ART BLAKEY Live Paris 65 Freddie Hubbard Nathan Davis 180 gram vinyl SEALED LP

Sold Date: October 20, 2022
Start Date: February 17, 2022
Final Price: $79.97 (USD)
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ART BLAKEY & THE NEW JAZZ-MEN

Live in Paris '65

SEALED limited edition 180 gram Vinyl LP. Sam Records SR 21/2. Limited edition. COVER: NM still sealed in resealable poly sleeve with hype sticker, mild corner wear. VINYL: MINT still sealed, never played.

Limited edition 180-gram vinyl reissue

Never-before-released Art Blakey 1965 live recordings

First official release with permission and cooperation of the Art Blakey Estate and INA
(Institut National de l'Audiovisuel)

Limited to 2,000 copies worldwide

A truly powerhouse quintet!
Art Blakey, Live in '65 boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one
of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on
piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.

Freddie Hubbard's incendiary playing on "Blue Moon" and the blistering 24-minute version of his own "Crisis"
shows that he was one of the most innovative trumpeters in jazz history.

On this live session, the audiences seem to have been enthusiastic and appreciative. "Everywhere we'd go people
would say, 'This is the best Jazz Messengers we've heard!'," according to Davis. "And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing — with Messengers heads, you know, but when we got to soloing...! And Blakey was ridin' and floatin' the time...but he would always be loose enough to follow, to keep it going. He's one helluva musician."

Recorded at Palais de la Mutualité, Paris, France, November 3, 1965.

Freddie Hubbard, trumpet
Nathan Davis, tenor saxophone
Jacki Byard, piano
Reggie Workman, bass
Art Blakey, drums

TRACKS:

The Hub (16:44)

Blue Moon (7:44)

Crisis (24:46)



***STILL SEALED***NEVER PLAYED***


 

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RECORD GRADING:

MINT (M) ---- It should be SEALED and appear to be brand new. Mint means STILL SEALED, NEVER PLAYED.
NEAR MINT (NM or NM-) ---- OPENED or UNSEALED. Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident.
VERY GOOD PLUS (VG++ or strong VG++ or VG+++) The record or cover that all but the most particular collector would say looks outstanding. Cover may have insignificant manufacturers defect such as notch hole or cut corner.
VERY GOOD PLUS (VG+ or strong VG+) The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptable  for most collectors.  Cover has most of its original gloss and has been well taken care of.  Minor seam splits may be acceptable.
VERY GOOD (VG or strong VG) ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, non-feelable marks that might or will affect the sound as mild occasional surface noise or periodic pops/clicks. Usually a cover is VG when one or more of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
VERY GOOD- (VG- or G+) Record will show signs same as VG with heavier wear including noticeable groove wear and feelable marks that will likely pop or click.  Popping or clicking will be most evident through quieter passages.  Record should play all the way through, but may skip.
GOOD (G) ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping, but may skip. Several cover flaws will be apparent, but should not obliterate the artwork.  Filler copy until a better one can be found.
POOR (P) ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Only the rarest of records should ever be graded as Poor while the others should go to the trash heap.


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