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AMG Review by Stephen Thomas Erlewine

Wayne Shorter was at the peak of his creative powers when he recorded Schizophrenia in the spring of 1967. Assembling a sextet that featured two of his Miles Davis bandmates (pianist Herbie Hancock and bassist Ron Carter), trombonist Curtis Fuller, alto saxophonist/flautist James Spaulding and drummer Joe Chambers, Shorter found a band that was capable of conveying his musical "schizophrenia," which means that this is a band that can play straight just as well as they can stretch the limits of jazz. At their best, they do this simultaneously, as they do on the opener "Tom Thumb." The beat and theme of the song are straightforward, but the musical interplay and solos take chances that result in unpredictable results. And "unpredictable" is the operative phrase for this set of edgy post-bop. Shorter's compositions (as well as Spaulding's lone contribution, "Kryptonite") have strong themes, but they lead into uncharted territory, constantly challenging the musicians and the listener. This music exists at the border between post-bop and free jazz -- it's grounded in post-bop, but it knows what is happening across the border. Within a few years, he would cross that line, but Schizophrenia crackles with the excitement of Shorter and his colleagues trying to balance the two extremes.

 ‎– Schizophrenia Label:  ‎– BST 84297 Format: , LP, Album 
Country: Released: Genre: Style: Tracklist A1Tom Thumb Written-By –  6:15A2Go Written-By –  4:52A3Schizophrenia Written-By –  6:59B1Kryptonite Written-By –  6:25B2Miyako Written-By –  5:55B3Playground Written-By –  6:20 Companies etc Recorded At –  Credits Alto Saxophone, Flute –  Bass –  Drums –  Liner Notes –  Photography By [Cover Photo] –  Piano –  Producer –  Recorded By [Recording By] –  Tenor Saxophone –  Trombone –  Notes Recorded on March 10, 1967. 

"VAN GELDER" is stamped into the run-out groove of both sides. 

Label is blue and white, with "Blue Note Records • A Division Of Liberty Records, Inc.". 

Cover reads "Blue Note Records • A Product Of Liberty Records • New York, N.Y. 10019" 

Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 10, 1967.

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.