Sold Date:
November 18, 2019
Start Date:
October 3, 2019
Final Price:
$16.99
(USD)
Seller Feedback:
35329
Buyer Feedback:
199
Foreigner – 4 Label: Atlantic – P-10981A Format: Vinyl, LP, Album Country: Japan Released: 1981 Genre: Rock Style: Pop Rock Tracklist Hide Credits A1Night Life Written-By – Gramm* 3:48 A2Juke Box Hero Synthesizer [Sequential] – Larry Fast Written-By – Gramm* 4:18 A3Break It Up Keyboards [Additional Textures] – Bob Mayo Saxophone – Mark Rivera Synthesizer [Sequential] – Larry Fast 4:11 A4 Waiting For A Girl Like You Keyboards [Additional Textures] – Bob Mayo Written-By – Gramm* 4:49 A5Luanne Written-By – Gramm* 3:11 B1Urgent Keyboards [Textures] – Michael Fonfara Saxophone – Mark Rivera Saxophone [Solo] – Jr. Walker* 4:29 B2I'm Gonna Win4:51 B3 Woman In Black4:42 B4Girl On The Moon Guitar [Slide] – Hugh McCracken Keyboards [Textures] – Michael Fonfara Written-By – Gramm* 3:49 B5Don't Let Go Synthesizer [Sequential] – Larry Fast Written-By – Gramm* 3:48 Companies, etc. Manufactured By – Warner-Pioneer Corporation Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Credits Art Direction [Director] – Bob Defrin Backing Vocals – Ian Lloyd, Mark Rivera, "Mutt" Lange* Backing Vocals, Bass Guitar – Rick Wills Backing Vocals, Drums – Dennis Elliott Backing Vocals, Lead Guitar, Keyboards – Mick Jones (2) Design [Label] – Hipgnosis (2) Engineer [Assistant] – Edwin Hobgood, Michel Sauvage Engineer [Basic Tracks] – Tony Platt Engineer [Chief] – Dave Wittman Engineer [Second] – Brad Samuelsohn Lead Vocals, Percussion – Lou Gramm Management – Bud Prager Mastered By – George Marino Producer – Mick Jones (2), Robert John "Mutt" Lange* Synthesizer [Main] – Tom Dolby* Written-By – Jones* Notes ℗&©1981 Atlantic Recording Corporation Manufactured by Warner-Pioneer Corporation, Japan Recorded at Electric Lady Studios, N.Y.C. Mastered at Sterling Sound, N.Y.C. Barcode and Other Identifiers Matrix / Runout (A side): P- 10981A1 TO Matrix / Runout (B side): P- 10981A2 TO Rights Society: JASRAC
JAPAN PRESSING VINYL ALBUM WITH OBI, BOTH INSERTS AND ANTI-STATIC INNER SLEEVE.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. OBI HAS CREASE ON REAR, INSERTS EXCELLENT MINUS, INNER SLEEVE NO SEAM SPLITS.
DISC[S]: EXCELLENT. NO MARKS OR SCRATCHES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.