Gripsweat is shutting down. Starting on February 1st, 2025 the site will no longer be doing daily updates, adding any new items, or accepting new memberships. The site will continue to run in this "historical" mode until January 1st, 2026, when the site will go offline. More information is available here.
Sold Date:
October 19, 2022
Start Date:
July 19, 2017
Final Price:
$67.20
(USD)
Seller Feedback:
2855404
Buyer Feedback:
0
This item is not for sale. Gripsweat is an archive of past sales and auctions, none of the items are available for purchase.
Additional Information from Movie Mars
Product Description
In 1995, at the age of 15, Conor Oberst left the Omaha, NE, group Commander Venus and began working on the material for his solo project, Bright Eyes. A Collection of Songs gathers the results: 20 compositions recorded during the singer's mid- to late teens. Even at a young age, it's clear that Oberst is an extremely talented songwriter, seemingly incapable of penning a bad tune (except in the odd case when you sense he didn't try). Despite his obvious gifts, however, there are plenty of sour moments throughout A Collection, but they are almost always the result of the singer's delivery, rather than an inherent fault of the song. Oberst walks a fine line and occasionally his tendency toward unrelenting honesty chases him over the edge. His tone turns bitter and you sense that he can't stand to bare his soul without couching the sentiments in a combination of anger, sarcasm, and parody. On songs like "Patient Hope in New Snow," "Saturday as Usual," and "The Awful Sweetness of Escaping Sweat," the songs disintegrate as his vocals are reduced to the unintelligible babbling of a child. Any balance the music maintained up to that point, however fragile, is lost and so, more than likely, is the listener. Exercising more restraint, Oberst reveals a unique songwriting voice. On "Exaltation on a Cool Kitchen Floor," the results are truly touching as he whispers, "I can't help noticing that she is sitting closer to me than she ever has before" -- lines that manage to capture the deep emotional ache called love. On "How Many Lights Do You See?," he expands the simple subject matter, exploring it with a near-cinematic perspective. Elsewhere (on the collection's best material), he is found teetering on the edge. Barely able to contain the welling emotions, a quiver rises in his voice. In such cases, you'd be hard-pressed to deny the truth of the sentiments Oberst is delivering. ~ Nathan Bush
About Movie Mars