Sold Date:
April 8, 2018
Start Date:
April 1, 2018
Final Price:
$24.99
(USD)
Bid Count:
3
Seller Feedback:
13566
Buyer Feedback:
91
The Replacements – Let It Be
Label:
Twin/Tone Records – TTR-8441, Twin/Tone Records – TTR 8441
Format:
Vinyl, LP, Album
Country:
US
Released:
02 Oct 1984
Genre:
Rock
Style:
Alternative Rock, Power Pop, Punk, Indie Rock
Tracklist Hide Credits
A1I Will Dare
Electric Guitar [12-string], Mandolin – Paul*
Guitar [Solo] – Pete Buck*
Tambourine – Chris*
3:11
A2Favorite Thing2:17
A3We're Comin' Out
Other [Snap Theirs] – Chris*, Tommy*
Piano, Other [Snaps His Fingers] – Paul*
2:20
A4Tommy Gets His Tonsils Out1:51
A5Androgynous
Piano, Percussion [Sandblocks] – Paul*
3:14
A6Black Diamond
Vocals [Sing Harmony] – Paul*, Tommy*
2:36
B1Unsatisfied
Acoustic Guitar [12-string], Steel Guitar [Lap Steel] – Paul*
3:58
B2Seen Your Video
Electric Guitar [12-string], Piano – Paul*
3:05
B3Gary's Got A Boner
Maracas [Shakes Maracas] – Chris*
2:25
B4Sixteen Blue
Electric Guitar [12-string], Guitar [Second Lead] – Paul*
Piano [One-handed] – Chan Poling
4:21
B5Answering Machine
Guitar [All], Percussion – Paul*
3:37
Companies, etc.
Recorded At – Blackberry Way Studios
Mastered At – Masterdisk
Pressed By – Rainbo Records – S-12679
Pressed By – Rainbo Records – S-12680
Copyright (c) – Nah Music
Copyright (c) – Rock Steady Music
Credits
Bass – Tommy Stinson
Design [Cover] – Bruce C. Allen
Drums – Chris Mars
Engineer – Steve Fjelstad
Lead Guitar – Bob Stinson
Mastered By – Howie Weinberg
Photography By [Background Photo] – Bill Sullivan (2)
Photography By [Bob] – Irene Innes
Photography By [Paul] – Steve Linsenmyer
Photography By [Photos] – Dan Corrigan*
Producer – Paul Westerberg, Peter Jesperson, Steve Fjelstad
Vocals, Rhythm Guitar – Paul Westerberg
Written-By – Stinson* (tracks: A2 to A4, B3), Mars* (tracks: A2 to A4, B3), Stanley* (tracks: A6), Westerberg* (tracks: A1 to A5, B1 to B5), Nugent* (tracks: B3), Stinson* (tracks: A2 to A4, B3)
Notes
Recorded at Blackberry Way Studios, Minneapolis.
Mastered at Masterdisk, New York.
Peter Buck appears courtesy International Record Syndicate, Inc.
Chan Poling appears no thanks to Polygram Records.
All songs © 1984 Nah Music A.S.C.A.P.
Except A6 © 1973 Rock Steady Music A.S.C.A.P.
Inner sleeve is Twin/Tone Records catalog.
© 1984 Twin/Tone Records Inc. Printed in Canada.
Sleeve made in Canada.
Jacket made in Canada.
Barcode and Other Identifiers
Matrix / Runout (Runout Groove Side A): TTR- 8441-A MASTERDISK HW S-12679
Matrix / Runout (Runout Groove Side B): TTR- 8441-B S-12680
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.