Sold Date:
July 25, 2022
Start Date:
April 2, 2022
Final Price:
$18.99
(USD)
Seller Feedback:
36798
Buyer Feedback:
0
Robert Plant – Big Log
Label:
Atlantic – B9848T, Atlantic – B 9848 (T)
Format:
Vinyl, 12", Single, 45 RPM
Country:
UK
Released:
1983
Genre:
Rock
Style:
Pop Rock
Tracklist
ABig Log
B1Messin' With The Mekon
B2Stranger Here... Than Over There
Companies, etc.
Distributed By – WEA International Inc.
Distributed By – WEA Records Ltd.
Copyright (c) – Robert Plant
Pressed By – EMI Records
Published By – Talk Time Music, Inc.
Published By – Bay Music Ltd.
Credits
Written-By – Jezz Woodroffe (tracks: A1, B2), Paul Martinez (tracks: B1, B2), Robbie Blunt, Robert Plant
Notes
From the album 790101-1 The Principle Of Moments.
Label Variation: No "Co." under the side designations for the publisher, Bay Music Co., Ltd.. It only states, Bay Music Ltd..
This label has the same publisher shown as Robert Plant - Big Log.
Barcode and Other Identifiers
Matrix / Runout (Side A Runout Stamped): B 9848T A-1U-1-2-3 R̶ ̶P̶
Matrix / Runout (Side B Runout Stamped): B 9848T B-1U-1-1- R̶ ̶P̶
UK 12 INCH SINGLE IN PICTURE SLEEVE.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.
DISC: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.