LYNYRD SKYNYRD - ONE MORE FROM THE ROAD - THIS OUT OF PRINT 1ST EDITION EVER OF THIS USA PRESSED AUDIOPHILE MASTERED DOUBLE VINYL 180 GRAM GATEFOLD JACKET LIMITED EDITION MASTERPIECE IS GONE FOREVER. DON'T MISS OUT.  

 TOTALLY GONE FROM THE COLLECTORS MARKET  

 DOUBLE LP SET Limited Anniversary Edition on 180g Audiophile Vinyl! FOR YOUR TURNTABLE 

THE VINYL Impeccably Mastered by Friday Music's Joe Reagoso! Pressed at RTI!

After the success of their first four albums, plus the many hit singles and album radio tracks and an amazing number of concerts and tours, Lynyrd Skynyrd followed things up with one of the finest live concert albums of all time with the very hard rockin' mega platinum One More From The Road.

Recorded over the July 4, 1976 holidays at the Fox Theatre in Atlanta, Lynyrd Skynyrd were on home turf and seriously road tested after touring 300 nights from 1975 into 1976 during the release of their Gimme Back My Bullets album. Knowing that Tom Dowd was on board to produce this future iconic live rock classic, the boys were thrilled with the fact that he produced their two favorite live albums with Cream's Wheels of Fire and The Allman Brothers' Eat a Peach, and they surely were armed and ready to roll with an intensity that has been hard to have been matched or since duplicated by any other live recording then or now.

With a stunning set list of familiar favorites and stellar interpretations, this deluxe 2 LP set is filled with great non-stop southern fried Skynyrd with classics like the hard rock opener Workin' for MCA, blues belters like T for Texas and Searchin', and of course their smash hits like Sweet Home Alabama and Saturday Night Special.

In addition to these rock classics, this legendary Tom Dowd produced concert recording yielded more with powerhouses like the smash Gimme Three Steps, J.J. Cales' Call Me the Breeze, their amazing tribute to Cream and Tom Dowd with Robert Johnson's Crossroads, and the triple guitar attack of Gary Rossington, Allen Collins and Steve Gaines on the anthem of all classic rock anthems Free Bird.

The 1976 masterpiece also features the original Lynyrd Skynyrd line-up of the late great lead vocalist and all around rock 'n' roll hero Ronnie Van Zant, lead guitar great Gary Rossington, the late greats Allen Collins on lead guitar, Steve Gaines on lead guitar, Leon Wilerson on bass and Billy Powell on piano, with the ever hard hitting Artemus Pyle powering away on the drums.

Friday Music is no stranger to the musical legacy of the southern rock royalty of Lynyrd Skynyrd. Therefore, it is with much honor to announce another fine installment in Friday Music's Lynyrd Skynyrd 180 Gram Audiophile Vinyl Series with their brilliant hard rock masterwork One More From The Road.

For the first time ever on 180 Gram Vinyl, this limited edition classic was mastered impeccably and faithfully from the original 1976 MCA Records tapes by their MCA label alumni Joe Reagoso (Lynyrd Skynyrd, Deep Purple, Johnny Winter) and produced by the late great southern soul and rock giant Tom Dowd (Eric Clapton, Ray Charles).

To enhance your Lynyrd Skynyrd experience even further, this stunning limited anniversary edition also includes the original gatefold cover, featuring the original artwork, Cameron Crowe's liner notes as well as the 14 brilliant tunes you will truly forever enjoy in the audiophile vinyl domain.

Features:
• 2LP Limited Anniversary Edition
• 180g Audiophile Vinyl
• Mastered Impeccably by Joe Reagoso at Friday Music Studios from the original 1976 MCA Records tapes
• Pressed at RTI
• Gatefold cover featuring the original artwork
• Liner notes by Cameron Crowe

Selections:
LP 1 - Side 1:
1. Workin' for MCA
2. I Ain't the One
3. Searching
4. Tuesday's Gone
LP 1 - Side 2:
1. Saturday Night Special
2. Travellin' Man
3. Whiskey Rock-A-Roller
4. Sweet Home Alabama

LP 2 - Side 3:
1. Gimme Three Steps
2. Call Me the Breeze
3. T for Texas
LP 2 - Side 4:
1. The Needle and the Spoon
2. Crossroads

