Gripsweat is shutting down. Starting on February 1st, 2025 the site will no longer be doing daily updates, adding any new items, or accepting new memberships. The site will continue to run in this "historical" mode until January 1st, 2026, when the site will go offline. More information is available here.
Sold Date:
November 19, 2022
Start Date:
January 19, 2018
Final Price:
$46.30
(USD)
Seller Feedback:
2860637
Buyer Feedback:
0
This item is not for sale. Gripsweat is an archive of past sales and auctions, none of the items are available for purchase.
Additional Information from Movie Mars
Product Description
Producers: Jacob Hellner, Carl-Michael Herloffson.
Rammstein's first album was about what was to be expected from a bunch of Germans who happily grew up on everything from Skinny Puppy to Depeche Mode to Laibach and back again, not to mention plenty of skull-crushing metal straight up. Precisely brutal and often brilliantly arranged -- the band aren't per se inventive, but they bring everything together to make something astonishingly radio-friendly out of something that isn't necessarily -- HERZELEID in particular is the logical conclusion of KMFDM's self-referential electro-metal. The band freely invokes its own name throughout the way that group did in its songs -- the final tune is called "Rammstein," to top it all off -- and the riffs readily connect the dots between the older band's clipped guitar bursts and their even more compressed nu-metal equivalents. The swaggering sass and stomp of "Wollt Ihr das Bett in Flammen Sehen" makes for a near-perfect start, and from there the band merrily -- without a smile on its collective face -- has a great, loud-as-hell time. The downside is that the formula is in some ways so perfected they don't vary it much -- verses with roiling basses and stomping drums, cascading feedback apocalypse and sometimes squelchy samples adding textures and beats as needed. But there's more there than might be guessed -- the sternly beautiful choruses on "Der Meister," soothing keyboards suggesting a "we all march forward!" anthem for the modern day, the nods toward jungle/drum'n'bass on songs like "Asche zu Asche," the full-on goth/Depeche-into-metal love of "Heirate Mich" and "Laichzeit." Then there's "Seemann," a power ballad actually worthy of the name, the type of song sung looking out over the Baltic Sea as the sun sets and you contemplate angst to the nth degree. If you're going to go, go big. ~ Ned Raggett
About Movie Mars