CARAVAN, Caravan & the New Symphonia [Deram] UK 1st pressing 1W matrix LP

Sold Date: January 30, 2015
Start Date: January 3, 2015
Final Price: $17.99 (USD)
Seller Feedback: 30860
Buyer Feedback: 14


Caravan & New Symphonia, The‎– Caravan & The New Symphonia Label: Deram ‎– SML-R 1110, Deram ‎– SML- R1110 Format: Vinyl, LP, Album Country: UK Released: 1974 Genre: Rock Style: Prog Rock Tracklist Hide Credits A1 Introduction Written-By, Arranged By – Simon Jeffs* 6:55 A2 Mirror For The Day Arranged By – Simon Jeffs*Written-By – Hastings* 4:19 A3 The Love In Your Eye Arranged By – Don GouldWritten-By – Sinclair*, Hastings*, Coughlan* 12:02 B1 Virgin On The Ridiculous Arranged By – John Bell (2), Martyn FordWritten-By – Hastings* 6:53 B2 For Richard Written-By – Sinclair*, Hastings*, Coughlan*, Sinclair* 13:48 Companies etc Phonographic Copyright (p)– The Decca Record Company Limited Produced For– Gruggy Woof Published By– Aristocrat Music Published By– Chrysalis Music Published By– Simon Jeffs Music Recorded At– Pye Mobile Recording Unit Recorded At– Theatre Royal, Drury Lane Remixed At– Air Studios Printed By– Robert Stace Made By– British Celanese Limited Credits Artwork, Photography By, Design– Three Men Went To Mow Backing Vocals– Danny Street, Helen Chappelle, Liza Strike, Margot Newman, Robert Lindop, Tony Burrows, Vicki Brown Bass Guitar, Vocals– John G. Perry Bassoon, Contrabassoon– Stephen Maw Cello– Colin Walker (2), Helen Liebmann, Lynden Cranham, Martin Robinson Clarinet, Bass Clarinet– Michael Harris (6) Conductor– Martyn Ford Design, Photography By– Three Men Went To Mow Double Bass– Chris Laurence, Nick Worters Drums– Richard Coughlan Electric Piano, Organ, Synthesizer– Dave Sinclair* Engineer– Bill Price, Bob Harper, Stephen Carter (6) Engineer [Assistant]– Mike Sellers, Neville Crozier Flute, Alto Saxophone– Jimmy Hastings Harp– Skaila Kanga Horn– Mike Perton, Robin Davies (3), Ted Chance, Terry Johns Mastered By– W (12) Oboe, Cor Anglais– Andrew Cauthery Orchestra– New Symphonia, The Producer– David Hitchcock Timbales, Congas, Performer [Flexitone], Tam-tam– Morris Pert Timpani, Tambourine, Congas– Garry Kettell* Trombone– Geoff Perkins, Michael Crowther, Paul Beer (2) Tuba– John Smith (18) Viola– Don McVay*, Jan Schlapp, Roger Chase, Tony Harris (3) Viola [Electric]– Geoffrey Richardson Violin [First]– David Woodcock, Liz Edwards*, Godfrey Salmon, Irvin Arditti*, Jo Frohlich*, Roy Gillard, Wilf Gibson Violin [Leader]– Richard Studt Violin [Second]– Cathy Weiss, Dee Partridge, Gavyn Wright, Lucy Finch, Rita Eddowes, Robin Williams (5) Vocals, Guitar– Pye Hastings Notes Released on a red and white Deram label in a front laminated sleeve. All titles published by Aristocrat Music Ltd. except "Introduction" ; published by Simon Jeffs Music. (Track A1 "Introduction" ; Publisher accredited to Simon Jeffs Music on the sleeve, on the label it is accredited to Chrysalis Music) ℗ 1974 The Decca Record Co. Ltd. P 1974, The Decca Record Company Limited , London. Sleeve printed in England by Robert Stace Laminated with 'Clarifoll' made by British Celanese Limited.

UK FIRST PRESSING VINYL LP IN LAMINATED SLEEVE WITH ORIGINAL POLY-LINED INNER SLEEVE.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First pressings are made from first generation lacquers and stampers. They usually sound vastly superior to later issues and re-issues (which are often pressed from whatever tapes or digital sources are currently available).

Many recent vinyl pressings claim to be mastered from ‘original tapes’ and are pressed on expensive 180g vinyl. Sonically, they frequently sound disappointing when compared to a decent condition first pressing. All too often, they sound like a CD pressed onto vinyl.

If you want the best analogue reproduction possible from vinyl, it is always a better investment to seek out original pressings in clean playing condition. They nearly always have more immediacy, presence and dynamics. The sound staging is wider, and subtle nuances are better placed with more spacious textures. Balances are firmer in the bottom end with the bass far tighter. Upper-mids shine, and the overall depth is more immersive. Inner details are clearer, and the music tends to sound more ‘alive’.

MATRIX NUMBERS IN RUN-OFF GROOVES: SIDE A: ZAL-12931.P-1W / SIDE B: ZAL-12932.P-1W.

MOTHER No. SIDE A: 4D / SIDE B: 2B

STAMPER No. SIDE A: BI / SIDE B: M

SLEEVE: VERY GOOD+, BOTTOM SEAM NEEDS RE-GLUE, SOME SHELF, CORNER, RING AND EDGE WEAR. PRICE STICKER MARK ON FRONT. INNER SLEEVE IS VERY GOOD+.

DISC: VISUALLY VERY GOOD+ THAT PLAYS MOSTLY EXCELLENT MINUS. NO SCRATCHES, SOME SPINDLE WEAR, LIGHT PLAY SCUFFS AND HAIRLINES. CLEAN LABELS. A VERY DECENT PLAYING COPY WITH THE ODD STATIC POP OR TICK.




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