THE BEACH BOYS - 30 TITLES WITH A TOTAL OF 36 PIECES OF VINYL SEALED LP SET - PLUS SOME BONUS CD'S & DVD'S WITHIN THE COLLECTION

ALBUMS ARE:

The Beach Boys Surfin' Safari 200 GRAM MONO LIMITED EDITION 

THE BEACH BOYS SUMMER DAYS (AND SUMMER NIGHTS) 200 STEREO GRAM LP

THE BEACH BOYS THE BEACH BOYS TODAY! 180 GRAM LP

The Beach Boys Surfin' USA 200 GRAM STEREO LIMITED EDITION LP

The Beach Boys Surfer Girl 200 GRAM STEREO LIMITED EDITION LP

The Beach Boys Little Deuce Coupe 200 GRAM LIMITED EDITION LP

The Beach Boys All Summer Long 200 GRAM STEREO LIMITED EDITION LP

The Beach Boys The Smile Sessions Mono 2LP/2-7"/5CD Box Set

PET SOUNDS - 200 Gram LIMITED EDITION STEREO AUDIOPHILE LP

SMILEY SMILE - 180 Gram and Out of Print - U.K. SIMPLY VINYL 180 GRAM GOLDEDITION STICKER OUT OF PRINT PRESSING

BEACH BOYS - ENDLESS SUMMER - DOUBLE LP SET

The Beach Boys Surf's Up 200 GRAM STEREO LIMITED EDITION LP

The Beach Boys The Beach Boys in Concert 180 GRAM LIMITED EDITION 2 LP SET The Beach Boys Beach Boys Concert 180 GRAM LIMITED EDITION LP The Beach Boys Live in London 180 GRAM LIMITED EDITION AUDIOPHILE LP The Beach Boys The Beach Boys 180 GRAM LIMITED EDITION LP The Beach Boys M.I.U. Album 180 GRAM LIMITED EDITION LP The Beach Boys L.A. (Light Album) 180 GRAM LIMITED EDITION LP The Beach Boys Keepin' the Summer Alive 180 GRAM LIMITED EDITION LP The Beach Boys 20/20 180 GRAM LIMITED EDITION LP

WIPE OUT - 180 Gram and Out of Print - VARIOUS ARTISTS 

BRIAN WILSON'S - GETTIN IN OVER MY HEAD - 2LP SET 

BRIAN WILSON - THAT LUCKY OLD SUN - LIMITED 180 GRAM PRESSING 

BRIAN WILSON SELF TITLED ON 180 GRAM BLUE VINYL THIS TITLE HAS SOME SEAM WEAR AT THE TOP OF THE JACKET

Brian Wilson I Just Wasn't Made For These Times 180 GRAM LIMITED EDITION LP

 DENNIS WILSON'S PACIFIC OCEAN BLUE -  3 LP SET -  TREMENDOUSLY RARE AND VALUABLE SET

MIKE LOVE'S SOLO LP LOOKING BACK WITH LOVE - THIS IS THE 1981 BOARDWALK RECORDS RELEASE 

ALMOST SUMMER SOUND TRACK WITH BRIAN WILSON - MIKE LOVE & AL JARDINE WROTE TITLE TRACK FOR ALMOST SUMMER

TITLES ARE:

BEACH BOYS - ENDLESS SUMMER - This was the album by which millions of sons of late baby boomers (and sons and daughters of the early ones) first really discovered the Beach Boys, beyond hearing the occasional oldie on the radio. It was the summer of 1974, and the Beach Boys were still trying to get themselves back on track commercially after a seven-year commercial dry spell, when this double LP of their 1963-1966 material (all but one cut predating Pet Sounds) came along and did the job. Endless Summer, which was assembled in consultation with Mike Love, soared to number one and charted high over two subsequent summers and attracted the enthusiastic attention of millions of listeners too young to have bought their singles back when." – All Music Guide
- 180-gram audiophile pressing
- gatefold jacket
- two LPs

Track Listings Surfin' Safari Surfer Girl Catch A Wave The Warmth of the Sun Surfin' USA Be True To Your School (album version) Little Deuce Coupe In My Room Shut Down Fun, Fun, Fun I Get Around Girls On the Beach Wendy Let Him Run Wild Don't Worry Baby California Girls 7.Girl Don't Tell Me Help Me, Ronda You're So Good To Me All Summer Long

PACIFIC OCEAN BLUE - In 1977, Dennis Wilson launched Pacific Ocean Blue, the first solo LP by a member of the world-famous Beach Boys. Amazingly, Dennis – the band's drummer, surfer and all-around free spirit – emerged from the shadow of his older brothers, pop genius Brian Wilson, and shocked the world by creating a heartfelt body of work unlike anything the Beach Boys had ever produced. More than 30 years later, Pacific Ocean Blue remains one of the most intoxicating solo showcases by a Wilson brother.

Track Listings LP One River Song What's Wrong Moonshine Friday Night Dreamer Thoughts of You Time You and I Pacific Ocean Blues Farewell My Friend Rainbows End of the Show
LP Two Tug Of Love Only With You Holy Man Mexico Holy Man (Taylor Hawkins Version) Under The Moonlight It’s Not Too Late School Girl Love Remember Me Love Surrounds Me
LP Three Wild Situation Common Are You Real He’s A Bum Cocktails I Love You Constant Companion Time For Bed 9 . Album Tag Song All Alone Piano Variations on Thoughts of You  

 

 

BRIAN WILSON'S - GETTING IN OVER MY HEAD - The creative genius behind The Beach Boys’ phenomenal hit recordings of course was Brian Wilson. This is his first solo studio album since ’98 and features superstar guests Eric Clapton, Elton John and Paul McCartney. Brian Wilson is widely considered the greatest American-born popular music composer of the rock ‘n’ roll era. On this, his third solo release, the legendary artist returns to stellar melodic form with these original compositions and unforgettable performances.

Track Listings 1.   How Could We Still Be Dancin' 2.   Soul Searchin' 3.   You've Touched Me 4.   Gettin' In Over My Head 5.   City Blues 6.   Desert Drive 7.   A Friend Like You 8.   Make a Wish 9.   Rainbow Eyes 10.   Saturday Morning in the City 11.   Fairy Tale 12.   Don't Let Her Know She's An Angel 13.   The Waltz

E-BAY STORE.  FOR YOUR INDIVIDUAL OUT OF PRINT SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >.  & TYPE IN BEACH BOYS OR BRIAN WILSON INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL  TITLES + INFORMATION WILL APPEAR

FACTORY SEALED 180 GRAM LPs - High definition analog vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and ears. The ultimate record – the way music was meant to be heard.

You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.

 The Beach Boys The Smile Sessions Mono 2LP/2-7"/5CD Box Set

2012 Grammy Award Winner for Best Historical Album!

Rolling Stone 500 Greatest Albums of All Time - Rated 381/500!

Michael Fremer Rated 9/10 Music, 8/10 Sonics in his March 2012 reviews on

Featured in Michael Fremer's Heavy Rotation in the March 2012 Issue of Stereophile!

Legendary Unreleased 1966-'67 Album!
Drawn From Original Masters This Deluxe Box Set Contains Two 180g LPs, 5CDs, Two 7" Singles, 60-Page Hardbound Book & More!
Housed In Box With 3D Shadow Box Lid!
Artwork Designed by Frank Holmes!

With the full participation of original Beach Boys Al Jardine, Mike Love, and Brian Wilson, Capitol/EMI has, for the first time, collected and compiled the band’s legendary 1966-’67 sessions for the never-completed SMiLE album.

