Sold Date: March 30, 2015
Start Date: March 22, 2015
Final Price: £15.00 (GBP)
Seller Feedback: 3082
Buyer Feedback: 12

 ‎– Second Album Label:  ‎– 2391 062 Format: , LP, Album 
Country: Released: Genre: ,  Style: ,  Tracklist A1Filthy Teddy Written-By –  A2After Hours Written-By – *, *, * A3Five String Blues Written-By –  A4Thank You Lord Written-By –  B1Treat Her Right Written-By –  B2I Won't Tell You No Lies Written-By –  B3Tribute To Elmore James Written-By –  B4She Once Lived Here Written-By – * Credits Bass –  Design –  Drums – ,  (tracks: B4) Engineer – ,  Engineer [Chief] –  Organ –  Photography By [Cover] –  Photography By [Liner] –  Producer – * Rhythm Guitar –  Vocals –  (tracks: B2) Vocals, Lead Guitar, Acoustic Guitar –  Notes Sleeve printed and made in England by MacNeill Press LTD 
Recorded at Record Plant East. New York
Review by Lindsay Planer 

's  (1974) was recorded less than six months after completing his self-titled major-label debut,  (1972), and sported a slightly amended version of  -- featuring  (drums),  (keyboards),  (rhythm guitar),  (vocals/rhythm guitar), and, replacing ,  (bass). The vibe is much in keeping with the previous effort, albeit decidedly more blues-based. Likewise, the arguably misplaced countrified cuts have been dispensed with, as the musicians concentrate more specifically on traditional blues and original compositions. Once again, the choice of covers is not only impeccable, but has been significantly personalized by the guitarist's unique sensibilities and inimitable timbre. "Five String Blues" leads the pack, revealing the meticulous craftsmanship that  places upon each intonation, as his precision is never obscured within the flurry of unleashed notes. While less technical than emotive, 's gift for interpretation is nothing short of spellbinding, as the reading of ' "After Hours" demonstrates. "Tribute to Elmore James" is an R&B-laden rocker with copious nods to ' slide fretwork as well as 's own well-placed emphasis. Yet another facet to this aggregate is the funkier midtempo "I Won't Tell You No Lies." Sadly,  tenure concludes on this LP. By the time of 's follow-up,  (1974), undue influences would recast the guitarist's rhythmic support to an increasingly lessened ensemble effect. 

Strictly Graded - RECORD COLLECTOR Grading System.

Grading System: In order to assist everyone who buys and sells rare discs, Record Collector magazine has originated a set of standards for the condition of second-hand records, I have added a (+) or (-) to my gradings where applicable.

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.

The cover and contents will be torn, stained and/or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.

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