DAVE BRUBECK Time Out Paul Desmond Joe Morello 45 rpm 180 gram vinyl SEALED 2 LP

Sold Date: January 1, 2022
Start Date: September 20, 2021
Final Price: $139.97 (USD)
Seller Feedback: 13472
Buyer Feedback: 22


DAVE BRUBECK QUARTET

Time Out

SEALED limited edition 45 rpm 180 gram Vinyl 2 LP set. Columbia/Analogue Productions AAPJ 8192-45. Stereo, limited edition reissue. COVER & VINYL: MINT still sealed, never played, heavy gatefold cover.

* Originally recorded at Columbia's 30th Street Studios on July 1st, 25th & August 18th, 1959 by Fred Plaut at Columbia Records.
* Original recording produced by Teo Macero.
* First time reissued as a gatefold jacket, with rare black and white photos from the Columbia Studios recording session. Heavy-duty chipboard shell stock by Stoughton Printing.

180-gram, double LP set cut at 45 RPM by Bernie Grundman and pressed at Quality Record Pressings

"The results speak for themselves: the platters from QRP are in my experience the most consistently flat and quiet being pressed today ... at least for the foreseeable here and now, Analogue Productions' newly mastered 45 RPM (Brubeck) is the edition to own. You'll hear it right from the familiar piano intro to "Blue Rondo a la Turk," where Brubeck's playing seems richer, more lyrical, more rhythmically alive. It seems to me that as our gear gets ever more quiet, these QRP LPs continue to wring more musical nuance from the finest recordings." — Music = 5/5; Sound = 5/5 — Wayne Garcia, The Absolute Sound, January 2013.

“I've now heard a number of LPs from Quality Record Pressings (QRP), Chad Kassem's year-and-a-half-old record-pressing plant. Before Time Out, I would have said that some positive trends were apparent from the earlier LPs I've heard. However, this current pressing is so much better than those that came before it, which were certainly very good, that it's obvious things have improved considerably over the past year. It's a positive sign when the noise floor is defined by the hiss of the master tape, not the quality of the pressing or vinyl, and that's the case here. Having heard many, many Pallas and RTI pressings, the main competition for QRP, I would say that QRP pressings combine the strengths of both its competitors: the very low surface noise and bottom-of-the-groove quiet of Pallas LPs and the sharp delineation of musical detail of RTI." — Sound = 4.5/5; Music = 5/5 — Marc Mickelson, The Audio Beat, August 2012

Virtually all serious and even casual music lovers ought to be familiar with, or at least are likely to have heard The Dave Brubeck Quartet, even without realizing it — for the quartet's best-known hit "Take Five" has graced the soundtracks of multiple films, including "Mighty Aphrodite," "Pleasantville" and "Constantine."

The piece is famous for its distinctive, catchy saxophone melody, as well as its use of unusual 5/4 time — so distinctive, it's a rare jazz track that became a pop hit.

Including the monster hit "Take Five," the Brubeck Quartet's Time Out is a jazz and audiophile classic. Every album collection needs a copy. And now, cut at 45 RPM on 180-gram premium vinyl, pressed at Quality Record Pressings (Acoustic Sounds' own industry-lauded LP manufacturer), Analogue Productions brings you the definitive copy.

Why definitive? The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. But it's more than just the vinyl that makes this release so special. For the first time in its history, Time Out is presented here packaged in a deluxe gatefold jacket. Inside are eight fantastic black and white images shot during the recording session at Columbia's famous 30th Street Studios. Sony Music supplied the images for use in our SACD reissue, and gave us persmission to use them in our LP reissue as well.

The jacket is also special — very heavy-duty. It's produced for us by Stoughton Printing featuring a printed wrap mounted to a heavyweight chipboard shell, producing an authentic "old school" look and feel. This jacket is a beauty! Never has Time Out's colorful iconic cover art looked so vibrant.

The record label's sales executives didn't want a painting on the cover when Time Out debuted in 1959 on Columbia Records, Brubeck told an interviewer.  An entire album of originals? That wouldn't work either, he was told. Some standards and some show tunes were needed in the mix. Fortunately, Brubeck ignored the conventional wisdom and Time Out became the original classic we know it as today. Brubeck became proof that creative jazz and popular success can go together.

The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State-sponsored tour of Eurasia. In Turkey, he observed a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.

Paul Desmond, who was Brubeck's alto saxophonist, wrote "Take Five," at Brubeck's urging to try and write a song in quintuple (5/4) time. 

"I told Paul to put a melody over (drummer) Joe Morello's beat," Brubeck explained. As a jazz pianist, Brubeck became a household name in jazz in part due to Time Out's success. Demond's cool-toned alto and quick wit fit in well with Brubeck's often heavy chording and experimental playing. Morello and bassist Gene Wright completed the group. The Quartet traveled and performed constantly around the world until breaking up in 1967 to pursue other musical ventures.

Musicians:
Dave Brubeck, piano
Paul Desmond, alto saxophone
Joe Morello, drums
Gene Wright, bass


A1 Blue Rondo A La Turk
A2 Strange Meadow Lark
B1 Take Five
C1 Three To Get Ready
C2 Kathy's Waltz
D1 Everybody's Jumpin'
D2 Pick Up Sticks


***FACTORY SEALED***NEVER PLAYED***


 

PLEASE READ BEFORE PURCHASING: WE ACCEPT PAYPAL ONLY *** PLEASE WAIT FOR AN INVOICE IF YOU ARE BUYING MORE THAN ONE ITEM AT A TIME. ANY MULTIPLE ITEMS PAID FOR SEPARATELY (INSTEAD OF GROUPED TOGETHER AND PAID FOR ON ONE INVOICE FOR COMBINED SHIPPING DISCOUNT) WILL BE SHIPPED IN SEPARATE PACKAGES. NO EXCEPTIONS. NO REFUNDS! OUR SHIPPING COSTS INCLUDE COST FOR PACKAGING, TRANSPORTATION, AND FREIGHT. We can NOT bear responsibility for packages lost or damaged by the Postal System.  If you do not agree with this Please DO NOT purchase or bid! GRADING. Grading is visual only unless otherwise stated. I go by Goldmine standards and try to be conservative. I will play grade on certain items only - it is just impossible for me to play grade everything I put on EBAY.
RECORD GRADING:

MINT (M) ---- It should be SEALED and appear to be brand new. Mint means STILL SEALED, NEVER PLAYED.
NEAR MINT (NM or NM-) ---- OPENED or UNSEALED. Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident.
VERY GOOD PLUS (VG++ or strong VG++ or VG+++) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner.
VERY GOOD PLUS (VG+ or strong VG+) The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable  for most collectors.  Cover has most of its original gloss and has been well taken care of.  Minor seam splits may be acceptable.
VERY GOOD (VG or strong VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or more of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.  Popping or clicking will be most evident through quieter passages.  Record should play all the way through, but may skip.
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork.  Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.


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