In numerous sessions between the spring of 1966 and the summer of 1967, The Beach Boys recorded a bounty of songs and drafts for an album, SMiLE, that was intended to follow the band's 1966 masterpiece, Pet Sounds. The master tapes were ultimately shelved, and The Beach Boys' SMiLE has never been released. Drawn from the original masters, The SMiLE Sessions presents an in-depth overview of The Beach Boys' recording sessions for the enigmatic album, which has achieved legendary, mythical status for music fans around the world.

This expanded, boxed edition of The SMiLE Sessions features the main SMiLE album tracks, plus four CDs of additional audio from the legendary sessions, a double 180g vinyl LP set, and two 7” vinyl singles. The deluxe box also contains a 60-page hardbound book with rare and previously unseen photos and memorabilia from The Beach Boys’ archive and newly-written essays by Beach Boys Al Jardine, Mike Love, Brian Wilson, and Bruce Johnston, as well as by Beach Boys historian and author Domenic Priore and many other inner-circle participants.

Produced by Brian Wilson, Mark Linett, Alan Boyd and Dennis Wolfe in Los Angeles The SMiLE Sessions’ box set includes an assembled collection of core session tracks. It also delves much deeper into the sessions, adding early song drafts, alternate takes, instrumental and vocals-only mixes, and studio chatter. The SMiLE Sessions invites the listener into the studio to experience the album's creation, with producer, singer and bassist Brian Wilson's vision leading the way as he guides his fellow Beach Boys, singer Mike Love, drummer Dennis Wilson, lead guitarist Carl Wilson, rhythm guitarist Al Jardine, and newest member Bruce Johnston (who'd replaced Brian Wilson in the touring group during 1965), through the legendary sessions.

Artwork for all of The SMiLE Sessions’ has been created with and inspired by Beat-Pop artist Frank Holmes’ original 1967 LP sleeve art and booklet designs intended for the SMiLE album. With its three-dimensional shadowbox lid, The SMiLE Sessions box set offers a whimsical peek inside the storied ‘SMiLE Shop.’

When Capitol/EMI and The Beach Boys first announced plans for The SMiLE Sessions’ 2011 release, the news spread rapidly. Pitchfork reported, "The Beach Boys’ SMiLE is quite possibly the most storied album in rock history," Billboard proclaimed the upcoming release "an event that pop music fans have been waiting for since the Summer of Love," and The Washington Post called SMiLE "the most legendary unreleased album of all time."

The best efforts have been taken by The Beach Boys, the producers, and Capitol/EMI to present the SMiLE album sessions’ most vital and fascinating elements. However, there will no doubt be some debate amongst Beach Boys fans around the world who, during the past four decades, have become familiar with a variety of widely-traded bootlegged bits and pieces from the sessions. As recently explained by the Detroit Metro Times, “No album, released or not, has generated a more personal relationship with its audience, since no two people can ever agree on its content and purpose.”

Beginning with “Good Vibrations,” The Beach Boys’ best-selling record in a long string of hits, Brian Wilson had begun to construct songs in a modular form, crafting individual sections that would later be edited together to form a coherent whole. In several intense bursts of creative energy, Wilson, drawing on the talents of the finest studio musicians in Los Angeles and utilizing the best studio facilities available on any given day, laid down dozens of musical fragments, all designed to fit together in any number of possible combinations. No one had done this before in pop music, and his next endeavor would be an album-length version of this unique and luxurious songwriting parlance: SMiLE.

In 1965, Brian Wilson met an up-and-coming session keyboard player and songwriter, Van Dyke Parks. Noticing Parks' conversational eloquence, Wilson felt that he could help to volley The Beach Boys’ songwriting into the wave of broader-messaged and socially-conscious rock 'n' roll that would come to define the '60s. They were soon collaborating on keynote songs for SMiLE, including “Heroes And Villains,” the band’s follow-up single to “Good Vibrations.” Wilson and Parks would also co-write “Surf's Up,” “Vega-Tables,” “Cabin Essence,” “Do You Like Worms,” “Wonderful,” “Wind Chimes,” and other pieces of the SMiLE tapestry. Parks also introduced Frank Holmes to create album sleeve art and a booklet interpreting the album’s James Joyce-mode lyrics.

The reason SMiLE did not see a release in 1967 had more to do with back room business that obscured the creative side of the program than anything else. In late 1966, The Beach Boys formed Brother Records, initially to produce outside artists. Soon, however, The Beach Boys would become embroiled in a court action with Capitol Records with the goal to become the top-selling artists on their self-owned, independent label. The group withheld “Heroes And Villains” and announced they would instead release “Vega-Tables” – recorded with the band’s own money in April of '67 – on Brother Records. By July of 1967, Capitol Records and The Beach Boys had come to terms, with Capitol agreeing to distribute the band’s Brother Records, and it was agreed that SMiLE was no longer to be the band’s next album.

"The most famous unfinished album in rock & roll history..." - Rolling Stone

"Whether you listen as an arranging and engineering workshop or just to enjoy the tunes, the release of Smile both closes and opens a chapter in American musical history. You can take much of what you hear for granted until you get to the "Cabin Essence" studio highights and then you realize that real people sitting in a real studio were playing all of this crazy and complex stuff all directed and supervised by the musical master Brian Wilson all of 24 at the time." - Michael Fremer,  , Music 9/10, Sound 8/10

Features:
• 3D Shadow Box Lid featuring original artwork by Frank Holmes
• Drawn from Original Masters
• 13" x 13" x 2.5" Box
• 6 Panel folder holding 5 CDs and 7" Singles
• 2 - 7" Vinyl Singles
• Two 180g LPs - Gatefold jacket
• Stereo mixes & session highlights (on vinyl only)
• 60-page hardbound book
• Previously unreleased photos
• 24" x 36" poster of Frank Holmes cover art
• Drawings by Frank Holmes
• 12" x 12" booklet created for original release

Selections:
180 Gram Double Vinyl:
LP1 - Side 1:
1. Our Prayer
2. Gee
3. Heroes and Villains
4. Do You Like Worms (Roll Plymouth Rock)
5. I'm In Great Shape
6. Barnyard
7. My Only Sunshine (The Old Master Painter/You Are My Sunshine)
8. Cabin Essence
LP1 - Side 2:
1. Wonderful
2. Look (Song for Children)
3. Child Is Father Of the Man
4. Surf's Up
LP2 - Side 3:
1. I Wanna Be Around / Workshop
2. Vega-Tables
3. Holidays
4. Wind Chimes
5. The Elements: Fire (Mrs. O'Leary's Cow)
6. Love to Say Dada
7. Good Vibrations
LP2 - Side 4:
1. You're Welcome (stereo mix)
2. Vega-Tables (stereo mix)
3. Wind Chimes (stereo mix)
4. Cabin Essence (Session highlights and stereo backing track)
5. Surf's Up (Session Excerpt and Stereo mix)

7" Vinyl Single1:
Heroes and Villains "Smile" 7" single:
Side A:
Heroes and Villains Part One
Side B:
Heroes and Villains Part Two

