ALLEN TOUSSAINT LP “Southern Nights” REPRISE orig ‘75 ~ NICE!

Sold Date: December 9, 2019
Start Date: June 10, 2018
Final Price: $59.77 (USD)
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Artist:   ALLEN TOUSSAINT

Title:   “Southern Nights”

Label:   REPRISE.  Stereo “first pressing” on medium weight vinyl.   Label is tan with black text, does not have “WEA” logo.   Catalog number is MS 2186. 

Year1975. 

Condition: 

DISC:  Vinyl is EXCELLENT with full original gloss.  Has been played a small number of times and handled with care.  There are a couple slight hairline paper scuffs but no serious or audible marks or problems.  Plays beautifully with superb fidelity.  Labels are clean.  This hard-to-find LP is one that you will never need to upgrade.      

JACKET:   Jacket is EXCELLENT with nice bright artwork.   Seams, spine, and surfaces are excellent.  Would grade NM but there is a bit of wrinkling at the bottom right corner.  A bit of minor wear at corner tips.  Reverse is clean   with no writing, stickers, or cutout indications.  Overall a very fine jacket.  

Includes the original vintage mid 70s “Warner/Reprise Loss Leaders” factory inner sleeve in excellent condition. 

Track Listing

Side One:

Last Train Worldwide Back in Baby’s Arms Country John Basic Lady  

Side Two:

Southern Nights You Will Not Lose What Do You Want the Girl to Do When the Party’s Over Cruel Way to Go Down

Review:

“Allen Toussaint produced a kind of masterpiece with his first Reprise album, Life, Love and Faith, finding previously unimagined variations on his signature New Orleans R&B sound.  For its 1975 sequel, Southern Nights, he went even further out, working with producer Marshall Sehorn to create a hazy vague concept album that flirted with neo-psychedelia while dishing out his deepest funk and sweetest soul.  It's a bit of an unfocused album, but that's largely due to the repeated instrumental "filler," usually based on the theme of the title song, that pops up between every two or so songs, undercutting whatever momentum the album is building.  That, along with a song or two that are merely average Toussaint, prevents Southern Nights from being a full-fledged masterpiece, but it comes close enough to that level of distinction anyway due to the brilliance of its best songs.  There is, of course, "Southern Nights," which Glen Campbell later took to the top of the charts, but it's nearly unrecognizable here, given a swirling, trippy arrangement that plays like a heat mirage.  It's rivalled by the exquisite "What Do You Want the Girl to Do?," later covered by both Bonnie Raitt and Boz Scaggs, neither of which equal the beautiful, sighing resignation of Toussaint's impeccable vocal performance.  Then, there are the songs that weren't covered, but should have been, like the nearly anthemic "Back in Baby's Arm," the rolling, catchy "Basic Lady," the stately "You Will Not Lose," or the steady-grooving end-of-the-night "When the Party's Over."  Then, there are the songs that perhaps only Toussaint could sing, given their complex yet nimble grooves: witness how "Country John" seems like a simple, straight-ahead New Orleans raver but really switches tempo and rhythm over the course of the song, or how the monumental "Last Train" builds from its spare, funky opening to a multi-layered conclusion boasting one of Toussaint's best horn arrangements and vocal hooks.  These disparate sounds may not be tied together by the interludes, as they were intended, but they nevertheless hold together because they're strong songs all bearing Toussaint's unmistakable imprint.  They're so good that they nearly knock the "near" of off the near-masterpiece status for Southern Nights, and they're the reason why the album should be a part of any serious soul collection.”

(courtesy Stephen Thomas Erlewine, allmusic.com.)

 

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