Sold Date: January 23, 2018
Start Date: December 27, 2017
Final Price: £14.00 £10.00 (GBP)
Seller Feedback: 924
Buyer Feedback: 20

Here I have for sale the US import of the original motion picture soundtrack to ‘National Lampoon’s Animal House’ (1978), composed and conducted by Elmer Bernstein.

Elmer Bernstein / Various – National Lampoon’s Animal House (Original Motion Picture Soundtrack) (1978)

Condition (refer also to notes at bottom):
Vinyl – F-G. Very clean on visual inspection. Played just pre-listing and runs through but sound clarity is only ok, with low surface noise, crackling, some distortion, and clicks/pops. Possibly a collection filler only.
Cover - VG. Thick-stock card. Minor rubbing and mottling on front; edges and corners are clean with only tiny nicks. Similar rubbing on top and bottom of reverse. Colours of main artwork remain bright and unfaded. Entirely intact.
Sleeve – EX. Original MCA sleeve with open window. Clean and intact. Minor crimping/folding.

Label: MCA Records ‎– MCA-3046
Format: Vinyl, LP, Album, Import, Compilation
Country: US
Released: 1978
Genre: Funk/Soul, Pop, Stage & Screen, Theme, Instrumental
Style: Soundtrack, Rock & Roll, Ballad, Score, Easy Listening


Tracklist
A1. Elmer Bernstein – Faber College Theme   0:24
A2. John Belushi – Louie,Louie   2:55
A3. Sam Cooke – Twisting The Night Away   2:38
A4. Bobby Lewis – Tossin' And Turnin'   2:15
A5. Lloyd Williams – Shama Lama Ding Dong   2:55
A6. Paul & Paula – Hey Paula   2:37
A7. Stephen Bishop – Animal House   4:05

B1. Intro   0:48
B2. John Belushi – Money (That's What I Want)   2:28
B3. Chris Montez – Let's Dance   2:15
B4. Stephen Bishop – Dream Girl   4:39
B5. Sam Cooke – (What A) Wonderful World   2:06
B6. Lloyd Williams – Shout   4:23
B7. Elmer Bernstein – Faber College Theme   1:55

Acoustic Guitar – Jay Berliner (tracks: A7, B4,), Stephen Bishop (tracks: A7, B4)
Backing Vocals – Brenda White (tracks: B2), Claudia Ricks (tracks: B2), Gwen Guthrie (tracks: B2), Kenny Vance (tracks: A2, A5, A7, B2, B4,), Melvin Britt (tracks: A5, B6), Phillip Namanworth (tracks: A7, B4), Sidney Juston (tracks: A5), Stephen Bishop (tracks: A7)
Baritone Saxophone – Dennis Morouse (tracks: A2, A7), Ronnie Cuber (tracks: A2, A7, B2,)
Bass – Bob Babbitt (tracks: A7), Mark Kenoly (tracks: A5, B6), Will Lee (tracks: A2,)
Conductor – Elmer Bernstein (tracks: A1, B7)
Drums – Gary Mure (tracks: A2, A7, B2, B4,), James Gadson (tracks: A5, B6)
Electric Guitar – Bob Rose (tracks: A2, B2, B4,), Jeff Layton (tracks: A2, B2,), Melvin Ragin (tracks: A5, B6)
Electric Piano, Backing Vocals – Rob Mounsey (tracks: A2, A7, B2, B4,)
Horns – George Young (tracks: A7), Willis Jackson (tracks: A7)
Keyboards – Dean Gant (tracks: A5, B6)
Percussion – Errol Bennett (tracks: A2, B2,), Jack Ashford (tracks: A5, B6)
Piano, Electric Piano, Backing Vocals – Paul Griffin (tracks: A2, A7, B2, B4,)
Tenor Saxophone – Fred Jackson (tracks: A5)


Produced By Kenny Vance In Association With Universal Pictures And Red Giant Productions.



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Postage and packaging FREE to UK. Will post worldwide. Europe £6.50; North and South America, USA, Canada £9; Asia, Australia, Japan £11. No returns accepted.

Payment by cheque (UK only) or Paypal please.

Please see my other soundtrack listings.

Thanks for looking and happy eBaying!


ITEM CONDITION - items are graded according to Record Collector definitions - see below:

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.