7" Vinyl Single2:
Vega-Tables 7" single:
Side A:
Vega-Tables
Side B:
Surf's Up

CD1: SMiLE
1. Our Prayer
2. Gee
3. Heroes and Villains
4. Do You Like Worms (Roll Plymouth Rock)
5. I'm In Great Shape
6. Barnyard
7. My Only Sunshine (The Old Master Painter/You Are My Sunshine)
8. Cabin Essence
9. Wonderful
10. Look (Song for Children)
11. Child Is Father Of the Man
12. Surf's Up
13. I Wanna Be Around / Workshop
14. Vega-Tables
15. Holidays
16. Wind Chimes
17. The Elements: Fire (Mrs. O'Leary's Cow)
18. Love to Say Dada
19. Good Vibrations
Bonus Tracks:
20. You're Welcome
21. Heroes and Villains (Stereo mix)
22. Heroes and Villains Sections (Stereo mix)
23. Vega-Tables Demo
24. He Gives Speeches
25. Smile Backing Vocals Montage
26. Surf's Up 1967 (solo version)
27. Psycodelic Sounds: Brian Falls Into A Piano

CD2: Session Highlights
Our Prayer
1. Our Prayer "Dialog" (9/19/66)
2. Our Prayer (10/14/66)
Heroes and Villains
Heroes and Villains Session (10/20/66)
3. Verse (Master take)
4. Barnyard (Master take)
5. I'm In Great Shape (10/27/66)
6. Intro (Early version - circa 12/66)
Heroes and Villains Session (1/3/67)
7. Do A Lot
8. Back of Tricks
9. Mission Pak
10. Bridge To Indians
11. Part 1 Tag
12. Pickup To 3rd Verse
Heroes and Villains (1/27/67)
13. Children Were Raised
14. Part 2 (Cantina track)
15. Whistling Bridge
16. Cantina
17. All Day
18. Verse Edit Experiment
Heroes and Villains Session (2/15/67)
19. Prelude to Fade
20. Piano Theme
Heroes and Villains Session (2/20/67)
21. Part 2
22. Part 2 (Gee)(Master take)
23. Part 2 Revised
24. Part 2 Revised (Master take)
25. Part 3 (Animals)(Master take)
26. Part 4
27. Part Two (Master take) (2/27/67)
28. Fade (2/28/67)
Heroes and Villains Session (3/1/67)
29. Verse Remake
30. Organ Waltz / Intro
Heroes and Villains Session (6/14/67)
31. Chorus Vocals
32. Barbershop
33. Children Were Raised (Remake)
34. Children Were Raised (Master take Overdubs Mix 1)
35. Children Were Raised (Master take A Capella)
Bonus Tracks:
36. Heroes and Villains Piano Demo (incorporating "I'm In Great Shape" and "Barnyard") Brian with Van Dyke Parks and "Humble Harve" Miller, KHJ Radio (11/4/66)
37. Psycodelic Sounds: Brian Falls Into A Microphone (11/4/66)
38. Psycodelic Sounds: Moaning Laughing (11/4/66)

CD3: Session Highlights
Do You Like Worms (Roll Plymouth Rock)
Do You Like Worms Session (10/18/66)
1. Part 1
2. Part 2 (Bicycle Rider)
3. Part 3
4. Part 4 (Bicycle Rider)
5. Bicycle Rider Overdubs (Heroes And Villains Part 2) (1/5/67)
My Only Sunshine (The Old Master Painter / You Are My Sunshine)
6. Parts 1 & 2 (11/14/66)
7. Part 2 (Master Take With Vocal Overdubs) (2/10/67)
Cabin Essence
Cabin Essence Session (10/3/66)
8. Cabin Essence: Verse
9. Cabin Essence: Chorus
10. Cabin Essence: Tag
Wonderful
11. Wonderful (Version 1) (8/25/66)
Wonderful (Version 2 “Rock With Me, Henry”) Session (1/9/67)
12. Wonderful (Version 2)
13. Wonderful (Version 2 Tag)
14. Wonderful (Version 3) (4/10/67?)
Look (Song For Children)
15. Look (8/12/66)
Child Is Father Of The Man
16. Child Is Father Of The Man (Version 1) (10/7/66)
17. Child Is Father Of The Man (Version 2) (10/11/66)
Surf's Up
18. 1st Movement (11/4/66)
19. Talking Horns (11/7/66)
20. Surf’s Up: Piano Demo (Master Take) (12/15/66)
I Wanna Be Around / Workshop (Friday Night)
21. I Wanna Be Around (11/29/66)
Vega-Tables (Vegetables)
Vegetables Sessions (4/4/67 – 4/11/67)
22. Verse (Master Take Track) (4/4 – 4/11/67)
23. Sleep A Lot (Chorus)
24. Chorus 1 (Master Take)
25. 2nd Chorus (Master Take Track And Backing Vocals)
26. Insert (Part 4) (Master Take)

CD4 - Session Highlights
Vega-Tables (Vegetables) (continued)
1. Fade (4/12/67)
2. Ballad Insert (4/14/67)
Holidays
3. Holidays (9/8/66)
Wind Chimes
4. Wind Chimes (Version 1) (8/3/66)
Wind Chimes (Version 2) Session (10/5/66)
5. Wind Chimes (Version 2)
6. Wind Chimes (Version 2 Tag)
The Elements: Fire (Mrs. O'Leary's Cow)
7. The Elements (Fire) (11/28/66)
Love to Say Dada / Cool, Cool Water
Da Da Session (12/22/66)
8. Da Da (Taped Piano Strings)
9. Da Da (Fender Rhodes)
Love To Say Dada Sessions (5/16/67 - 5/18/67)
10. Love To Say Dada: Part 1 (5/16/67)
11. Love To Say Dada: Part 2 (5/17/67)
12. Love To Say Dada: Part 2 (Master Take) (5/17/67)
13. Love To Say Dada: Part 2 (Second Day) (5/18/67)
Cool, Cool Water
14. Cool, Cool Water (Version 1) (6/7/67)
15. Cool, Cool Water (Version 2) (10/26/67 & 10/29/67)
Smile Additional Sessions
16. You're Welcome (12/15/66)
17. You're With Me Tonight (6/6–6/7/67)
18. Tune X (3/3/67–3/31/67)
19. I Don't Know (1/12/67)
20. Three Blind Mice (10/15/65)
21. Teeter Totter Love (Jasper Dailey) (1/25/67 & 2/9/67)
Bonus Tracks:
22. Psycodelic Sounds - Underwater Chant (11/4/66)
23. Hal Blaine Vega-Tables Promo Session (11/16/66)
24. Early Version Outtake Sections (1/67 – 2/67)

CD5: Session Highlights
Good Vibrations Sessions
1. Gold Star 2/18/66 (The “Pet Sounds” Session)
2. Gold Star 4/9/66
3. Western 5/4/66 (First Chorus)
4. Western 5/4/66 (Second Chorus & Fade)
5. Sunset Sound 5/24/66 (Part 1)
6. Sunset Sound 5/24/66 (Parts 2 & 3)
7. Sunset Sound 5/24/66 (Part 4)
8. Western 5/27/66 (Part C)
9. Western 5/27/66 (Chorus)
10. Western 5/27/66 (Fade Sequence)
11. Good Vibrations (Inspiration): Western 6/2/66 (Part 1)
12. Good Vibrations (Inspiration): Western 6/2/66 (Part 3)
13. Good Vibrations (Inspiration): Western 6/2/66 (Part 4)
14. Western 6/16/66 (Part 1)
15. Western 6/16/66 (Part 2 & Verse)
16. Western 6/16/66 (Part 2 Continued)
17. Western 6/18/66 (Part 1)
18. Western 6/18/66 (Part 2)
19. Good Vibrations (Persuasion): Western 9/1/66
20. Western 9/1/66 (New Bridge)
21. Session Masters
22. Single Version Stereo Track
23. Good Good Good Vibrations (First Version With Overdubs) 3/66
24. Alternate Edit 8/24/66

The Beach Boys Surfin' USA 200 GRAM LIMITED EDITION LP

 

The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!

