preferring slice-of-life working-class dramas of love and hate influenced by Bob Dylan, Bruce Springsteen, and virtually all of the Irish literary tradition. Also, as a black man, Lynott was an anomaly in the nearly all-white world of hard rock, and as such imbued much of his work with a sense of alienation; he was the outsider, the romantic guy from the other side of the tracks, a self-styled poet of the lovelorn and downtrodden. His sweeping vision and writerly impulses at times gave way to pretentious songs aspiring to clichéd notions of literary significance, but Lynott's limitless charisma made even the most misguided moments worth hearing. After a few early records that hinted at the band's potential, Lizzy released Fighting in 1975, and the band (Lynott, guitarists Brian Robertson and Scott Gorham, and drummer Brian Downey) had molded itself into a pretty tight recording and performing unit. Lynott's thick, soulful vocals were the perfect vehicle for his tightly written melodic lines. Gorham and Robertson generally played lead lines in harmonic tandem, while Downey (a great drummer who had equal amounts of power and style) drove the engine. Lizzy's big break came with their next album, Jailbreak, and the record's first single, "The Boys Are Back in Town." A paean to the joys of working-class guys letting loose, the song resembled similar odes by Bruce Springsteen, with the exception of the Who-like power chords in the chorus. With the support of radio and every frat boy in America, "Boys" became a huge hit, enough of a hit as to ensure record contracts and media attention for the next decade ("Boys" is now used in beer advertising). Never the toast of critics (the majority writing in the '70s hated hard rock and heavy metal), Lizzy toured relentlessly, building an unassailable reputation as a terrific live band, despite the lead guitar spot becoming a revolving door (Eric Bell, Gary Moore, Brian Robertson, Snowy White, and John Sykes all stood next to Scott Gorham). The records came fast and furious, and despite attempts to repeat the formula that worked like a charm with "Boys," Lynott began writing more ambitious songs and wrapping them up in vaguely articulated concept albums. The large fan base the band had built as a result of "Boys" turned into a smaller, yet still enthusiastic bunch of hard rockers. Adding insult to injury was the rise of punk rock, which Lynott vigorously supported, but made Lizzy look too traditional and too much like tired old rock stars. By the mid-'80s, resembling the dinosaur that punk rock wanted to annihilate, Thin Lizzy called it a career. Lynott recorded solo records that more explicitly examined issues of class and race, published a now-out-of-print book of poetry, and sadly, became a victim of his longtime abuse of heroin, cocaine, and alcohol, dying in 1986 at age 35. Since the mega-popular alternative rock bands of the mid-'90s appropriated numerous musical messages from their '70s forebears, the work of Phil Lynott and Thin Lizzy will hopefully continue to be seen for the influential rock & roll it is. In 1999, Thin Lizzy reunited with a lineup featuring guitarists Scott Gorman and John Sykes, and keyboardist Darren Wharton, which was rounded out by a journeyman rhythm section of bassist Marco Mendoza and drummer Tommy Aldridge. The quintet's ensuing European tour produced the live album One Night Only, which was released in the summer of 2000 to set the stage for a subsequent American concert tour.

This record came from a record store called "Phantasmagoria" which was located in Allentown, Pennsylvania. Phantasmagoria went out of business in 1978. I purchased most of their unsold inventory some years later when I owned "Music Madness" - a new & used record store in Catasauqua. Phantasmagoria used round colored stickers to indicate the price of the albums. They had a sign on the wall with the color sticker combinations for the customers to use so they knew the price of the albums. Most of the albums still have these stickers on them, and in some rare cases, the stickers are written on. Some of the records have prices on them. This is the price you would have paid for the record in 1978 if you would have bought it at Phantasmagoria. Please don't confuse these prices with their current value. All sealed albums are being sold as collector's items and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums that I am selling. All pictures are of the exact item being sold. I always leave feedback before your item ships. Please consider leaving feedback for me after you have had a chance to inspect and enjoy your purchase. Please avoid questions on the last day of the auction. I might not have enough time to give you an answer before the auction ends. All album reviews, credits and artist biographies are from All Music Guide. If you haven't been to their web site, you have to check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs do not apply to this album release. Shipping and pick-up Shipping is calculated by the weight of your package. I do not charge a handling fee.
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