My favorite Lp this year! Limited to 300 copies worldwide 13 track 2016 The Hanging Stars- Over The Silvery Lake UK LP on The Great Pop Supplement label. This is the 2nd pressing and is on black vinyl.

Vinyl is Mint. Cover is Mint.

Buyer to pay $4 s&h in USA, $15 to Canada, $22 to Europe and S. America & $22 to Australia, Japan, Pacific Rim. Multiple purchase shipping discount if shipped at one time. Payment must be received w/in 5 days of auctions end OR I will send a non paying bidder alert via ebay

Press release below:

London-based psych-folk outfit The Hanging Stars release their much anticipated debut album Over the Silvery Lake in March 2016 via The Great Pop Supplement/Crimson Crow. Blending folk pastoralism with swampy 60s Americana, they sound like the missing link between the California desert sun and the grey skies of London Town. The album was recorded between LA, Nashville and Walthamstow, with each of these vastly different places leaving an indelible mark on the songs.

Fronted by London-based songwriter, singer and guitarist Richard Olson (The See See, Eighteenth Day of May), The Hanging Stars are essentially a loose collective of people who weave together a blissed-out psychedelic tapestry.

During 2015, the band released two critically acclaimed singles via The Great Pop Supplement (both of which also appear on the album). “Golden Vanity” was premiered by The Line of Best Fit who said; “you'd be forgiven for thinking you'd just unearthed a rare deep cut from the late 60s/early 70s boom of psychedelia infused Americana” and “The House on The Hill” was described by The Guardian as; "a hazy, desert-dream of a song, nicely sharpened with steely-eyed guitars, Mersey-laced harmonies and just a whiff of the Gun Club”. They picked up a good amount of support at 6 Music and “The House on the Hill” scored a much-coveted 10/10 by John Robb on Steve Lamacq’s Roundtable. The Hanging Stars played a sold-out three-night residency at London’s Betsey Trotwood, recently shared the stage with The Clientele at Islington Assembly Hall and have toured extensively throughout Europe.

There are a number of allusions to nature and the weather on the album, borne in part out of the contrasting surroundings in which it was produced. The band’s fascination with Americana led them to record some of the material Stateside, laying down some of the parts at Battle Tapes Studios in Nashville (Lambchop, Paperhead), as well as at Vision Quest Studios in Los Angeles with Rob Campanella. His work with The Quarter After, The Brian Jonestown Massacre, Beachwood Sparks and The Tyde was a perfect match to capture their sound and they even had San Franciscan legend Christof Certik step in on lead guitar for a couple of tracks.

Following the LA recordings, a trip to the Californian desert provided the core notion of what they wanted to produce - a shard of light that they clung on to whilst recording the rest of the album in the significantly more rain soaked atmosphere of Walthamstow, London, under the watchful eye of Brian O'Shaughnessy at Bark Studios (The Clientele, Comet Gain, My Bloody Valentine). As the band explain: “Ultimately we hope you can hear both the sand and the rain in this record.”

"a hazy, desert-dream of a song, nicely sharpened with steely-eyed guitars, Mersey-laced harmonies and just a whiff of the Gun Club." - Guardian.

"Swampy psychedelia that recalls the Medway Delta as much as the Mississippi, the band's new single neatly conjoins these influences." – Clash.