200g Vinyl LP Pressed at Quality Record Pressings!

Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!

A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!

Surfin' USA was the Beach Boys' real breakthough album, showing Brian Wilson asserting himself in the studio as both a premier songwriter and arranger on a set of material that was stronger than their Surfin' Safari debut.

Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.

The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.

"Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist.

The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!

All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.

Besides the hit title track on Surfin' USA and its popular drag-racing flip side ("Shut Down"), AllMusic.com notes that Surfin' USA has a lovely, heartbreaking ballad ("Lonely Sea") and a couple of strong Brian Wilson originals ("The Noble Surfer" and "Farmer's Daughter").

"There are also a surprisingly high quotient of instrumentals (five) that demonstrate that...the Beach Boys could play respectably gutsy surf rock as a self-contained unit. Indeed, the album as a whole is the best they would make, prior to the late '60s, as a band that played most of their instruments, rather than as a vehicle for Brian Wilson's ideas. The LP was a huge hit, vital to launching surf music as a national craze, and one of the few truly strong records to be recorded by a self-contained American rock band prior to the British Invasion."

Features:
• Pressed on 200g Virgin Vinyl
• Mastered by Kevin Gray at Cohearent Audio from the original master tapes or best sources available
• Lacquer plating by Gary Salstrom
• Pressed at Quality Record Pressings
• Stereo
• "Old school" Stoughton tip-on jackets
• Meticulous test pressing evaluation and quality control
• Deluxe Packaging - Highest quality jackets and rice paper inner sleeves
• Audio Production - Mark Linett
• For Brother Records - Elliott Lott

Selections:
Side One:
1. Surfin' U.S.A.
2. Farmer's Daughter
3. Misirlou
4. Stoked
5. Lonely Sea
6. Shut Down
Side Two:
1. Noble Surfer
2. Honky Tonk
3. Lana
4. Surf Jam
5. Let's Go Trippin'
6. Finders Keepers

The Beach Boys Surfer Girl 200 GRAM LIMITED EDITION LP

  The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!

200g Vinyl LP Pressed at Quality Record Pressings!

Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!

A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!

Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nik Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, "Catch A Wave," "In My Room," "Hawaii," "Our Car Club," "Little Deuce Coupe," "Your Summer Dream," and more.

Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.

The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.

"Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist.

The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!

All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.

Features:
• Pressed on 200g Virgin Vinyl
• Mastered by Kevin Gray at Cohearent Audio from the original master tapes or best sources available
• Lacquer plating by Gary Salstrom
• Pressed at Quality Record Pressings
• Stereo
• Meticulous test pressing evaluation and quality control
• "Old school" Stoughton tip-on jackets
• Deluxe Packaging - highest quality jackets and rice paper inner sleeves
• Audio Production - Mark Linett
• For Brother Records - Elliott Lott

Selections:
Side One:
1. Surfer Girl
2. Catch A Wave
3. The Surfer Moon
4. South Bay Surfer
5. The Rocking Surfer
6. Little Deuce Coupe
Side Two:
1. In My Room
2. Hawaii
3. Surfer's Rule
4. Our Car Club
5. Your Summer Dream
6. Boogie Woogie

The Beach Boys Little Deuce Coupe 200 GRAM LIMITED EDITION LP

The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!

200g Vinyl LP Pressed at Quality Record Pressings!

Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!

A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!

Released just one month after the Surfer Girl album, Little Deuce Coupe was, incredibly, the Beach Boys' fourth album in less than a year. Brian Wilson and the band responded by turning in arguably their most consistent effort to date — and a concept album, to boot.

Little Deuce Coupe expanded the band's subject matter to encompass 1963 America's burgeoning love affair with hot rods, surrounding previously released cuts such as the title track, "409," and others with strong new material (much of it cowritten by Wilson and a DJ, Roger Christian). A highpoint: the a cappella James Dean tribute "A Young Man Is Gone" (a reworking of Bobby Troup's beautiful "Their Hearts Were Full of Spring"), a prime example of Wilson's arranging genius and the band's vocal prowess. "Their Hearts Were Full Of Spring" had been a standard for the vocal group The Four Freshmen, whose lush and distinctive jazz-based vocal arrangements had a huge influence on Brian's musical development.

Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.

The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.

"Brian may or may not have been present for those mixing sessions — evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own — but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market," says Alan Boyd, producer and Beach Boys' archivist.

The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!

All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.

Features:
• Pressed on 200g Virgin Vinyl
• Mastered by Kevin Gray at Cohearent Audio from the original master tapes or best sources available
• Lacquer plating by Gary Salstrom
• Pressed at Quality Record Pressings
• Stereo
• Meticulous test pressing evaluation and quality control
• "Old school" Stoughton tip-on jackets
• Deluxe Packaging - Highest quality jackets and rice paper inner sleeves
• Audio Production - Mark Linett
• For Brother Records - Elliott Lott

Selections:
Side One:
1. Little Deuce Coupe
2. Ballad Of Ole' Betsy
3. Be True To Your School
4. Cherry, Cherry Coupe
5. 409
Side Two:
1. Shut Down
2. Spirit Of America
3. Our Car Club
4. No-Go Showboat
5. A Young Man Is Gone
6. Custom Machine

The Beach Boys All Summer Long 200 GRAM STEREO LIMITED EDITION LP

The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!

200g Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!

Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available! 

To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And they’ve got ‘em!

For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today was the first LP for which they only delivered a mono master.

Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!

Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!

But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl,” “In My Room,” “Little Deuce Coupe” and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well. 

Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!

All Summer Long is the sixth studio album by The Beach Boys and their second in 1964. It rose to number four in the US during a forty-nine week chart stay, and was certified gold by the RIAA. The album's sessions were recorded in the aftermath of the British Invasion, marking a major turning point in the Beach Boys' career, and in bandleader/primary songwriter Brian Wilson as an artist. For a brief period of time following its release, All Summer Long was to be their final album which reveled in California beach culture.

"All Summer Long was notable not only for racheting up the Beach Boys' standards and essentially bidding farewell to the surf songs that inspired both their name and reputation, but also for going toe-to-toe with one of rock's most explosive phenomena — Beatlemania — and coming away victorious, with the single 'I Get Around' soaring to No. 1 in the spring of 1964. Essentially another loose concept record (revolving around the innocent hedonistic pursuits of an idyllic SoCal summer) that takes its cue from the effervescent title track, it also documents Brian's restless creativity pushing the band toward its performing peak." -

Features:
• 200g Vinyl
• Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
• Lacquer plating by Gary Salstrom
• Pressed at Quality Record Pressings
• Stereo
• "Old school" Stoughton tip-on jackets
• Audio Production - Mark Linett
• For Brother Records - Elliott Lott

Selections:
Side A:
1. I Get Around
2. All Summer Long
3. Hushabye
4. Little Honda
5. We'll Run Away
6. Carl's Big Chance

Side B:
7. Wendy
8. Do You Remember?
9. Girls On The Beach
10. Drive-In
11. Our Favorite Recording Sessions
12. Don't Back Down

The Beach Boys The Beach Boys in Concert 180 GRAM LIMITED EDITION 2 LP SET

180g Vinyl LP Reissue Contains Live Recordings from 1972 and 1973 Concerts! 

Includes "California Girls," "Good Vibrations," "Wouldn't It Be Nice" and More!

"The Beach Boys In Concert" was the second live album for the group and was released in 1973, nine years after their first live album released in the U.S., "Beach Boys Concert." The album peaked at No. 25 on the charts giving the Beach Boys their best chart peak since 1968's Wild Honey. The album also gave them their first gold record since 1966's "Best of The Beach Boys."

