Sold Date:
August 12, 2015
Start Date:
August 3, 2015
Final Price:
$19.50
$17.00
(USD)
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Funkadelic : Tales Of Kidd Funkadelic
Album Description: This is the original gatefold album release with extreme artwork by Pedro Bell on the outside & inside. The vinyl record is in glossy clean excellent/near mint condition. The gatefold cover has a little surface/edge wear. The pictures in this listing are of the actual record album you will receive. Check out our other listings for more records from this artist along with a wide variety of vinyl, CD's and more. All reasonable "Best Offers" considered. Combined shipping available worldwide. Only $.50 additional shipping for each record within the USA; only $3.00 additional shipping for each record outside the USA. We ship worldwide in secure, padded packaging. Please let us know if you have any questions for a prompt reply. Tracklist and additional album information below.
Tracklist:
1. Butt To Butt Resucitation
2. Let's Take It To The People
3. Undisco Kidd
4. Take Your Dead Ass Home! (Sat Som'n Nasty) Rated X
5. I'm Never Gonna Tell It
6. Tales Of Kidd Funkadelic (Opusdelite Years)
7. How Do Yeaw View You?
Funkadelic and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of that decade. The group that would become Funkadelic was originally formed by George Clinton in 1964, as the unnamed musical backing for his doo wop group, The Parliaments, while on tour. The band originally consisted of musicians Frankie Boyce, Richard Boyce, and Langston Booth plus the five members of the Parliaments on vocals. Boyce, Boyce, and Booth enlisted in the Army in 1966, and Clinton recruited bassist Billy Bass Nelson and guitarist Eddie Hazel in 1967, then also added guitarist Tawl Ross and drummer Tiki Fulwood. The band name "Funkadelic" was coined by Nelson after the band relocated to Detroit. The group's music evolved from soul and doo wop into a harder guitar-driven mix of psychedelic rock, soul and funk, much influenced by the popular musical and political movements of the time. Jimi Hendrix and Sly Stone were major inspirations. This style later evolved into a tighter guitar-based funk, which subsequently, during the height of Parliament-Funkadelic success, added elements of R&B and electronic music, with fewer psychedelic rock elements. The band made their first live television performance on Say Brother in 1969. The group's self-titled debut album, Funkadelic, was released in 1970. The credits listed organist Mickey Atkins plus Clinton, Fulwood, Hazel, Nelson, and Ross. The recording also included the rest of the Parliaments singers, several uncredited session musicians then employed by Motown, as well as Ray Monette of Rare Earth and future P-Funk mainstay Bernie Worrell. Bernie Worrell was officially credited starting with Funkadelic's second album, 1970s Free Your Mind... and Your A*s Will Follow, thus beginning a long working relationship between Worrell and Clinton. The album Maggot Brain followed in 1971. The first three Funkadelic albums displayed strong psychedelic influences and contained many songs that stayed in the band's setlist for several years and would influence many future funk, rock, and hip hop artists. After the release of Maggot Brain, the Funkadelic lineup was expanded greatly. Many more musicians and singers would be added during Funkadelic's history, including the recruitment of several members of the famous James Brown backing band The JB's in 1972 - most notably Bootsy Collins and the Horny Horns. Bootsy and his brother Catfish Collins were recruited by Clinton to replace the departed Nelson and Hazel. Bootsy in particular become a major contributor to the P-Funk sound. In 1972, this new line-up released the politically charged double album America Eats Its Young. The lineup stabilized a bit with the album Cosmic Slop in 1973, featuring major contributions from recently added singer-guitarist Garry Shider. George Clinton revived Parliament in 1974 and signed that act to Casablanca Records. Parliament and Funkadelic featured mostly the same stable of personnel but operated concurrently under two names. At first, Parliament was designated as a more mainstream funk ensemble dominated by soulful vocals and horn arrangements, while Funkadelic was designated as a more experimental and freestyle guitar-based funk band. The ensemble usually toured under the combined name Parliament-Funkadelic or simply P-Funk. In 1975 Michael Hampton, a teen guitar prodigy, replaced Hazel as the premier lead guitarist in Parliament-Funkadelic, and was a major contributor to the next several Funkadelic albums. Funkadelic left Westbound in 1976 and moved to Warner Brothers. Their first album for Warner was Hardcore Jollies in 1976. Just before leaving Westbound, Clinton provided that label with a collection of recently recorded outtakes, which Westbound released as the album Tales of Kidd Funkadelic. That album did significantly better commercially than Hardcore Jollies and included "Undisco Kidd", an R&B Top 30 single. In 1977, Westbound capitalized further by releasing the anthology The Best of the Early Years. As Parliament began achieving significant mainstream success in the 1975-1978 period, Funkadelic recorded and released its most successful and influential album, One Nation Under a Groove in 1978, adding former Ohio Players keyboardist Walter Morrison and reflecting a more melodic dance-based sound. The title track spent six weeks at #1 on the R&B charts, around the time that Parliament was enjoying the #1 R&B singles "Flash Light" and "Aqua Boogie". Uncle Jam Wants You in 1979 continued Funkadelic's new more electronic sound production. The album contains the fifteen-minute "(Not Just) Knee Deep" featuring former Spinners lead singer Philippé Wynne. The final official Funkadelic album, The Electric Spanking of War Babies, was released in 1981. Meanwhile, the album Connections & Disconnections was released under the name Funkadelic in 1981. The album was recorded by former Funkadelic members and original Parliaments Fuzzy Haskins, Calvin Simon, and Grady Thomas, who had left P-Funk in 1977. This LP, notable for its heavy use of Thomas "Pae-dog" McEvoy's jazz horn, contains the track called "You'll Like It Too", which came a very popular breakbeat source for the Hip hop community in the 80s. Another rebellious former band member, drummer Jerome Brailey, released the album Mutiny on the Mamaship, by his new band Mutiny. In the early 1980s, with legal difficulties arising from the multiple names used by multiple groups, as well as a shakeup at Parliament's record label, George Clinton dissolved Parliament and Funkadelic as recording and touring entities. However, many of the musicians in later versions of the two groups remained employed by Clinton. Clinton continued to release new albums regularly, sometimes under his own name and sometimes under the name George Clinton & the P-Funk All-Stars. In the mid-1980s, the last Funkadelic album By Way Of The Drum was recorded by Clinton with P-Funk personnel and many electronic devices. It features a cover of "Sunshine Of Your Love" by Cream. Clinton continued his P-Funk collective in the 1990s and 2000s, with a revolving stable of musicians, some of whom remain from the classic lineups of Funkadelic and Parliament. The rock-oriented sound of Funkadelic has diminished, as Clinton has moved towards more of an R&B and hip hop sound. In 1997 the group was inducted into the Rock and Roll Hall of Fame. Filmmaker Yvonne Smith of New York City-based Brazen Hussy productions produced Parliament-Funkadelic: One Nation Under a Groove, a full-length documentary about the groundbreaking group. As of 2008, Clinton was at work on a new Funkadelic album for his new record label. In 2008 Westbound Records released Toys, a collection of Funkadelic outtakes and demos from the Free Your Mind and America Eats Its Young era. In 2013 the band released their first single in over 25 years when they released "The Naz". The song is a collaboration with Sly Stone and tells the story of Jesus Christ. The B-side to the song is "Nuclear Dog" which is guitar solo by former P-Funk guitarist Dewayne "Blackbird" McKnight. (web bio)
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