SEX PISTOLS~ANARCHY IN THE UK~VERY RARE ORIG '76 BRITISH EMI (UK) 7" SINGLE~NM

Sold Date: December 4, 2016
Start Date: November 29, 2016
Final Price: $38.00 (USD)
Bid Count: 8
Seller Feedback: 20848
Buyer Feedback: 77


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WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

 

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·       SEX PISTOLS  - ANARCHY IN THE UK c/w I WANNA BE ME -  ORIGINAL 1976 BRITISH EMI (UK) STEREO 7” , 45 rpm SINGLE 2566

 

·       ORIGINAL U.K. PRESSING

 

·       ORIGINAL TAN AND RED EMI (UK) LABEL

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       CLEAN, WEAR-FREE LABELS

 

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-A1/-B2'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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The Sex Pistols' debut single, "Anarchy in the U.K.," touched off a social and musical firestorm upon its release in 1976. The Pistols were already revolutionary within the British music business, going outside the established avenues for building audiences and media publicity (or, more accurately, notoriety); coupled with their aggressively provocative stance, industry insiders were intensely worried about possible repercussions -- not only from the public, but concerning their own back catalogs, which were decidedly dissimilar from the Pistols' music. And their fears of controversy were justified -- "Anarchy in the U.K." gleefully pushed every button it could surrounding British fears about political instability and youth running wild in the streets. The single was released by EMI toward the end of 1976 and sold over 55,000 copies in Britain before being withdrawn due to the ensuing outcry. The Pistols were subsequently kicked off the label, only three months after signing; they landed on A&M for about a week before settling on Virgin, who included "Anarchy in the U.K." on the Pistols' lone studio album, Never Mind the Bollocks.

 

The song was chiefly composed by Glen Matlock (except, of course, for Johnny Rotten's lyrics) and hammered into final shape by Steve Jones. It relies on simple, descending power-chord riffs for its anthemic impact, kicking off with a run down the A minor scale (which is reused for the chorus) and punctuating its verses with a descending progression based on the fourth, third, and first notes of the C major scale (a common device in simple yet anthemic songs). There really isn't much else to the song instrumentally, aside from an instrumental bridge that features a repeated riff built around a D major chord. Rotten's performance is supremely brash and snotty, playing up the harsh, abrasive qualities of his voice as well as his personality; yet there's also a subtle playfulness to his lyrics, which indicates that even if he is intent on delivering real social commentary, he never takes the song's anarchist pose all that seriously, instead reveling in -- and laughing at -- the resulting provocation. Decades later, some combination of those attitudes still defines punk rock; moreover, the song and the band helped return rebelliousness and do-it-yourself egalitarianism to rock & roll in general.

 

"Anarchy in the U.K." has been covered several times since, usually by heavy metal bands (like Megadeth and Motley Crue) who love the song's message of rebellion and the aura of controversy surrounding it, but who often don't understand what made the song musically effective as well (plus, Megadeth didn't even understand all of the lyrics, hazarding its best guesses in a few spots). Where Steve Jones' guitar is noisy and loose (and, well, bordering on anarchic), metal bands tend to play the song with their riffing tightly controlled. The Pistols settle into a mid-tempo groove that even musicians of limited technique can put across with power, but metal bands tend to take the song at a faster tempo, as if to make up for the song's simplicity by presenting themselves with more of a technical challenge; there's often a flashy guitar solo inserted as well. The fact is, "Anarchy in the U.K." simply isn't a vehicle for showboating, nor can it hit home as effectively without a performance hinting that the band itself could fall apart at any moment, just as easily as the society it's threatening to destroy. It isn't likely that the future of rock will have many cataclysmic, genre-transforming moments like "Anarchy in the U.K." in store -- the outside circumstances have to be just right, and a band like the Sex Pistols has to be in exactly the right place at the right time, saying exactly the wrong thing.

 

 (EXCERPT FROM AN ONLINE REVIEW BY STEVE HUEY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

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·                               CONDITION:

 

·                               RECORD

 

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS STRONG VG++, JUST A NOTCH BELOW NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

 

(b)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       THE SINGLE COMES IN A STOCK EMI SLEEVE(NOT SEPARATELY GRADED)

 

 

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