Sold Date:
March 26, 2017
Start Date:
March 15, 2017
Final Price:
$29.98
(USD)
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Brand new sealed record.
The Sisters Of Mercy - First And Last And Always [LP]
(Audiophile Vinyl, Numbered Limited-Edition)
Mobile Fidelity Sound Lab Silver Label MOFI 1-006 821797100069 LP Goth Rock
Numbered Limited Edition LP from Mobile Fidelity Silver Label
Paint It Black: 1985 Debut Is Penultimate Goth-Rock Album
Andrew Eldritch's Ghostly Vocals, Static Beats, Melodic Guitar Jangle Create Hauntingly Atmospheric Soundscapes
Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI: First Time Any Sisters of Mercy Record Given Audiophile Treatment on LP
The template for all goth-rock records that followed, Sisters of Mercy's First And Last And Always stands as one of the - if not the most - influential albums of its kind ever released. Distinguished by Andrew Eldritch's ghostly singing, which gives the impression of hearing a forlorn ghoul croon from a foggy English graveyard, the 1985 set is drenched in gloom, claustrophobia, black humor, and dance-ready beats that provide exhilarating contrasts. Fans of the Cure, Depeche Mode, Love and Rockets, Peter Murphy, mid-period Nick Cave, and Joy Division will find it to be a new favorite record.
Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI, Silver Label numbered limited edition LP presents First And Last And Always with a fuller, richer sound that positively obliterates the thin, feeble sonic perspectives that have limited the music until now. Every aspect from Eldritch's haunting singing to the group's jangling guitars and prancing bass lines finally gain genuine definition. Yet what's most improved is the sense of atmosphere: Sisters of Mercy revel in painting tone poems, where the feel and effect are as essential as the notes that are played. This is now an atmospheric tour de force.
Ever since it's release, First And Last And Always has been aptly shrouded in mythology. Eldritch pushed the envelope during the recording sessions, literally walking into walls and repeatedly unable to maintain his focus. Strung out on amphetamines, dazed by days of no sleep, upset by a recent breakup, and eating little, the vocalist channeled his discord into somber lyrics and brooding singing. He's framed by pulsing albeit lean, spare rhythms, patient tempos, and the clatter of a programmed drum machine that, in spite of its mechanical operation, sounds strangely organic. The songs evoke wet dungeons, walls-closing-in paranoia, and late-night strolls amidst the U.K.'s mysterious underground.
Despite its overall dark character, the record's arrangements value spaciousness, putting a premium on room and minimalism that makes each note count. As a result, twinkling pianos and keyboards parallel steel-cutting guitars and low-tuned bass lines that, in combination with Eldrtich's baritone, suggest glimmers of hope among the decay. Songs such as the shaking ''Possession,'' dramatic ''Some Kind of Stranger,'' and desperate ''Marian'' remain models of the gothic and post-punk disciplines more than 25 years after their debut. It's no surprise that, given all of the tension and personality that infuse the album, Sisters of Mercy disbanded just months after its release.
It's unlikely that any goth-rock album has ever sounded this good. This MoFi Silver Label LP will turn your room into rainy, dreary England, circa 1985, and expose you to one of the most harrowing vocal performances on record.
Sisters of Mercy First And Last And Always Track Listing:
1. ''Black Planet'' (4.26)
2. ''Walk Away'' (3.25)
3. ''No Time to Cry'' (4.03)
4. ''A Rock and a Hard Place'' (3.34)
5. ''Marian (version)'' (5.44)
6. ''First and Last and Always'' (4.02)
7. ''Possession'' (4.39)
8. ''Nine While Nine'' (4.12)
9. ''Amphetamine Logic'' (4.54)
10. ''Some Kind of Stranger'' (7.20)
RECORD: M
COVER: NM
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Record Grading
Mint (M): New condition.
Near Mint (NM): Nearly perfect, a record with no obvious signs of wear, a perfect sleeve with no more than the most minor defects and signs of slight handling.
Very Good Plus (VG+): A very good plus record will show signs that it was played, but was taken good care of by the previous owner. Record surface may show slight signs of wear or minor scuffs that do not affect play. Picture sleeves may have slight wear, lightly turned up corners.
Very Good (VG): A very good record will show groove wear and may have a few vinyl imperfections which will affect the sound. Picture sleeves will show slightly more wear with perhaps a frayed top edge, ring wear or seam breakdown.
Good (G) / Good Plus (G+): A good record will show significant wear and /or scratches, but will play through without skipping. It will have considerable surface noise. Picture sleeves may have seam splits @ bottom & spines, tape, writing, ring wear, stickers and other defects that will start to overwhelm the item. A good or good plus item is usually acquired to fill a hole in a collection until a better copy comes along.