John Carpenter "Halloween Soundtrack" 2xLP Mondo (US) 

Brand New and Still Sealed!!

Either on Black or Orange Vinyl!

Includes Booklet

Track Listing:

A1Halloween Theme2:21A2Halloween 19633:11A3The Evil Is Gone!4:08A4Halloween 19782:50A5The Boogie Man Is Coming0:40B1The Shape1:43B2The Hedge1:35B3He Came Home2:40B4Trick Or Treat0:39B5The Haunted House1:43B6The Devil’s Eyes1:39B7The Boogie Man Is Outside1:27B8Damn You For Letting Him Go!1:34C1Empty Street0:33C2See Anything You Like?2:22C3Lock The Door2:53C4He’s Here?0:55C5Light’s Out2:49C6Cut It Out1:19C7Tombstone1:19D1The Shape Stalks Laurie1:35D2Turn Around0:33D3Unlock The Door2:09D4The Hanger3:04D5Call The Police0:28D6Last Assault1:34D7Was It The Boogie Man?0:32D8End Credits: Halloween Theme-Reprise3:36 Music

John Carpenter composed the music to the first three films. For Halloween, Carpenter chose to use a   played in a   instead of a soundtrack. Critic  calls the score "relatively simple and unsophisticated", but admits that "Halloween's music is one of its strongest assets." Carpenter stated in an interview, "I can play just about any keyboard, but I can't read or write a note." In the end credits, Carpenter bills himself as the "Bowling Green Orchestra" for performing the film's score, but he did receive assistance from composer Dan Wyman, a music professor at .

The score for Halloween II is a variation of John Carpenter's compositions from the first film, particularly the main theme's familiar piano melody played. The score was performed on a  rather than the piano used for Halloween. One reviewer for the  described the revised score as having "a more Gothic feel". The reviewer asserted that it "doesn’t sound quite as good as the original piece", but "it still remains a classic piece of music".

Music remained an important element in establishing the atmosphere of Halloween III. Just as in Halloween andHalloween II, there was no symphonic score. Much of the music was composed to solicit "false " from the audience. The soundtrack was composed by John Carpenter and Alan Howarth, who had also worked on the score for Halloween II. The score of Halloween III differed greatly from the familiar main theme of the original and its first sequel. Carpenter replaced the familiar piano melody with a slower, electronic theme played on a synthesizer with beeping . Howarth explains how he and Carpenter composed the music for the third film:

The music style of John Carpenter and myself has further evolved in this film soundtrack by working exclusively with synthesizers to produce our music. This has led to a certain procedural routine. The film is first transferred to a  video tape and synchronized to a 24 track ; then while watching the film we compose the music to these visual images. The entire process goes quite rapidly and has 'instant gratification', allowing us to evaluate the score in synch to the picture. This is quite an invaluable asset.

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