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AllMusic Review by Jim Brenholts

Encore -- Tangerine Dream Live, 1977 is one of the better concert albums from Tangerine Dream. As with most of their live releases, this disc features all new material. Each of the long-form (over 16 minutes) pieces has its own set of movements. In effect, it is like listening to four electronic symphonies. This is also one of the strongest TD lineups. The set features Edgar Froese, Christopher Franke and Peter Baumann on synthesizers, effects and other electronic devices. (It is Baumann's last recording with the band.) The music ranges from dirge-like drones to piano solos to crashing experimental textures. There are echoes of progressive and avant-garde rock. The set is uniquely Tangerine Dream, however, with similarities to Genesis, Pink Floyd and other art rock practitioners of that era.

 ‎– Encore Label:  ‎– PZG 35014 Format: 2 × , LP, Album, Promo 
Country: Released: Genre: Style: ,  Tracklist ACherokee Lane16:19BMonolight19:54CColdwater Canyon18:06DDesert Dream17:30 Companies, etc. Published By –  Distributed By –  Distributed By –  Record Company –  Copyright (c) –  Phonographic Copyright (p) –  Pressed By –  Mastered At –  Credits Concept By [Tour Concept And Coordination] – ,  Coordinator [Tour] –  Engineer [Computer] –  Guitar, Mellotron, Grand Piano, Synthesizer, Layout –  Mastered By – * Other [Chief Road Crew] – Chris Blake, Ken Capper Other [Laserium Field Engineer] – Phil Gaskin Other [Laserium Live Laserist] – Richard Vanceunebrouck-Werth Photography By [Cover] –  Producer, Engineer, Mastered By –  Stage Manager –  Synthesizer, Sequenced By, Mellotron, Electronic Drums – * Synthesizer, Sequenced By, Piano [Fender Rhodes], Mellotron, Mixed By –  Notes Recorded during the North American Tour March / April 1977. 
Demonstration, not for sale.

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.