3. Free Bird 

Beyond the tragedy, the history, the raging guitars and the killer songs, ultimately, Lynyrd Skynyrd is about an indomitable will. About survival of spirit; unbowed, uniquely American, stubbornly resolute.
With their first set of new studio material since 2003’s Vicious Cycle, legendary rock band Lynyrd Skynyrd returns with God & Guns, due out September 29 on Loud & Proud/Roadrunner Records. Recorded in Nashville in 2008-2009, the project was interrupted—but, tellingly, not ended—by the deaths of founding member/keyboardist Billy Powell and longtime bassist Ean Evans earlier this year.
Driven by core members Gary Rossington (guitar), Johnny Van Zant (vocals) and Rickey Medlocke (guitar), along with longtime drummer Michael Cartellone, Lynyrd Skynyrd have recorded an album (“under duress, as usual,” according to Van Zant) that very much lives up to the legacy begun some 35 years ago in Jacksonville, Florida, and halted for a decade by the 1977 plane crash that killed three band members, including Ronnie Van Zant and Steve Gaines. Since then, the band tragically lost Allen Collins, Leon Wilkeson and Huey Thomasson, yet they rock on.
With the passing of Powell and Evans, “a lot of people probably expected us to say enough is enough,” admits Medlocke. But that would not be the way of this Rock & Roll Hall of Fame powerhouse. With a catalog of over 60 albums and sales beyond 30 million, Lynyrd Skynyrd remains a cultural icon that appeals to all generations, and God & Guns is a fitting addition to the canon. The Skynyrd Nation awaits.
“We wanted to show the people that not only are we doing the old material, keeping the music going, but we still have some new tricks up our sleeves, too,” says founding guitarist Gary Rossington.
Returning to the studio after the death of Powell, whose keyboards can be heard on more than half the songs on God & Guns, was “very difficult, I ain’t gonna lie to you,” says Van Zant. “But we got through it, as Lynyrd Skynyrd seems to always do. Music’s a great healer. These songs needed to be out there, this record needed to be made. Gary, Rickey and myself just said ‘let’s go for it, let’s get this thing done.’”
Unfortunately, coping with loss is familiar to this band. “We just kind of fell back in,” says Rossington. “We’ve been doing this a long time, so you just kind of do what you do. As you get older, you get a little more used to it. You know it’s coming, and it’s coming to you, too. I just thank God for every day and all the time I had with the guys that aren’t with us anymore.”
The crying is over and now it’s time to rock. “We’ve had some really bad moments this year already, and I’m glad we’re able to pick ourselves up by our boot straps and just continue to play,” says Medlocke. “For us to weather through this makes this record even more special. I’m sure Billy and Ean are looking down upon us with big smiles.”
With noted rock producer Bob Marlette, input from guitarist John 5, and a wealth of material written by the band and a cadre of elite Skynyrd-minded songwriters, a remarkable album emerged. “We never really worked with producers that well, we kind of always wanted to do it our way,” admits Rossington. “But Bob Marlette came on and he’s such a great guy; he figured out how to talk to us musically, and we became friends instantly. He had a lot of fresh ideas and ways to do things, and also wanted to capture the old sounds, too.”
Of John 5, Rossington adds, “he’s probably one of the best guitar players I’ve ever played with, and I’ve played with a lot of great ones. He just lives with a guitar on him, and he knows that neck like nobody I’ve ever seen.”
With a backbone of Southern rock and country, passionate Van Zant vocals, and trademark layered guitars, God & Guns manages to maintain the iconic Skynyrd punch while sounding completely contemporary. Sure to attract attention in these politically divided times is the title track, which harbors a sense of menace and unwillingness to back down that hearkens back to Skynyrd’s earliest days. The band knows the song, and others like “That Ain’t My America,” will have their critics, but Medlocke says listeners should get beyond the title.
“It’s not just the words ‘God and guns.’ you gotta look past that and look at what this country was founded on: freedom,” Medlocke says. “Everybody should be able to make their own decisions and not be led around by a nose ring and told what to do and when to do it.”
And if some critics don’t like it, “that’s called freedom of choice,” says Medlocke, who carries his Native American heritage with pride. “I’m sure some critics will look at it, God & Guns, the rednecks are back.’ Well, the guys in this band aren’t rednecks, Rickey Medlocke’s the only damn redneck in this band ‘cause I got red skin.”
The title track, along with the unmistakable Skynyrd bite of the first single “Still Unbroken,” form thematic songs for an album laden with attitude, heart and purpose. “Skynyrd’s about tradition,” says Medlocke. “We are guys that don’t go around preaching about our own personal or political beliefs, although I’m sure you could probably guess mine. In this record is personal tragedy, personal relationships and being on the road, all under that umbrella of real life. That’s what we think, that’s what we believe, and we stand next to that title, God & Guns.”
To portray Skynyrd as a bunch of “gun nuts” would be incorrect, according to Van Zant. “I’m kind of like Ronnie, ‘handguns are made for killing,’ and I’ve never seen anybody shoot a deer with a .38,” he says. “I do own a bunch of rifles, I live out in the swamp, and you’ve got to protect yourself.”
Skynyrd is a band, after all, that has never shied away from standing up and speaking for a segment of the population whose voices are seldom heard. “Everybody’s so scared to say stuff these days, that’s not what I’m about,” says Van Zant. “We live in America, we can speak our minds. These are our values. That doesn’t mean we’re always right in everybody’s mind. Hopefully, we don’t offend a bunch of people. And if we do, well, get a record deal, man, and make your own songs.”
This is a band well aware of the responsibility that comes with putting the name ‘Lynyrd Skynyrd’ on anything, be it an album or a concert. “We feel like we have to keep the standards high,” says Rossington. “I wouldn’t put this record out, I’d fight not to, if I didn’t think it was good.”
And so Skynyrd stands, “still unbroken,” in 2009. “People may say, ‘they need the money,’ well I don’t think any of us need the money,” Van Zant says. “It’s just that we love the music, it’s bigger than the money, it’s not even about that any more. We have to make a living, sure, but it’s about the legacy of Lynyrd Skynyrd, and what it stands for, what the fans are all about. There’s nothing like getting out there playing a great show with Skynyrd and seeing people love this music.”
Adds Rossington, “We’re still standing, still keeping the music going. 

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On Sep-26-08 at 21:18:58 PDT, seller added the following information:

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