Impaled - The Dead Still Dead Remain MARBLED Color vinyl LP (Exhumed, Carcass)

Sold Date: November 3, 2021
Start Date: November 1, 2021
Final Price: $40.00 (USD)
Seller Feedback: 245
Buyer Feedback: 0


Impaled - The Dead Still Dead Remain MARBLED Color vinyl LP (for fans of: Exhumed, Carcass). New, unplayed/ received from distributor in resealable clear sleeve. Record only ever removed from sleeve as far as pictured, for a quick photo shoot.

Ships in heavy duty packaging via USPS media mail, handling time 3 days or less to send out. Sometimes same or next day when able.

Recording info:
"This is a completely re-recorded version of the 2000 full-length The Dead Shall Dead Remain, featuring the return of Leon del Muerte.

Drums recorded by Vincent Wojno at Testament's Studio (aka Driftwood) in July 2010.
Vocals, Guitars and Bass recorded by Jason Kocol at Hhhhey Studios from August to September 2010.
Produced, mixed and mastered by Vincent Wojno & Impaled at Testament's Studio (aka Driftwood) sporadically from October 2010 through May 2013".

Extra care taken with packing shipments.
3 business day or quicker handling time for shipping
Will try to do same day or next day shipping if possible.
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Band members;
•Ross Sewage (Exhumed, Ghoul, Phobia)
•Jason Kocol (Ghoul)
•Sean McGrath (Inhumation, Stormcrow, Dekapitator)
•Leon del Muerte (Exhumed, Nausea, Phobia, Dreaming Dead, Nails)
•Raul Varela (Landmine Marathon, Ghoul)

Review:
*"Unabashed early Carcass worship here from this sick and twisted California band. Don't misunderstand me: this isn't Carcass influenced metal in the vein of General Surgery or a million other bands, this is almost a virtual copy of the Carcass present on the first two albums, Reek of Putrefaction and Symphonies of Sickness, a clone down to the tiniest particulars. The similarities are obvious, overstated, and completely intentional. I guess Impaled just figured that Carcass was no longer in action, so why waste a fertile concept? Almost all the Carcass fetishes or accoutrements are here: the cover art, movie/documentary sampling, the lyrics and medical terminology, the naming of solos, the high and low vocals (the vocals sound, for the most part, exactly like Carcass), the drum sound (are those Ken's cymbals?), the group photo where they are dressed as pathologists, etc. It's all here.

When it comes to the music, however, there are differences. While constantly referencing Carcass, these guys never just slip down into rote memorization and regurgitation - they have their own style, and you can hear it shining through the influences (this level of 'influence' really should be given another name - is there a level between cloning and 'influence'?) at times very clearly. The guitar music, especially, rises above the motives of the other musicians and carves out something original all on its own. This isn't your garden variety goregrind or grindcore, at times the music reaches a surprising level of sophistication that this subgenre of death metal hasn't seen in quite some time.