MOZART Violin Concerto 3 & 4 JOHANNA MARTZY Stuttgart 180 gram vinyl SEALED LP
Sold Date:
July 8, 2020
Start Date:
June 11, 2020
Final Price:
$79.97
(USD)
Seller Feedback:
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Buyer Feedback:
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MOZART
Violin Concerto No. 3 in G major, KV 216
Violin Concerto No. 4 in D major, KV 218
SEALED German import limited edition 180 gram Vinyl
LP. SWR Music CNLR 1604. COVER &
VINYL: MINT still sealed, never played, gatefold cover.
JOHANNA MARTZY (violin)
180-gram audiophile vinyl pressed at Pallas in Germany
Cut at Emil Berliner Studio and mastered from the original tapes of SWR Music!
Johanna Martzy was one of Hungary's most notable musicians after the
second World War and among the world's leading violin virtuosos in the
'50s and early '60s. Her fame soon faded on international concert
stages and her name became an insider tip. Her greatest period covered
more than 25 years from 1942, when she debuted in Tchaikovsky's Violin
Concerto with Willem Mengelberg in Budapest, until the mid-1960s when
she began to perform less and less after the birth of her daughter.
Although she had not appeared in her native land of Hungary since
she fled from the Nazis in 1944, she nonetheless held a celebrated
comeback concert in Budapest in 1969. Then she was found to have
contracted hepatitis B which caused her strength to decline. She
performed for the last time in 1976 and on August 13, 1979 — a good
year after the death of her second husband — she died of cancer in
Zurich.
What is interesting about these Stuttgart recordings of
Mozart is not only how they compare with the commercial recordings,
but also the fact that the D Major Concerto was produced as a studio
production in the SDR Villa Berg studio in 1956, while the G Major
Concerto was a live concert in the Liederhalle. The violinist seems to
have placed less value than ever on post-production, nor did she need
to. In Hans Muller-Kray, who was Principal Conductor of the Stuttgart
Radio Symphony Orchestra from 1948 until his death, she had a solid,
skilled partner at her side whose accompaniment in the G Major Concert
turned out quite a bit more empathic and reserved than in the
well-known recording with Jochum. Johanna Martzy's Mozart impresses not
only due to its technical flawlessness, but also thanks to a tone that
naturally blossoms from the breath of vibrant phrasing, her consummate
mastery of the bow in all nuances from legato to spiccato, cultivated
passion of expression that is always at the service of the musical line
and known no willful extravagances, creating an artistic oneness out
of the inner fire and the objectivity of a composition's style. — from
liner notes by Christoph Schluren
"Violinist Johanna Martzy
was hardly a prolific recording artist, which makes her few radio
recordings desirable bonuses... A coupling of Mozart's Third and Fourth
Violin Concertos, from 1962 and 1956 respectively, both featuring
sturdy support from the Stuttgart Radio Symphony Orchestra under Hans
Muller-Kray, exhibits Mozart's forthright approach and invariable
warmth, performance that anticipate the stylistic unfussiness of our
own time rather than Romantic manners of Martzy's era."
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