This 1973 set captures a band feverishly trying to reconcile its past, present, and future. The album was recorded during winter of 1972 and summer of 1973. This live double LP features the perfect cross-section of Beach Boys songs. Now on 180 gram vinyl in a gatefold package. 

"Beach Boys in Concert was the final live album to be issued -- excluding archival vault releases -- capturing the seminal American combo as a viable, hard-working rock & roll band with timeless material...This is the way the Beach Boys deserve to be remembered." -Lindsay Planer, allmusic

Features:
• 180g Vinyl Reissue

Selections:
1. Sail On, Sailor
2. Sloop John B
3. The Trader
4. You Still Believe In Me
5. California Girls
6. Darlin'
7. Marcella
8. Caroline, No
9. Leaving This Town
10. Heroes and Villains
11. Funky Pretty
12. Let the Wind Blow
13. Help Me, Rhonda
14. Surfer Girl
15. Wouldn't It Be Nice
16. We Got Love
17. Don't Worry Baby
18. Surfin' U.S.A.
19. Good Vibrations
20. Fun, Fun, Fun

The Beach Boys 20/20 180 GRAM LIMITED EDITION LP

180g Vinyl LP Reissue! Includes the Single "Do It Again!"

Originally released in 1969, 20/20 is now available on vinyl again. The 180 gram vinyl replicates the original packaging. The title was released post-Pet Sounds and contains 60’s era hit singles "Do It Again" and "I Can Hear Music."

A self-produced album, the Beach Boys included songs spanning across a variety of different genres including hard rock, country and psych pop. The lead single "Do It Again," their first 'surfer' song since before Pet Sounds, charted at number one on the UK chart.

Including compilation albums, 20/20 was the twentieth album for the group - hence the title.

Features:
• 180g Vinyl Reissue

Selections:
1. Do It Again
2. I Can Hear Music
3. Bluebirds Over the Mountain
4. Be With Me
5. All I Want To Do
6. The Nearest Faraway Place
7. Cotton Fields (The Cotton Song)
8. I Went To Sleep
9. Time To Get Alone
10. Never Learn Not To Love
11. Our Prayer
12. Cabinessence

The Beach Boys Beach Boys Concert 180 GRAM LIMITED EDITION LP

180g Vinyl Reissue Includes "Papa-Oom-Mow-Mow" and "The Wanderer!"

Beach Boys Concert is a live album by the Beach Boys, released in 1964. It is their seventh album in all, and their third alone in the same year. What is perhaps most notable about the album is that it provided the Beach Boys with their first number one album in the US, remaining at the top for four weeks during a sixty-two week chart stay and becoming another gold seller.

Beach Boys Concert proves to be a timely release because leader and producer Brian Wilson was about to vacate his position in the live group, and would only perform sporadically with them over the course of the next three decades. It is also the only live document of the second line up of the Beach Boys in officially released LP form. It was recorded live at the Memorial Auditorium in Sacramento, CA.

The album includes several songs that The Beach Boys regularly performed live but had not previously included on an album, such as "Papa-Oom-Mow-Mow," "The Wanderer" and "Monster Mash." "The Little Old Lady from Pasadena" was actually a Jan & Dean hit. Alongside those were a sampling of their favorites, such as "Hawaii," "In My Room," "Fun, Fun, Fun," and "I Get Around."

Features:
• 180g Vinyl Reissue
• Gatefold jacket

Selections:
Side One:
1. Fun, Fun, Fun
2. The Little Old Lady From Pasadena
3. Little Deuce Coupe
4. Long, Tall Texan
5. In My Room
6. Monster Mash
7. Let's Go Trippin'
Side Two:
1. Papa-Oom-Mow-Mow
2. The Wanderer
3. Hawaii
4. Graduation Day
5. I Get Around
6. Johnny B. Goode

The Beach Boys 15 Big Ones 180 GRAM LIMITED EDITION LP

180g Vinyl Reissue!

15 Big Ones is the twentieth studio album by American rock group The Beach Boys released in July 1976. It was their first studio album since Holland three years earlier, and the first produced by Brian Wilson since Pet Sounds ten years earlier. With Blondie Chaplin and Ricky Fataar having left the group, 15 Big Ones marks the first album to feature the classic five-piece lineup of the Beach Boys (brothers Brian, Carl, and Dennis Wilson; cousin Mike Love; and friend Al Jardine) since 1965's The Beach Boys Today!. 

Recorded in 1975, this album contains covers of rock and doo wop standards as well as Beach Boys original compositions. The title "15 Big Ones" comes from the fact that the group had been in business for 15 years plus it carried a 15-song tracklisting.

Features:
• 180g Vinyl
• Gatefold Jacket

Selections:
Side A:
1. Rock and Roll Music
2. It's O.K.
3. Had to Phone Ya
4. Chapel of Love
5. Everyone's In Love With You
6. Talk To Me 
7. That Same Song
8. T M Song
Side B:
1. Palisades Park
2. Susie Cincinnati
3. A Casual Look
4. Blueberry Hill
5. Back Home
6. In the Still of The Night
7. Just Once In My Life

The Beach Boys Live in London 180 GRAM LIMITED EDITION AUDIOPHILE LP

180g Vinyl Reissue of Live Album Recorded in 1968!

Live in London is a live album by The Beach Boys, initially released by EMI in the UK in May 1970, and in the US via Capitol Records on November 15, 1976. The album captures the band's biggest hits at the live best. 

While their popularity waned (momentarily) back home in the U.S., the Beach Boys flourished overseas as is evident by the performances recorded December 8, 1968 at Finsbury Park Astoria in London. The live version of 'Good Vibrations' found on this album is used in the game Rock Band 3.

"...the celebratory "Wake the World" and a bluesy take of "Bluebirds Over the Mountains" fit in perfectly with staples like the tempo-shifting, musically precise version of "Good Vibrations," just one crowd-pleaser among many on Live in London." -Rovi Staff, allmusic 

Features:
• 180g Vinyl 

Selections:
Side One:
1. Darlin'
2. Wouldn't It Be Nice
3. Sloop John B
4. California Girls
5. Do It Again
6. Wake the World
7. Aren't You Glad
Side Two:
1. Bluebirds Over the Mountain
2. Their Hearts Were Full of Spring
3. Good Vibrations
4. God Only Knows
5. Barbara Ann

The Beach Boys L.A. (Light Album) 180 GRAM LIMITED EDITION LP

180g Vinyl Reissue!

L.A. (Light Album) is the twenty-third studio album by The Beach Boys, released on March 19, 1979. Produced by Bruce Johnston, James William Guercio and the band itself, the album was The Beach Boys' first on CBS Records, and the first to feature contributions from Johnston since his departure from the band in 1972. 

Johnston was brought in when it became clear that the ailing Brian Wilson was in no fit state to produce the album, and has remained in the band ever since. The album contains excellent harmonies and a laid back vibe. The album spawned a top-ten hit in the UK with Al Jardine's "Lady Lynda" written for his then-wife. 

Features:
• 180g Vinyl

Selections:
1. Good Timin'
2. Lady Lynda
3. Full Sail
4. Angel Come Home
5. Love Surrounds Me
6. Sumahama
7. Here Comes the Night
8. Baby Blues
9. Goin' South
10. Shortenin' Bread

The Beach Boys M.I.U. Album 180 GRAM LIMITED EDITION LP

180g Vinyl Reissue!

