2x DAVID BOWIE LP aladdin sane & low ORIGINAL PRESSINGS  Up for sale are 2 Bowie LP's:
Aladdin sane
Original German pressing on the RCA label from 1973.  Record is in NM condition and the gatefold sleeve is in NM condition. Insert is included. 
Low Original Dutch pressing on the RCA label from 1977.  Record is in EX condition and the sleeve is in EX- condition (split seam). Printed innersleeve is included. 

David Bowie- 09 The Jean Genie - YouTube

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David Bowie- 04 Sound and Vision - YouTube

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[isdntekvideo] AllMusic Review by Stephen Thomas Erlewine: Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs. Bowie abandons his futuristic obsessions to concentrate on the detached cool of New York and London hipsters, as on the compressed rockers "Watch That Man," "Cracked Actor," and "The Jean Genie." Bowie follows the hard stuff with the jazzy, dissonant sprawls of "Lady Grinning Soul," "Aladdin Sane," and "Time," all of which manage to be both campy and avant-garde simultaneously, while the sweepingly cinematic "Drive-In Saturday" is a soaring fusion of sci-fi doo wop and melodramatic teenage glam. He lets his paranoia slip through in the clenched rhythms of "Panic in Detroit," as well as on his oddly clueless cover of "Let's Spend the Night Together." For all the pleasures on Aladdin Sane, there's no distinctive sound or theme to make the album cohesive; it's Bowie riding the wake of Ziggy Stardust, which means there's a wealth of classic material here, but not enough focus to make the album itself a classic.
AllMusic Review by Stephen Thomas Erlewine: Following through with the avant-garde inclinations of Station to Station, yet explicitly breaking with David Bowie's past, Low is a dense, challenging album that confirmed his place at rock's cutting edge. Driven by dissonant synthesizers and electronics, Low is divided between brief, angular songs and atmospheric instrumentals. Throughout the record's first half, the guitars are jagged and the synthesizers drone with a menacing robotic pulse, while Bowie's vocals are unnaturally layered and overdubbed. During the instrumental half, the electronics turn cool, which is a relief after the intensity of the preceding avant pop. Half the credit for Low's success goes to Brian Eno, who explored similar ambient territory on his own releases. Eno functioned as a conduit for Bowie's ideas, and in turn Bowie made the experimentalism of not only Eno but of the German synth group Kraftwerk and the post-punk group Wire respectable, if not quite mainstream. Though a handful of the vocal pieces on Low are accessible -- "Sound and Vision" has a shimmering guitar hook, and "Be My Wife" subverts soul structure in a surprisingly catchy fashion -- the record is defiantly experimental and dense with detail, providing a new direction for the avant-garde in rock & roll.
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POSTAGE COSTS FOR THE BUYER:
Postage for 1 LP is the same as for 7 LP's (<2kg), so please order more LP's to save on shipping!
1-7 LP's priority mail:
EUR1: 9 GBP
EUR2: 10 GBP
Rest of the world + Russia: 18 GBP

EUR1:
Denmark, Germany, France, Italy, Luxembourg, Austria, Spain, UK, Sweden

EUR2:
Bulgaria, Estonia, Finland, Hungary, Ireland, Latvia, Lithuania, Poland, Portugal, Romania, Slovenia, Slovakia, Czech Republic
Greece, Croatia, Norway, Serbia, Switzerland + other European countries