MINT IN SHRINK! SUPER RARE 1969 UNRELEASED PSYCH JIMI & JOHN McLAUGHLIN Hard Gem

Sold Date: January 12, 2014
Start Date: January 9, 2014
Final Price: $26.00 (USD)
Bid Count: 5
Seller Feedback: 12794
Buyer Feedback: 68


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RARE LIMITED EDITION IN MINT!                   

     1969 UNRELEASED SUPER-JAMS!                          

                                               

                          

                                Jimi Hendrix

                Happy Birthday Jimi

                                    

                                                   

                                GERMANY(?) - EBJ - 01

 

Extra-rare ...European, probably German limited edition that was in and out of print seemingly overnite, several decades ago ... this copy is MINT top copy still in original factory cellophane ... cover and record mint ...of historic importance!!!

In 1969, guitarist John McLaughlin, who had just signed with Alan Douglas, began working at the Record Plant on the album 'Devotion'. Joining John McLaughlin on the album were Buddy Miles on drums and Larry Young on Keyboards. While this album was being recorded in the Record Plant's lower level, Hendrix worked in the studio upstairs.

On one fortunate occasion, the two guitarists met. A few days after his arrival in the US, John McLaughlin recorded with Miles Davis for his 1969 album 'In a Silent Way'. He later jammed with Hendrix at NY's Record Plant, where Hendrix was playing with Buddy Miles, bassist Roland Robinson, and guitarist Jim McCarty (of BM Express, and later of Catus). At the request of Mitch Mitchell, John McLaughlin went to the Record Plant with the intention of jamming with Hendrix, not recording.

In 1996, Steven Roby interviewed John McLaughlin and asked him how the jam with Hendrix took place.
'It was through Mitch Mitchell. Mitch and I go back to working with Georgie Fame in the early 60's. In 1969, I was playing with Tony Williams. Mitch was a big fan of his and would come to see us play at the Vanguard. One night Mitch invited us to the Record Plant. I came down with Larry Young and Dave Holland (MD's bassist 68-70). Basically, we played, but it was difficult because at the time I was using a hollow-bodied acoustic. Buddy Miles was playing drums so loud. Dave Holland was there and Jimi played electric. It wasn't really a playing session....it was just hanging out....having a good time. An energized Hendrix and Buddy Miles dominated the three jams based on blues riffs, and McLaughlin's guitar making this a great moment in rock history.
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In 1974, Alan Douglas discovered the tape of of John McLaughlin and Hendrix jamming and was ecstatic: 'the tape we have of them together is not only a historical thing, it's very exciting. It's going to have a heavy impact on the musical audience. It's Jimi playing in a way that's never been released before'. Douglas quickly drew up a promotion campaign and started feeding the press teasers about the jazz-fusion material he had on tape between John McLaughlin and Hendrix. Oui magazine reported in Feb1975 that Reprise would release one album of this material and Nemperor Records (McLaughlin's manager's label) would come out with an alternate one. After hearing a sample of these jams, rock critic Dave Marsh wrote in Penthouse Magazine: 'The McLaughlin/Hendrix tapes are reportedly ten hours long.....once they got started, McLaughlin and Hendrix achieve the sort of interplay that producers of super-sessions always seek but rarely discover'.
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Mysteriously, neither record was released and the boasts about hours of recordings full of non-stop jamming were silenced when archivist John McDermott explained in his book "Sessions": 'All that remains of this special summit (March 25 1969) is one albums worth of recording tape.' No one seems to know what happened to the other recordings that inspired Douglas to say, 'I felt like I had been to Tibet.'
The McLaughlin/Hendrix jams surfaced in the collector's underground network and released as a limited edition album "Electric Birhday Jimi" ...apparently this is all that remains of the loosely organised jam that John McLaughlin said 'lasted from two til eight in the morning'. If other reels exist from the 6-hour session, they have not surfaced.
Lonely Avenue (Demo)

World Traveler (Demo)

Its To Bad (Outtake)

Strato Strut (Outtake)

Cherokee Mist (Div.Mix)

Guitar Improvisation (Demo)

Midnight Lightning (Outtake)

 

CONDITION: The cover: The fragile European cover is MINT still in factory shrink wrapper ... no bends, no writing, no split seams, great colors

The vinyl: smooth and clean, gets the M- top copy rating ... plays prerfect

 

A GREAT ADDITION TO ANYONE'S COLLECTION !

SEE: SELLERS OTher items for similar cool sounds for "head" people...

EFFICIENT/CAREFUL GRADING

All imperfections are noted both cover & record

NOTE: All Items backed by money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving negative feedback. Thanks! GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M Completely clean, no marks M- Carefully used, looks clean, plays clean, shiny gloss, no marks EX Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG more marks/scratches only minor, nothing deep, no loud clicks or pops this grade is abused by many, VG here does not mean "trashed" VG- surface noise present, will not have skips or jumps   MULTIPLE LP SETS COUNT EACH DISC FOR SHIPPING COST (double Lp count as 2-Lp, etc.)   The Records In All Parcels Are Well Protected = The disc of an LP will always be separated from its cover (avoiding seam splits,etc)   ALL PAYMENTS SHOULD BE MADE WITHIN 7 DAYS Of AUCTIONS END   Do Not Bid If You Are Not Serious About Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!