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Last Exit LIVE IN TOKYO 1986 TRANSLUCENT LP Bill Laswell/Sonny Sharrock PROMO

Sold Date: May 22, 2021
Start Date: May 5, 2021
Final Price: $29.99 (USD)
Seller Feedback: 3125
Buyer Feedback: 75

This item is not for sale. Gripsweat is an archive of past sales and auctions, none of the items are available for purchase.


FAST SHIPPINGWithin 24 Hours - Monday through Friday (except holidays). NO NEGATIVES! Over 2 Decades On Ebay - Bid With Confidence! NOTE: 12" LPs SHIP MEDIA MAIL! Plus...
There Are NO EXTRA SHIPPING CHARGES when buying additional vinyl (at the same time). Buy as many as you want for just one low shipping charge. When checking out, please pay for all items at the same time.


TODAY, I'M SELLING SOME OF MY MATERIAL/BILL LASWELL/LAST EXIT COLLECTION! THE VINYL HAS BEEN ON MY SHELF FOR DECADES! Read The Details Below... IMPORTANT NOTE: I haven't had a turntable since last century, so this sale needs to be considered "as is," but I will describe everything the best I can (please check my feedback). These albums were rarely played, and I would be surprised if most of these had any substantial turntable time (except Massacre, which I played a lot). I'm not a "record seller," and I don't know "grading," so you're stuck with my descriptions. If you're not happy after the sale, just contact me. I don't give PARTIAL refunds, but I WILL make sure you're satisfied.
See the other Laswell/Material/Last Exit in my store (use the 2nd search box).  Just one shipping charge, no matter how many you buy.  <----------------- Click On My "Rare Vinyl Records" Store Category And Save On Shipping!

BILL LASWELL LPS Bill Laswell Baselines LP (1983 Elektra/Musician 60221) - 1st Pressing/WHITE LABEL PROMO Bill Laswell & Peter Brotzmann Low Life LP (1987 Celluloid CELL 5016)
MATERIAL LPS Bill Laswell, Michael Beinhorn & Fred Maher Material Temporary Music 8-Song EP/LP (1981 Red Records/Base Record RS 12000) - ITALIAN IMPORT Material Ciquri/Detached 12" 45 RPM Single (1981 Red Records/Base Record EP-1312) - ITALIAN IMPORT Material Red Tracks LP (1985 Red Records/Performance PER 0382) - HOLLAND IMPORT
MASSACRE LP Bill Laswell, Fred Frith & Fred Maher Massacre Killing Time LP (1983 Celluloid CELL 5003) - FIRST PRESSING
LAST EXIT LPS Bill Laswell, Sonny Sharrock, Ronald Shannon Jackson & Peter Brotzmann Last Exit The Noise Of Trouble (Live In Tokyo) LP (1986 Enemy 88561-8178-1) - PROMO - TRANSLUCENT VINYL Last Exit Last Exit LP (1987 Enemy 88561-8176-1) - PROMO - TRANSLUCENT VINYL Last Exit Iron Path LP (1988 Virgin 7 91015-1) - PROMO - FACTORY SEALED  
plus... ARCANA CDs Derek Bailey, Bill Laswell & Tony Williams Arcana The Last Wave CD (1996 DIW DIW-903) - JAPANESE IMPORT Bill Laswell, Tony Williams, Pharaoh Sanders, Buckethead, Nicky Skopelitis & others Arcana Arc Of The Testimony CD (1997 Axiom/Island 314-524 431-2)
Bill Laswell w/ Nicky Skopelitis & others Bill Laswell APC Tracks Vol. 1 CD (1996 A.P.C. 003) - FRENCH IMPORT
Bill Laswell w/ Lori Carson, Hakim Bey, Coil, Trilok Gurtu & others Bill Laswell City Of Light CD (1997 Sub Rosa SR114) - BELGIUM IMPORT


LAST EXIT
The Noise Of Trouble - Live In Tokyo (LP, 1986) Enemy Records 88561-8178-1 Rare Dark Translucent Vinyl, Hole Punch PROMO (See Pics)
OUTSTANDING! 1st PRESS. Crisp Corners. No Important Issues except a slightly bent corner in the upper left front. Well disguised in the white. No rings. Vinyl appears flawless. Check out the dark translucent vinyl (picture has a back light so you can see through it. Excuse the reflection on the right). Has a promo hole punch on the lower left corner (it's through the bar code on the back side). Pics are the actual item you're buying. 4 STARS from the All Music Guide, which states, "The Noise of Trouble is intoxicating in its raw, undiluted power and total disregard for propriety, not to mention the musicians' mastery of improvisational communication."
An Experimental Super-Group with Bill Laswell, Sonny Sharrock, Ronald Shannon Jackson and Peter Brotzmann

SIDE A Straw Dog / You Got Me Rockin' / Take Cover / Ma Rainey / Crack Butter Pig Cheese Panzer Be-Bop Base Metal
SIDE B Blind Willie Needless=Balls Civil War Test Help Me Mo, I'm Blind

6 String Bass – Bill Laswell Drums –  Ronald Shannon Jackson Guitar  – Sonny Sharrock Sax - Peter Brotzmann
Mixed By – Robert Musso
Recorded at Parco Space Part 3, Tokyo, October 2,1986 & at Pit Inn, Tokyo, October 5, 1986
PARTIAL ALL MUSIC GUIDE 4 Star REVIEW Recorded in October 1986, The Noise of Trouble: Live in Tokyo was the second official Last Exit release to assail the bounds of decency and taste in jazz improvisation (that's a compliment). Well on the heels of their early-1986 European tour, the group's interplay was pretty well-honed by this point, comfortable enough that they could welcome guests for some of the Tokyo performances: reedman Akira Sakata and, oddly, Herbie Hancock (on one piece). The album opens with a five-section medley that places snatches of blues songs in between group improvisations, and that's as accessible as things get. Shorter, free-form sound explorations -- usually centered around Sharrock's guitar -- alternate with longer, freely improvised jams highlighting the group's uncanny feel for smooth transitions. Sometimes they'll hit on a blues- or rock-tinged riff or a solid groove; sometimes they'll leave one individual to solo freely, whether by pushing with their support or dropping out altogether; sometimes they'll build up to a full, free group improvisation. The tracks with Sakata on the second half of the album are the best; his interactions with Peter Brotzmann are delightfully chaotic flurries of sound, and Sonny Sharrock sometimes joins in on the upper reaches of his fretboard for a third, perfectly blended voice. Sakata and Brotzmann also duet on "Needles Balls," which features some goofy bird-call noises that sound like a mouthpiece being played separately from its instrument. The Hancock track "Help Me Mo I'm Blind" finds the pianist mostly vamping on riffs and soloing traditionally; it sounds like he's joined at times and left to do his own thing at others. For listeners attuned to such extreme sounds, The Noise of Trouble is intoxicating in its raw, undiluted power and total disregard for propriety, not to mention the musicians' mastery of improvisational communication.


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