THE BEATLES - WITH THE BEATLES - HERE WE HAVE RARE THE OUT OF PRINT .  

SO DON'T MISS OUT IT'S OUR ONE AND ONLY FOREVER. 

COLLECTORS NOTE:  The Beatles WITH THE BEATLES get back to MONO; 180-gram LPs pressed in Germany by Optimal Media - THESE MONO ISSUES IN VARIOUS TITLES CAN SELL NOW IN THE HUNDREDS OF DOLLARS AND THIS TITLE IS THAT VALUABLE

COLLECTORS NOTE: THE BEATLES ALWAYS DID TWO DIFFERENT MIXES AND TOTALLY DIFFERENT VERSIONS/TAKES FOR THEIR MONO AND STEREO LP'S. GEORGE MARTIN ENLISTED ON THIS PROCESS. SO REALLY THERE IS TWO TOTALLY DIFFERENT REVISIONS FOR EACH LP IN THE SEPARATE MONO MIXES AND STEREO MIXES. THE MONO VERSIONS ARE A COLLECTORS DREAM TO OWN AND MAKES FOR GREAT COMPARISONS FROM THE TWO VARIOUS MIXES IN YOUR LISTENING ROOM. ENJOY AND LISTED TO THE DIFFERENCE AND SEE WHICH YOU ENJOY THE MOST WITH YOU AND YOUR FRIENDS. 

 

 

 

BEATLES still had plenty of covers to fill out the running time, but the Lennon-McCartney writing team was gathering steam and beginning to knock out pop classics as if they were pulling them out of thin air. "All My Loving" and "I Wanna Be your Man" come from this record, issued hurriedly to capitalize on English Beatlemania. But even when they were laying into some classic Chuck Berry, by this time the Beatles had acquired a unique sound in the blend of John's and Paul's voices, while George was coming on by leaps and bounds as a guitar player.

The Beatles WITH THE BEATLES get back to MONO; 180-gram LPs pressed in Germany by Optimal Media - THESE MONO ISSUES IN VARIOUS TITLES CAN SELL NOW IN THE HUNDREDS OF DOLLARS AND THIS TITLE WILL SOON BE THAT VALUABLE.   

Newly remastered for vinyl from the analogue tapes by Sean Magee and Steve Berkowitz

Cut to lacquer on a VMS80 lathe

"The EMI representative told me that after absorbing the criticism heaped on the digitially sourced stereo box - including the extensive AnalogPlanet coverage, which was correctly construed as constructive criticism - the decision was made to produce the mono LPs using an all-analog mastering chain. ... Berkowitz told me that in his opinion and in the opinions of many, the mono mixes were the more important reissues and I agree." - Michael Fremer, AnalogPlanet  .

A seriously audiophile-minded undertaking! The Beatles in mono is how most listeners first heard the Fab 4's first recordings, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary.

Now from The Beatles In Mono vinyl box set comes THIS TITLE, compiled and mastered from the original analog tapes.

As mentioned in the quote at the top, analog expert and viny guru Michael Fremer, of AnalogPlanet, says EMI representatives heard and responded to criticisms concerning digitally sourced mastering used to produce The Beatles Stereo Box Set on vinyl. For the mono version, the decision was made to use an all-analog mastering chain to the degree possible.

"It's important to remember that the tapes have aged — some as much as fifty years — and the monitoring, playback and mastering equipment have changed as well, even though the work was done in the very same room in which the originals were mastered. Solid state has replaced tubes in the cutting chain," writes Fremer.

The Beatles' mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by Grammy-winning engineer Sean Magee and Grammy-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.

 Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.

 Fremer says the lathe was equipped with a Neumann SX-74 cutter head. The originals were cut on a Scully lathe, perhaps with a Westrex cutter head.

This is really a deluxe reissue project, done properly, and with careful attention to detail. Beatles collectors and even casual fans of the Lads from Liverpool will be transfixed. Treat yourself!

Features:
• 180g Vinyl
• Mono
• Remastered at Abbey Road Studios
• Newly mastered for vinyl from quarter-inch master tapes by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz
• Faithfully replicated artwork
• Newly mastered from the analogue master tapes
• Manufactured at Optimal Media in Germany

                Side 1

                It Won't Be Long

                All I've Got To Do

                All My Loving

                Don't Bother Me

                Little Child

                Till There Was You

                Please Mister Postman

               

Side 2

                Roll Over Beethoven

                Hold Me Tight

                You Really Got A Hold On Me

                I Wanna Be Your Man

                Devil In Her Heart

                Not A Second Time

                Money (That's What I Want

International Buyers – Please Note:
Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "GIFT" or mark item at a LESSER VALUE in order to avoid customs fees

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FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE.

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