Sold Date:
June 16, 2018
Start Date:
June 14, 2018
Final Price:
$425.00
$300.00
(USD)
Seller Feedback:
27419
Buyer Feedback:
20
This set is new but while I was taking pictures I noticed tiny scratches on the bottom. These are not visible when displaying as they are on the bottom. See the last picture. I've lowered the price because of this. So if you can live with this you can get a BARGAIN.
Grammy Award Winner, 2016 - Best Boxed or Special Limited Edition Package
Volume
One was called "spectacular" (New York Times), "unprecedented" (Rolling
Stone), "breathtaking" (Boing Boing), "a cabinet of wonder, indeed"
(Pitchfork), and "the most perfectly realized attempt to combine music
and documentation" (Fretboard Journal) and "damnedest musical objet
d'art I've ever seen" (Nashville Scene).
On November 18, Jack
White's Third Man and John Fahey's Revenant present the final volume in
the Paramount story - The Rise & Fall of Paramount Records, Volume
Two (1928-32).
By 1928, after launching the recording careers of
Jelly Roll Morton, Louis Armstrong, Blind Lemon Jefferson, King Oliver,
Alberta Hunter, Ma Rainey and Blind Blake, Paramount was entitled to a
breather. But just as it seemed the label might be losing steam, it
began a second act that threatened to dwarf its first.
From
1928-32, the label embarked on a furious run for the ages, birthing the
entire genre of Mississippi Delta blues recordings and issuing some of
the most coveted 78s in the history of wax, by the likes of: Skip James,
Charley Patton, Son House, Tommy Johnson, Willie Brown, King Solomon
Hill, Rube Lacy, Ishman Bracey, Geeshie Wiley & Elvie Thomas, The
Mississippi Sheiks, and hundreds of others.
Paramount simply
killed. But more than that, it changed how America thought of itself. It
was the first and most comprehensive chronicler of what America really
sounded like - on its street corners, at its fish fries and country
suppers, in its nightclubs and dance halls and showtents. In the
process, it was profit-minded Paramount - not a preservationist body
like the Library of Congress - that created the richest repository of
this young nation's greatest art form.
Six LPs, 800 digital
tracks on a custom USB drive, two definitive large-format books. All
housed in a vintage velvet-upholstered, polished aluminum case evoking
the era's high art deco stylings, the National metal-bodied guitar, and
America's own Machine Age modernism.
* 800 newly-remastered digital tracks, representing 175 artists
* 90+ fully-restored original 1920s-30s Paramount ads from Chicago Defender
*
6 x 180g LPs pressed on label-less alabaster-white vinyl, each side
with its own hand-etched numeral and hand-scratched holographic image
* 250 pg. large-format clothbound hardcover book featuring original Paramount art and the label's curious tale
* 400 pg. encyclopedia-style softcover field guide containing artist bios & portraits and full Paramount discography
* First-of-its-kind music and image player app containing all tracks and ads, housed on streamline moderne USB drive
*
Polished aluminum and stainless steel cabinet, evoking 1930s high art
deco stylings and America's Machine Age take on modernist design