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All Music Review by Bruce Eder

Of all the post-Fathers & Sons attempts at updating Muddy's sound in collaboration with younger white musicians, this album worked best because they let Muddy be himself, producing music that compared favorably to his concerts of the period, which were wonderful. His final album for Chess (recorded at Levon Helm's Woodstock studio, not in Chicago), with Helm and fellow Band-member Garth Hudson teaming up with Muddy's touring band, it was a rocking (in the bluesy sense) soulful swansong to the label where he got his start. Muddy covers some songs he knew back when (including Louis Jordan's "Caldonia" and "Let The Good Times Roll"), plays some slide, and generally has a great time on this Grammy-winning album. This record got lost in the shuffle between the collapse of Chess Records and the revival of Muddy's career under the auspices of Johnny Winter, and was forgotten until 1995. The CD contains one previously unreleased number, "Fox Squirrel."

 ‎– The Muddy Waters Woodstock Album Label:  ‎– CH 60035 Format: , LP, Album, Gatefold 
Country: Released: Genre: Style:   Tracklist A1Why Are People Like That Written-By –  3:35A2Going Down To Main Street Written-By –  3:57A3Born With Nothing Written-By –  5:20A4Caledonia Written-By –  6:14B1Funny Sounds Written-By –  4:32B2Love, Deep As The Ocean Written-By –  5:10B3Let The Good Times Roll Written-By – ,  5:13B4Kansas City Written-By – * 5:09B5Born With Nothing Written-By –  5:20 Credits Bass, Guitar – * Drums, Bass –  Guitar –  Harmonica –  Organ, Accordion, Saxophone –  Piano – * Producer –  Saxophone –  Vocals, Guitar –  Notes This album was recorded in Bearsville's Studio at "Turtle Creek" February 6th and 7th, 1975.

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.