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These guys are about to release a new album in May and are no longer on Sub Pop Records.

These LPS are now going to be SCARCE!

This listing is for TWO (2) SEALED Band of Horses LPS!

1 -Band of Horses "Everything All the Time" LP. Released on Sub Pop (SP690).

Here is what Sub Pop has to say: "Achieving musical transcendence is a tricky feat, almost definitively. If it happens at all, it happens naturally — and perhaps nobody knows that better than Seattle, Washington's Band of Horses. Guitarist/vocalist Ben Bridwell and guitarist Mat Brooke formed Band of Horses in 2004, after the dissolution of their nearly ten-year run in northwest melancholic darlings Carissa's Wierd. Carissa's Wierd trafficked in sadly beautiful orchestral pop, whose songs told unflinching stories of heartbreak and loss, leavened with defeatist humor. And, Band of Horses rises from the ashes of that well-loved and short-lived band. After playing music with each other for over a decade, Bridwell and Brooke picked up together again when Bridwell began fleshing out his compositions post-Carissa's. "It was really just a natural thing we started doing," explains Bridwell. Buoyed by Bridwell's warm, reverb-heavy vocals (which strangely channel a dichotomous blend of Wayne Coyne, Brian Wilson and Doug Martsch,) Band of Horses' woodsy, dreamy songs ooze with amorphous tension, longing and hope. At times raggedly epic ("The Great Salt Lake") and delicately pensive ("St. Augustine," "Monsters"), Everything All the Time is an album painted gorgeously in fragile highs and lows."

Listing:

1. The First Song
2. Wicked Gil
3. Our Swords
4. The Funeral
5. Part One
6. The Great Salt Lake
7. Weed Party
8. I Go To The Barn Because I Like The
9. Monsters
10. St. Augustine

2 - Band of Horses "Cease To Begin" LP. Released on Sub Pop (SP745).
Track listing1. Is There A Ghost
2. Ode To LRC
3. No One's Gonna Love You
4. Detlef Schrempf
5. General Specific, The
6. Lamb On The Lam (In The City)
7. Islands On The Coast
8. Marry Song
9. Cigarettes, Wedding Bells
10. Window Blues

DetailsPlaying time:35 min.Distributor:Alternative Dis. AllianceRecording type:StudioRecording mode:StereoSPAR Code:n/a
Album notesOn 2007's CEASE TO BEGIN, its second album for the venerable Sub Pop label, Band of Horses expands on the dreamy indie-rock sound of its well-received debut, EVERYTHING ALL THE TIME. The product of considerable changes for the group--namely the departure of founding guitarist Mat Brooke and relocation from Seattle, Washington to Charleston, South Carolina--BEGIN solidifies singer/guitarist Ben Bridwell's status as the central creative force behind the ensemble. Even though it does nothing to allay frequent comparisons to My Morning Jacket, the record does further Bridwell's impressive songcraft, which shines on the chiming, widescreen expanse of "Is There a Ghost" and the jangly acoustic vibe of "Lamb on the Lam (In the City)."

Here is what Sub Pop has to say: "Released in March of 2006, debut propelled the band from early shows opening for friends , to playing on The Late Show with David Letterman by July, and being nominated as one of ten finalists (along with Joanna Newsom, Beirut, Tom Waits, and, the eventual winner, Cat Power) for the for that same year. The record also received celebratory press in Spin, Entertainment Weekly, NY Times, Harp, , , Magnet, NME, Uncut, and a slew of others. For a lot of reasons, Cease to Begin is the perfect title for this new record. Though they worked with producer again, as they did on , much has changed for between the fairly recent then and now. Band members have come and gone, including Mat Brooke, who left to pursue other interests and . Core members Ben Bridwell, Rob Hampton and Creighton Barrett moved from Seattle to Mt. Pleasant, SC, to be closer to their families. And, close friends and family have come and gone—some far too early. Necessarily shot through with these experiences, the songs on Cease to Begin are strikingly beautiful, if less elliptical and more straightforward, dealing with the reconciliation of attachment and detachment, the strength that’s found through suffering, and the understanding that we are as significant as we are insignificant. It’s also a great rock record."

Pitchfork's Review:

Following the success of their debut Everything All the Time and the subsequent departure of founding member Mat Brooke, the remaining members of Band of Horses moved from Seattle to Mt. Pleasant, South Carolina, and set to recording their follow-up, Cease to Begin, in Asheville. Thousands of land-locked miles from the Great Salt Lake, this cross-country change of scenery is subtly apparent: If Everything All the Time was a Pacific Northwest indie album with flourishes of country and Southern rock, then Cease to Begin reverses the equation. Putting a different regional spin on their tender-hearted indie rock, however, doesn't change up the sound too much-- the guitars still churn and crest majestically, Bridwell's vocals still echo with grandiose reverb-- but simply creates an atmosphere evocative of something like autumn in a small town.

This geographical move and musical development both seem like logical progressions for Band of Horses, and not just because Bridwell originally hails from the South. The trio sounds more at home on Cease to Begin, and more confident writing about this specific neck of the woods. As a result, they shed many of the comparisons that dogged Everything All the Time last year: Every review had to mention the Shins, My Morning Jacket, or the Flaming Lips (me: guilty). Cease to Begin finds them opening up their sound, drawing in more ideas and giving the music the loping quality of a long walk down a dirt road.

As crunchy guitars give way to light strings on "Ode to LRC", Bridwell sings about a stray dog and a "town so small how could anybody not look you in the eye or wave as I drive by." He's one of few indie artists who can sell a line like "the world is such a wonderful place" or get away with singing "la-dee-da" with open-hearted amazement. On "Detlef Schrempf", for example, he sings, with heartfelt gravity, "Watch how you treat every living soul," and still somehow sounds bold and genuine.

On the other hand, Cease to Begin's looser vibe preempts the big moments that gave Everything All the Time its gravity. Listeners looking for another "Funeral" or "Great Salt Lake" may come away disappointed, making do with only the airborne rush of opener "Is There a Ghost". These songs go for texture and shade over size and scale, an admirable shift even if Band of Horses don't always pull it off. On "Cigarettes Wedding Band", they can't churn up enough bile to convey Bridwell's bitter lyrics; instead of contrasting the album's sweet-tea tone, the song simply reflects it, revealing the limits of their range. Still, Bridwell does accomplish the nifty trick of turning an accusation into a formidable pop hook: "While they lied-dee-die! Lah-dee-dah! While they lied!"

As they move southeasterly, Band of Horses may bear some derision as dad-rock at best, or as granola at worst. And yes, there are moments here that support those stereotypes: The sequencing of two downtempo ballads ("No One's Gonna Love You", "Detlef Schrempf") slows the album's first half almost to a halt. But even if Cease to Begin is a little creaky and uneven and even if it never finds the resting spot the album title promises, Band of Horses do guitar-based indie very well-- well enough, at least, that the next generation of American indie bands may bear comparisons to them. The album closes with "Window Blues", a slow, aching number that fades into a simple "Rainbow Connection" banjo outro that gives the album a snowglobe quality, despite the warmer Carolina climate. These songs depict a personal world in great detail, contained within a small space. Sure, Band of Horses could stand to shake it up a bit, but for now Bridwell seems content just to enjoy the view.

-, October 08, 2007

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