M.I.U. Album is the twenty-second studio album by The Beach Boys, released on October 2, 1978 on Brother/Reprise. Recorded during a fraught time for the band, only Mike Love, Al Jardine, and Brian Wilson appear consistently throughout the album, with Carl and Dennis Wilson audible on only a few tracks. Produced by Al Jardine and songwriter Ron Altbach, the album's title stems from Maharishi International University in Fairfield, Iowa, where the majority of the album was recorded. 

Features:
• 180g Vinyl

Selections:
Side One:
1. She's Got Rhythm
2. Come Go With Me
3. Hey Little Tomboy
4. Kona Coast
5. Peggy Sue
6. Wontcha Come Out Tonight
Side Two:
1. Sweet Sunday Kinda Love
2. Belles of Paris
3. Pitter Patter
4. My Diane
5. Match Point of Our Love
6. Winds of Change

PET SOUNDS - 200 GRAM STEREO AUDIOPHILE ISSUE

This has to be one of the all-time greatest albums by one of the most creative groups ever. Why? Well try such phenomenal breathtaking classics as “Wouldn’t It Be Nice” (No.8 US ’66), “Sloop John B” (No.2 UK, No.3 US ’66) and the truly timeless beautiful “God Only Knows” (No.2 UK, No.39 US ’66) - each and every one being a gem and as such easily put the Beach Boys into the same creative stratosphere as the Beatles.

PET SOUNDS is the album which managed to transcend the Beach Boys from a bunch of sun-drenched beach bums to west coast musical geniuses in one fell swoop. In fact, Brian Wilson himself actively credits the Beatles RUBBER SOUL as being the catalyst for the standard of work achieved on PET SOUNDS. Listening to the album again on 180 gram vinyl for the first time in years, it’s obvious that “Pet Sounds” is one of the masterpieces of the millennium.

Tracks include: Wouldn't It Be Nice - You Still Believe In Me - That's Not Me - Don't Talk (Put Your Head On My Shoulder) - I'm Waiting For The Day - Let's Go Away For A While - Sloop John B - God Only Knows - I Know There's An Answer - Here Today - I Just Wasn't Made For These Times - Pet Sounds - Caroline No - Hang On To Your Ego (Bonus Track)

SMILEY SMILE -

THE BEACH BOYS - SMILEY SMILE - 180 Gram Limited Edition Simply Vinyl classic LP (made in England - has the best protective packaging I’ve seen) high-definition Virgin Vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard and of superior quality.

The follow-up to such a classic as PET SOUNDS- is the legendary SMILEY SMILE. Even attempting to follow up the brilliance of PET SOUNDS would be a tough mission for anyone, let alone the Beach Boys!. Add into the equation the astounding array of mind-bending drugs which were around at the time and the descent into weirdness which affected the Beach Boys resident genius Brian Wilson and we have all the ingredients of an A#1disaster. Well, make no mistake about it, there is little doubt that the Beach Boys lost their former Surfing audience and exchanged them for a new generation of stoners.

Containing the magnificent "Good Vibrations" (No.1 UK, No.1 US '66) and the audacious "Heroes and Villains" (No.9 UK, No.12 US '67), SMILEY SMILE is definitely an album of some very weird and wonderful times.

Other tracks include:  Vegetables - Fall Breaks and Back To Winter - She's Goin' Bald - Little Pad - With Me Tonight - Wind Chimes - Getting Hungry - Wonderful - Whistle In

Needless to say, it sounds absolutely superb on beautiful 180 gram vinyl - as it was meant to be heard.

 

WIPE OUT' LP - with The Beach Boys - The Marketss - The Fromen

Originally released on the Gateway label containing original artwork  - 7 tracks by pre-Capitol Beach Boys - Surfin' - Surfin Safari - Luau - Barbie - Surfer Girl - Karate - What Is A Young Girl Made Of - plus 3 cuts each for The Markets (including their hits Surfer's Stomp - Wipe Out - Balboa Blue - SURFER'S STOMP.

The Beach Boys Surfin' Safari 

The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!

200 GRAM Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!

Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!

To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And they’ve got ‘em!

"This reissue sounds far superior to the original in every way… Unless you are a Beach Boy "completist" and want to hear these songs sounding better than you've ever heard them, this debut is not exactly essential. On the other hand, if you can overlook the songwriting you will hear a young band that is getting together its playing chops and getting ready to take its act on the road and hit the really big time. That alone can help make the listening exciting…"

"There's no deterring hard-core Beach Boys fans from these reissues, especially those who grew up with the original records and who want to hear them re-mastered for adult record players… These reissues restore whatever was really on the tapes… As for the quality of these reissues, it's quite clear that, whether or not you like the sonic results, Analogue Productions sets the reissue standard. The company insists upon using analog master tapes (where available), not analog copies, it uses the best available artwork, and packages in "Tip-on"™ jackets. It masters where the tapes are located using Kevin Gray in California, Ryan K. Smith in New York and Willem Makkee in Germany." - Michael Fremer,

For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today was the first LP for which they only delivered a mono master.

Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!

Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!

But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl,” “In My Room,” “Little Deuce Coupe” and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well.

Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!

With this quiet QRP pressing of Surfin' Safari you'll enjoy the smash hit title cut as well as "409," "Summertime Blues," and more as the fledgling Beach Boys proudly display their garage band roots in this, their debut album for Capitol Records.

Their classic songs epitomize the spirit of the California lifestyle and The Beach Boys have become an American icon to a worldwide audience. The Beach Boys' first hit "Surfin'" (1961) launched a string of chart-topping songs that spans nearly forty years and includes eternal anthems of American youth: "Surfin' USA," "Surfer Girl," "Fun, Fun, Fun," "I Get Around," "California Girls," "Help Me Rhonda," "Barbara Ann," "Good Vibrations," "Wouldn't It Be Nice," "Rock and Roll Music," "Kokomo," and more.

Their chart success alone would have earned The Beach Boys their spot in The Rock and Roll Hall of Fame (they were inducted in 1988), not to mention 32 RIAA Platinum and Gold record awards and worldwide sales estimated at more than 100 million. But The Beach Boys' story is one of not only commercial but also artistic success. Their unique blend of harmonies, musical arrangements and timeless lyrics still place the music of The Beach Boys among the All-Time Favorites of today's music critics. As an example, VH-1 named Pet Sounds as the No. 3 album in the Top 100 Albums in Rock 'n' Roll History, as judged in a poll of musicians, executives and journalists. The Beach Boys were honored at the 2001 Grammy Awards, receiving The Lifetime Achievement Award from the Recording Academy.

Features:
• 200 Gram Vinyl
• 33 1/3rpm mono mixes created under Brian Wilson's supervision
• Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
• Lacquer plating by Gary Salstrom
• Pressed at Quality Record Pressings on Virgin Vinyl
• Mono
• Deluxe Packaging, Highest Quality Jackets and Rice Paper Inner Sleeves
• "Old School" Stoughton tip-on jackets

Selections:
Side I:
1. Surfin' Safari
2. County Fair
3. Ten Little Indians
4. Chug-A-Lug
5. Little Miss America
6. 409
Side II:
1. Surfin'
2. Heads You Win - Tails I Lose
3. Summertime Blues
4. Cuckoo Clock
5. Moon Dawg
6. The Shift

  The Beach Boys Surf's Up 200 GRAM LIMITED EDITION LP

EMI continues to faithfully restore and deliver quality vinyl "From the Capitol Vaults".

Surf's Up, the album originally released in 1971, was based on the song of the same title written for the abandoned 1966-67 SMiLE album (which was later completed & released in 2004 by Brian Wilson and his band). This album features a re-worked version while SMiLE contains the original version of the song.

