Eno* ‎– Another Green World Label: Polydor ‎– MPF 1153 Format: Vinyl, LP, Album, Reissue  Country: Japan Released:   Genre: Electronic Style: Experimental, Ambient TracklistHide Credits A1Sky Saw Bass [Anchor] – Paul Rudolph Bass [Fretless] – Percy Jones Drums – Phil Collins Electric Piano [Rhodes] – Rod Melvin Guitar [Snake], Guitar [Digital] – Brian Eno Viola – John Cale 3:27 A2Over Fire Island Bass [Fretless] – Percy Jones Drums – Phil Collins Synthesizer, Guitar, Tape – Brian Eno 1:51 A3St. Elmo's Fire Guitar – Robert Fripp Organ, Piano, Effects [Yamaha Bass Pedals], Percussion [Synthetic], Guitar [Desert] – Brian Eno 3:01 A4In Dark Trees Guitar, Synthesizer, Percussion [Electric], Effects [Treated Rhythm Generator] – Brian Eno 2:32 A5The Big Ship Synthesizer, Percussion [Synthetic], Effects [Treated Rhythm Generator] – Brian Eno 2:37 A6I'll Come Running Bass, Percussion [Snare Drum] – Paul Rudolph Guitar – Robert Fripp Guitar [Castanet], Piano [Chord], Synthesizer, Percussion [Synthetic] – Brian Eno Piano – Rod Melvin 3:50 A7Another Green World Guitar [Desert], Organ [Farfisa], Piano – Brian Eno 1:42 B1Sombre Reptiles Organ [Hammond], Guitar, Percussion [Synthetic], Percussion [Peruvian], Other [Electric Elements], Sounds [Unnatural] – Brian Eno 2:23 B2Little Fishes Piano [Prepared], Organ [Farfisa] – Brian Eno 1:32 B3Golden Hours Guitar – Robert Fripp Organ [Choppy], Percussion [Spasmodic], Guitar [Club], Piano [Uncertain] – Brian Eno Viola – John Cale 4:00 B4Becalmed Synthesizer, Piano [Leslie] – Brian Eno 3:55 B5Zawinul/Lava Bass [Fretless] – Percy Jones Electric Piano [Rhodes] – Rod Melvin Grand Piano, Synthesizer, Organ, Tape – Brian Eno Guitar – Paul Rudolph Percussion – Phil Collins 2:56 B6Everything Merges With The Night Bass, Piano – Brian Turrington Guitar – Brian Eno 4:03 B7Spirits Drifting Bass, Organ, Synthesizer – Brian Eno 2:47 Credits Composed By – Brian Eno Engineer – Rhett Davies Engineer [Assitant] – Bari Sage*, Guy Bidmead, Robert Ash Painting [Cover] – Tom Phillips (3) Photography By [Back Cover] – Ritva Saarikko Producer – Brian Eno, Rhett Davies Typography – Bob Bowkett Notes The cover is a detail from "After Raphael" by Tom Philips Includes insert and OBI strip Barcode and Other Identifiers Matrix / Runout (SIDE A (also some etching in Japanese)): MPF-1153-A Matrix / Runout (SIDE B (also some etching in Japanese)): MPF-1153-B

JAPAN 180g PRESSING VINYL ALBUM WITH OBI, INSERT AND OUTER SEAL CLEAR BAG.

SLEEVE: EXCELLENT.

DISC[S]: EXCELLENT. NO MARKS OR SCRATCHES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

THIS ITEM SHIPS FROM THE USA (We can ship anywhere in the world EXCEPT to Georgia, USA)

 
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