Sold Date:
October 13, 2020
Start Date:
September 6, 2019
Final Price:
£30.00
(GBP)
Seller Feedback:
1464
Buyer Feedback:
0
Here I have for sale the rare Australian import of the original TV soundtrack to 'Against The Wind' (1978), composed and conducted by Jon English and Mario Millo.
Jon English & Mario Millo – 'Against The Wind' (The Original TV Soundtrack) (1978)
Condition (refer also to notes at bottom):
Vinyl – VG-EX. Very clean on visual inspection. One short hairline on side 1; a long and a short hairline on side 2, but these don't affect playback. Played just pre-listing and sound clarity is excellent. No jumping or skipping. Overall, a very enjoyable listen to this rare Australian TV score.
Outer sleeve (Cover) – VG-EX. Fully laminated and not textured. Colours are unfaded and bright. A few small vein-like creases on front; some near aperture. Light corner damage but spine and edges are clean, unworn and unmarked. Aperture shows only the mildest of wear. Reverse side is clean and unmarked. Slight detachment in lower left edge by aperture. Overall, a great example.
Inner picture sleeve – G. Original. Lots of creasing and major folds. A few small marks on lyrics side. Detached/split along one side edge.
Label: Polydor – 2907 048
Format: Vinyl, LP, Soundtrack, Album, Import
Country: Australia
Released: 1978
Genre: Classical, Folk, World, & Country, Stage & Screen, Score
Style: Soundtrack, Contemporary, Theme, Instrumental, Traditional
Tracklist
A1. Against The Wind (Theme). 2:32
A2. Seeds Of Fire (Sentencing And Transportation). 5:59
A3. Unfinished Theme (Rum For Dignity). 3:01
A4. Six Ribbons (The Courtship). 2:04
A5. Mary's Theme. 4:00
A6. The March Of The Kings Of Laois. 3:51
B1. Waltz Theme (The Women Are Chosen). 5:21
B2. Six Ribbons. 3:11
B3. Dinny And Ngilgi. 2:12
B4. Main Theme Major (The Wedding). 3:17
B5. Death Or Liberty (The Castle Hill Rebellion And Consequences). 8:26
Recorded At – Windchase Sound
Recorded At – Albert Studios
Mixed At – EMI Studios 301
Mixed At – Albert Studios
Artwork By [Art Direction] – Lorraine Hall
Artwork By [Front Cover Illustration] – Murray McKenzie
Composed By – Jon English (tracks: A1, A2, A4, B2 to B5), Mario Millo (tracks: A2, A3, A5, B1, B3 to B5)
Engineer [Additional] – Bruce Brown, Dean Cooper, Richard Lush, Russell Dunlop
Performer [Additional Musicians] – Dave Glyde, Declan Affley, Greg Henson, James Madimass, Laura Chislett, Mike Wade , Peter Kenny, Robert Ingram, Safonia Olsen, Stewart Chapman
Producer, Engineer, Arranged By, Performer – Jon English, Mario Millo
MX Matrix numbers do not appear on either on the 2 other Polydor releases.
Inner sleeve is shinier and thinner than other releases.
'Prod., Eng. & Arr by' credits span 5 lines on this release
Composed and Recorded in Australia.
Recorded at Windchase Sound - Seven Hills (by coincidence the original location).
Mixed at EMI Sydney except "Six Ribbons" which was recorded and mixed at Alberts Studios.
℗ 1978 Polydor Records Pty. Ltd.
Matrix / Runout (Machine Stamped Runout): MX189607 2907048-1
Matrix / Runout (Machine Stamped Runout): MX189608 2907 048-2
Matrix / Runout (Label Side 1): MX189607
Matrix / Runout (Label Side 2): MX189608
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Postage and packaging FREE to UK.
Will post worldwide.
Europe (Royal Mail International Standard) – £7.
Europe (Royal Mail International Tracked and Signed) – £12
N and S America, USA, Canada (Royal Mail International Standard) – £9.50
Asia, Australia, Japan (Royal Mail International Standard) – £11.50
Sorry but no returns are accepted.
Payment by cheque (UK only) or Paypal please.
Please see my other soundtrack listings.
Thanks for looking and happy eBaying!
ITEM CONDITION - items are graded according to Record Collector definitions - see below:
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.