"The late, angel-throated Carl Wilson in particular shines here, and with two of brother Brian's greatest-ever tunes, 'Til I Die' and 'Surf's Up,' closing things out... the listener is left levitating in ecstasy as the final notes fade away. To this day, I get misty when I hear those songs - that teenage me gently inhabiting my being for a precious few minutes." - Fred Mills, Stereophile Magazine, February 2013, p. 74

Features:
• Limited Edition
• 200 GRAM Audiophile Pressing
• remastered
• Original packaging
• 4 Color Single Jacket
 

Selections:
1. Don't Go Near the Water
2. Long Promised Road
3. Take a Load Off Your Feet
4. Disney Girls
5. Student Demonstration Time
6. Feel Flows
7. Lookin' At Tomorrow
8. A Day In the Life of a Tree
9. 'Til I Die
10. Surf's Up

THE BEACH BOYS THE BEACH BOYS TODAY! 180 GRAM LP

Rolling Stone 500 Greatest Albums of All Time - Rated 271/500!

The highly acclaimed and industry leading vinyl initiative, EMI's "From the Capitol Vaults", continues with crucial titles from the Beach Boys, The Band, Frank Sinatra, David Bowie and Faust!

The 1965 album was the Beach Boys' eighth studio album and the first of three to be released that year. The record contains the original version of the classic hit "Help Me, Rhonda". "Today!" marked a major turning point for the band, and especially the exhausted Brian Wilson. This was the point Wilson gave up touring, and many consider this the beginning of his artistic maturation.

One side of the album contains upbeat songs including "Do You Wanna Dance" and "Help Me Rhonda" while the second side features ballads such as "Please Let Me Wonder" and "Kiss Me, Baby". Aside from their highly successful "Pet Sounds", "Today!" is their most highly acclaimed.

"The Beach Boys were still into cars, girls and surfboards, but Brian Wilson was already a genius. He writes sweet California tunes here, from "When I Grow Up (to Be a Man)" to "Don't Hurt My Little Sister." And the haunting "She Knows Me Too Well" hits as deep as anything on Pet Sounds." -
Features:
• Limited Edition
• 180g Vinyl

Selections:
1. Do You Wanna Dance?
2. Good To My Baby
3. Don't Hurt My Little Sister
4. When I Grow Up
5. Help Me, Rhonda
6. Dance, Dance, Dance
7. Please Let Me Wonder
8. I'm So Young
9. Kiss Me, Baby
10. She Knows Me Too Well
11. In the Back of My Mind
12. Bull Session With the 'Big Daddy'

The Beach Boys The Beach Boys 180 GRAM LIMITED EDITION LP 180g Vinyl Reissue!

Released in 1985, The Beach Boys' self-titled album was their 25th studio album and was produced by Steve Levine. The album was the first album in five years and their first since the untimely death of founding member Dennis Wilson.

Besides the songs written by the band members (Brian Wilson, Carl Wilson, Mike Love, Bruce Johnston and Al Jardine), Stevie Wonder and Culture Club also donated one song each to the cause.

The song "I Do Love You" features keyboards and harmonica performed by Stevie Wonder, also wrote the song. Ringo Starr appears on "California Caling" while guitarist Gary Moore performs both guitar and synthaxe on all tracks.

Features:
• 180g Vinyl

Selections:
1. Getcha Back
2. It's Gettin' Late
3. Crack At Your Love
4. Maybe I Don't Know
5. She Believes In Love Again
6. California Calling
7. Passing Friend
8. I'm So Lonely
9. Where I Belong
10. I Do Love You (feat. Stevie Wonder)
11. It's Just A Matter of Time

THE BEACH BOYS SUMMER DAYS (AND SUMMER NIGHTS) 180 GRAM LP The highly acclaimed and industry leading vinyl initiative, EMI's "From the Capitol Vaults", continues with crucial titles from the Beach Boys, The Band, Frank Sinatra, David Bowie and Faust!

The follow-up to "Today!", "Summer Days (And Summer Nights)" hit #2 in the US during a 33 week stay on the charts. After the melancholy second side of "Today!", Mike Love encouraged Brian Wilson to create more 'Beach-Boys' style music resulting in tracks like "California Girls", and "Amusement Parks U.S.A.". Also found is "Then I Kissed Her" and a re-worked version of "Help Me, Rhonda".

Features:
• Limited Edition
• 180g Vinyl

Selections:
1. The Girl From New York City
2. Amusement Parks U.S.A.
3. Then I Kissed Her
4. Salt Lake City
5. Girl Don't Tell Me
6. Help Me, Rhonda
7. California Girls
8. Let Him Run Wild
9. You're So Good To Me
10. Summer Means New Love
11. I'm Bugged at My Ol' Man
12. And Your Dream Comes True The Beach Boys Keepin' the Summer Alive 180 GRAM LIMITED EDITION LP

180g Vinyl Reissue!

Keepin' the Summer Alive is the twenty-fourth studio album by American rock band The Beach Boys, released on March 24, 1980 on Brother, Caribou and CBS Records. Produced by band member Bruce Johnston, following aborted attempts to have Brian Wilson return to his former role, the album is the last with Dennis Wilson. The album also features the Eagles' guitarist Joe Walsh on the opening track "Keepin' the Summer Alive." The album peaked at #75 in the U.S. The album also includes the gem "Endless Harmony."

Features:
• 180g Vinyl

Selections:
1. Keepin' the Summer Alive
2. Oh Darlin'
3. Some Of Your Love
4. Livin' With A Heartache
5. School Day (Ring! Ring! Goes the Bell)
6. Goin' On
7. Sunshine
8. When Girls Get Together
9. Santa Ana Winds
10. Endless Harmony

BRIAN WILSON BRIAN WILSON 180 GRAM LIMITED EDITION AUDIOPHILE LP (BLUE VINYL) - 

180g Translucent Blue Vinyl Mastered by Friday Music's Joe Reagoso & Ron McMaster From Original Sire Records Tapes!

Along with The Beach Boys, the legendary Brian Wilson, the rock and roll genius and ambassador of time honored classic rock and popular song, invented and helped shape the California sound for the entire world to enjoy for over fifty years. His distinct vision and musical imagery for The Beach Boys truly made them one of the first rock bands in history to sell multi-platinum and gold albums to millions of fans around the globe.

In 1988, Brian Wilson took some time out from The Beach Boys and ventured out on his own and delivered what was to soon become his masterpiece debut solo album Brian Wilson.

For this masterwork, Brian performs a number of his future classics like his powerful hit single Love And Mercy and brilliantly melodic tunes like his much loved Melt Away and his tribute to The Beach Boys One For The Boys. Some of his Beach Boys Today roots and Phil Spector admiration is felt as well with stunning tracks like Baby Let Your Hair Grow Long and Meet Me In My Dreams Tonight.

A star studded event, Brian Wilson is joined by many of his superstar friends like Christopher Cross and Andy Paley on the rockin’ Night Time as Terrence Trent D’Arby lends a hand on the Beach Boys Love You vibe of Walkin’ The Line. Jeff Lynne (ELO, Traveling Wilburys) joins the team as well for one of the finest collaborative efforts ever between two legends with the beautiful Let It Shine.

Brian Wilson also knows how to create pocket symphonies as he did for years with epic tracks like Good Vibrations. For this LP, the spectacular Rio Grande closes the album out leaving us all with even more good vibrations about how masterful this album truly is.

