Sold Date: February 4, 2019
Start Date: January 26, 2019
Final Price: $27.00 (USD)
Seller Feedback: 473
Buyer Feedback: 4

This is a Brand New Factory Sealed Repress of the "2014 Limited Edition RSD" Release thus later called “Special Edition” 2 × Vinyl, LP, Poster, Gatefold Album with Shrink wrap by Eric Church called "The Outsiders". Label for this album is EMI Records Nashville, release number B0019402-01. We could not verify the pressing date for this version.
Barcode: 602537710935

**Special Edition Includes:
2 Unreleased Tracks
*********PLUS*********
Collector's Edition POSTER

**COVER GRADING:          (EX)
Shrink wrap has a TEAR on the front near the bottom right corner and shrink wrap has come apart on the top in a small spot (see details on picture 3&4) without compromising the Jacket. Overall appearance is Excellent Brand New!!

***We try to take the best Detailed pictures to our ability to give you the best visual!!

!!!!!!!!!!!Thanks for looking!!!!!!!!!!!

*SHIPPING:  
''We use cardboard mailers, polypropylene sleeves, cardboard inserts and bubble wrap to fully protect shipping."

Track listing:
Side 1:
1: The Outsiders   
2: A Man Who Was Gonna Die Young   
3: Cold One   
4: Roller Coaster Ride

Side 2:
1: Talladega   
2: Broke Record   
3: Like A Wrecking Ball   
4: That's Damn Rock & Roll

Side 3:
1: Dark Side   
2: Devil, Devil (Prelude: Princess Of Darkness)

Side 4:
1: Give Me Back My Hometown   
2: The Joint

**Special Edition Tracks**   
3: The Outsiders (Extended Version)   
4: Come Together (Written By – John Lennon, Paul McCartney)

“The Outsiders” is the fourth studio album by American country music artist Eric Church. It was released on February 11, 2014, via EMI Nashville. Like all of his previous albums, it is produced by Jay Joyce. It was before the release that Church received media attention for saying "I think genres are dead." This comment irked certain news outlets.

Just in case the title of The Outsiders doesn't give away the game, Eric Church takes pains to strike a defiant stance throughout his fourth album, underscoring his status as a genuine Nashville Rebel. He sings about his "Dark Side" and the Devil, murmurs ominously about "A Man Who Was Gonna Die Young," winks a double entendre about "The Joint," and declares "That's Damn Rock & Roll," a provocative statement from a singer who is nominally country but loves to strut with a heavy metal swagger. Church brings on the thunder with "The Outsiders," a galumphing rallying cry that's intended as a middle finger to all those cheerful bros in tight-fitting jeans who sing songs about trucks set to a hip-hop beat. He may sneer at those good-looking suburban country dudes riding the top of the charts but Church is a modern man -- he decorates the kiss-off "Cold One" with a skittish electronic funk beat -- who doesn't take a second glance at the past, unless it's to tip a hat to Hank, Hag, Jones, or Waylon or to deliver the slow-burning Southern soul of "Like a Wrecking Ball." Contrary to the bluster of "The Outsiders" and "That's Damn Rock & Roll," Church doesn't follow the macho straight and narrow on The Outsiders. Surely, he never disguises his masculine side but sings sweetly, too, and he indulges in detours, the craziest being the prog pomposity of the eight-minute suite "Devil, Devil (Prelude: Princess of Darkness)." Most of all, he takes strides to paint himself as the heir apparent to workingman's hero Bruce Springsteen -- previously, Church only poached Bruce's last name for one of the biggest hits from 2011's Chief, the album that turned Church into a star -- going so far as to write an anthem to dying middle-class America called "Give Me Back My Hometown." Designed to be a set closer at arenas across the U.S., it delivers the requisite fireworks but Church possesses a sly eye for detail that humanizes his broad strokes, a necessary counterpoint to songs that are otherwise outsized. This shift toward the epic -- present throughout The Outsiders but not always dominating the tone -- is a real shift for Church, who has otherwise specialized in songs that are a little simpler. That directness played a big role in making Chief a hit and it's sometimes missed on The Outsiders, as the XXL-sized songs don't always stick but the ambition is admirable. Church has made the conscious decision to try a little bit of everything in his quest to be a savior to both rock and country, and if he doesn't quite knock it out of the park when he swings for the fences, he nevertheless scores.

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