Description:

Barry Stanton, A Tribute To The King Rare Songs 1957-1965. (1988 Australian 14-track 12” Vinyl LP Compilation album housed in gatefold sleeve  Both sleeve and vinyl are near mint with sleeve signed by Barry Stanton on front (see pics) Canetoad Records - CT.LP 001

Barry Stanton (born 23 January 1941) is an Australian rock'n'roll musician. Discovered by fellow recording artist Johnny O'Keefe in 1958, Barry regularly performed on many Australian music programs such as Bandstand, The Johnny O'Keefe Show, Six O'Clock Rock, Sing Sing Sing, Saturday Date, and Woody's Teen Time. He released six singles on Australian label Leedon Records, the first being Don't Let Go in 1960. His second release, the Johnny O'Keefe composition Don't You Worry 'Bout That, reached number 3 on the Sydney Top 40 in September 1960. Two other singles were issued, but his fifth and biggest release Beggin' On My Knees - written by Barry's brother Rod - reached number one in 1962. Signed by RCA in 1964 he released A Tribute To The King - a song written for Barry by fellow musician and good friend Johnny Devlin - followed by My Little Emmy in 1965.

Tracks:

A SIDE

1. Begging On My Knees

2. Tribute To The King

3. That’s Right, All Right

4. My Little Emmy

5. Dancing Party

6. Don’t You Worry About That

B SIDE

1. Learning

2. When My Blue Moon Turns To Gold Again

3. I Forgot To Remember To Forget

4. My Baby Left Me

5. You’re Right, I’m Left, She’s Gone

6. Blue Suede Shoes

7. Blue Moon Of Kentucky

8. The Intrigues Of Hannah Medley: Under The Bridges Of Paris/Danny Boy/A First Love Never Dies/Mona Lisa

VINYL GRADING SCALE

MINT (M)

The record is in brand new condition with no surface marks or deterioration in sound quality. The sleeve and any extra items are in perfect condition.

EXCELLENT (EX)

The record shows signs of having been played but there is negligible loss in sound quality. The sleeve may have slight wear or creasing.

VERY GOOD (VG)              

The record has been played many times but shows no significant deterioration in sound quality, despite noticeable surface marks. Sleeve has normal wear and tear without any major defects.

GOOD (G)

The record has been played enough that the sound quality has deteriorated noticeably and may have pops and skips. The sleeve may suffer from scuffs, spine splits, ring wear and/or discolouration.

CONDITION: This item is in excellent or mint condition unless stated above.

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