As another fine installment in the exclusive Brian Wilson 180 Gram Audiophile Series, Friday Music proudly presents for the first time ever on 180 Gram Audiophile Translucent Blue Vinyl, the 25th Anniversary of Brian Wilson’s classic masterpiece Brian Wilson.

Impeccably mastered from the original Sire Records tapes by long time Beach Boy friend and associate Joe Reagoso at Friday Music Studios and at Capitol Records with Ron McMaster, Brian Wilson is a brilliant recording that truly resonates in the audiophile vinyl domain.

In addition to the wonderful music contained on this stunning release, to celebrate this 25th Anniversary limited edition album, also included is a wonderful first time gatefold cover. This features the original artwork elements from rare inner sleeve, lyrics and photos, as well as Brian Wilson’s special notes from the original artwork.

Brian Wilson...His masterpiece debut Brian Wilson...An American Icon...A Gift Of Music to the World from the Musical Genius of Our Times...First Time Audiophile Blue Vinyl Release...Only from your friends at Friday Music...Surf’s Up!

Features:
• Limited Edition
• 180g Audiophile Vinyl
• Translucent Blue Vinyl
• Mastered from Original Sire Records Tapes
• Mastered by Joe Reagoso at Friday Music Studios and Capitol Records with Ron McMaster
• First-time gatefold jacket
• Features original artwork elements from rare inner sleeve, lyrics, photos, & Brian Wilson's special notes from original artwork

Selections:
Side One:
1. Love and Mercy
2. Walkin' The Line
3. Melt Away
4. Baby Let Your Hair Grow Long
5. Little Children
6. One For The Boys
7. There's So Many
Side Two:
1. Night Time
2. Let It Shine
3. Meet Me In My Dreams Tonight
4. Rio Grande

Brian Wilson I Just Wasn't Made For These Times 180 GRAM LIMITED EDITION LP

180g Audiophile Vinyl Mastered by Friday Music's Joe Reagoso With Kevin Gray From Original MCA Records Master Tapes!

Along with The Beach Boys, the legendary Brian Wilson, the rock and roll genius and ambassador of time honored classic rock and popular song, invented and helped shape the California sound for the entire world to enjoy for over fifty years. His distinct vision and musical imagery for The Beach Boys truly made them one of the first rock bands in history to sell multi-platinum and gold albums to millions of fans around the globe.

In 1996, Brian Wilson and long-time admirer superstar producer Don Was collaborated on what was to become a much applauded project in Wilson’s long time solo career. Pre-dating his own Smile album release by several years, I Just Wasn’t Made For These Times was a soundtrack to the critically acclaimed documentary which went on to receive several Emmy and Sundance nominations during the film’s initial run at the theatre and on the Disney Channel.

Organically recorded with its minimalistic approach, Don Was reached for and delivered the soulful side of Brian Wilson. For this masterwork, Brian performs a number of his classic Beach Boys hits like The Warmth Of The Sun, Do It Again (featuring daughters Carnie and Wendy Wilson) and album track treasures like Meant For You from Friends, ‘Til I Die from Surf’s Up and of course the Pet Sounds classic Caroline, No.

For this album, Brian Wilson also included some of his later solo hits like Love And Mercy, Melt Away and a very rare home studio demo of Still I Dream Of It, plus even more Beach Boys classics like This Whole World from Sunflower.

In an effort to continually offer the consummate music fan with the greatest recordings of all time, Friday Music proudly presents for the first time ever on 180 Gram Audiophile Vinyl, Brian Wilson’s classic masterpiece I Just Wasn’t Made For These Times.

Impeccably mastered from the original MCA Records tapes by long time Beach Boy friend and associate Joe Reagoso at Friday Music Studios with Kevin Gray, I Just Wasn’t Made For These Times is a brilliant recording for the audiophile vinyl domain.

In addition to the wonderful music contained on this stunning release, to celebrate this limited edition album, Friday Music also includes a wonderful gatefold cover. This features the original artwork elements from the compact disc release, rare photographs, as well as Don Was recollections and Brian Wilson’s special notes from the original artwork.

Brian Wilson...I Just Wasn’t Made For These Times...an American Icon...A Gift Of Music to the World from the Musical Genius of Our Times...First Time Audiophile Vinyl Release...Only from your friends at Friday Music...Surf’s Up!

Features:
• Limited Edition
• 180g Audiophile Vinyl
• Mastered From Original MCA Records Master Tapes
• Mastered by Joe Reagoso at Friday Music with Kevin Gray
• First time ever on 180g Audiophile Vinyl
• Gatefold jacket
• Original artwork elements
• Rare photographs
• Don Was recollections and Brian Wilson's special notes from original artwork

Selections:
Side One:
1. Meant For You
2. This Whole World
3. Caroline, No
4. Let the Wind Blow
5. Love and Mercy
6. Do It Again
Side Two:
1. The Warmth of the Sun
2. Wonderful
3. Still I Dream Of It
4. Melt Away
5. 'Til I Die

BRIAN WILSON'S - THAT LUCKY OLD SUN - A musical love letter from Southern California, That Lucky Old Sun continues the awe-inspiring concept album journey that Brian Wilson first began four decades ago for The Beach Boys' 1966 classic, Pet Sounds, and has continued to evolve during his solo career, highlighted by his 2004 critically-acclaimed Brian Wilson Presents Smile. The album is narrated in transitional interludes spoken by Wilson as "That Lucky Old Sun," the storyteller. The narratives, cameos on life and the heartbeat of Los Angeles, propel the album's musical story.

Track Listings 1.   That Lucky Old Sun 2.   Morning Beat 3.   Narrative: Room With A View 4.   Good Kind Of Love 5.   Forever She'll Be My Surfer Girl 6.   Narrative: Venice Beach 7.   Live Let Live/That Lucky Old Sun (Reprise) Medley 8.   Mexican Girl 9.   Narrative: Cinco De Mayo 10.   California Role/That Lucky Old Sun (Reprise) Medley 11.   Narrative: Between Pictures 12.   Oxygen To The Brain 13.   Can't Wait Too Long 14.   Midnight's Another Day 15.   That Lucky Old Sun (Reprise) 16.   Going Home 17.   Southern California

 

TWO MIKE LOVE RELEASE RARE SEALED TITLES BUT HAVE A CUTOUT IN JACKET

MIKE LOVE'S SOLO LP LOOKING BACK WITH LOVE - THIS IS THE 1981 BOARDWALK RECORDS RELEASE 

- TRACKS ARE -

1 Looking Back With Love

2 On and on and On

3 Runnin' Around the World

4 Over and Over

5 Rockin' the Man in the Boat

6 Calendar Girl

7 Be My Baby

8 One Good Reason

9 Teach Me Tonight

10 Paradise Found

ALMOST SUMMER SOUND TRACK WITH BRIAN WILSON - MIKE LOVE & AL JARDINE WRITTEN TITLE TRACK ALMOST SUMMER - THIS RARE TRACK FOR BEACH BOYS FANS - THIS LP FEATURES ARTIST LIKE RON ALTBACH - CHARLES LLOYD & DAVE ROBINSON - MCA RECORDS USA PRESSED ISSUE

TRACKS ARE - Soundtrack Features Brian Wilson And Mike Love - Songs Include : Almost Summer / Sad, Sad Summer / Cruisin' / Lookin' Good / Summer In The City / It's OK / Football / Island Girl / Christine And Bobby / We Are The Future / She Was A Lady

Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay.  VINYLROTATION  ARTISTROTATION

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On Sep-26-08 at 21:11:12 PDT, seller added the following information:

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