Sold Date:
November 24, 2017
Start Date:
November 17, 2017
Final Price:
$19.99
(USD)
Seller Feedback:
33880
Buyer Feedback:
9
Pet Shop Boys – Introspective
Label:
EMI-Manhattan Records – E1-90868
Format:
Vinyl, LP, Album
Country:
US
Released:
1988
Genre:
Electronic
Style:
House, Synth-pop
TracklistHide Credits
A1Left To My Own Devices
Arranged By [Orchestra], Conductor [Orchestra] – Richard Niles
Producer – Trevor Horn
Producer, Engineer – Stephen Lipson
Vocals [Additional] – Sally Bradshaw
8:16
A2I Want A Dog
Engineer – David Jacob, Mike Nielson*
Engineer [Mix] – John Poppo
Mixed By, Producer [Additional] – Frankie Knuckles
Piano [Solo] – Josh Milian*
6:15
A3Domino Dancing
Backing Vocals – The Voice In Fashion
Brass – Dana Tebor*, Ed Calle, Kenneth William Faulk*
Brass, Trumpet [Solo] – Tony Conception*
Engineer [Assistant] – Ceaser Sogbe*
Engineer, Mixed By – Mike Couzzi
Guitar – Nestor Gomez
Keyboards [Additional] – Fro Sossa, Mike Bakst
Mixed By – Rick "Billy Bob" Alonzo*
Producer [Associate] – Pet Shop Boys
Producer, Engineer, Mixed By, Arranged By [Brass] – Lewis A. Martinée*
Score [Brass] – Mike Bakst
7:40
B1I'm Not Scared
Producer, Engineer – David Jacob
Programmed By [Fairlight] – Blue Weaver
7:23
B2Always On My Mind/In My House
Producer [Produced With Thanks To] – David Jacob, Ian Curnow, Phil Harding
Producer, Engineer – Julian Mendelsohn
Programmed By [Fairlight] – Andy Richards, Gary Maugham*
Written-By – Christopher*, James*, Thompson*
9:05
B3It's Alright
Producer – Trevor Horn
Producer, Engineer – Stephen Lipson
Vocals [Additional] – H. Robert Carr*, Dee Ricketts, Derek Green, Gee Morris, Herbie Joseph, Iris Sutherland, Judy Bennett*, Mario Friendo (2), Michael Hoyte, Paul Lee, Sharon Blackwell, Yvonne White
Written-By – Sterling Void
9:24
Companies, etc.
Manufactured By – Capitol Records, Inc.
Credits
Design [Cover Designed By] – Mark Farrow, Pet Shop Boys
Management – Rob Holden, Tom Watkins
Photography By – Eric Watson (3)
Producer – Pet Shop Boys (tracks: A2, B1, B2)
Written-By – Chris Lowe and Neil Tennant* (tracks: A1 to A3, B1)
USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL PRINTED INNER SLEEVE.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. EDGE CUT. INNER SLEEVE[S] VERY GOOD+ WITH NO SEAM SPLITS.
DISC[S]: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
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