Sold Date:
January 3, 2023
Start Date:
October 15, 2022
Final Price:
$90.99
(USD)
Seller Feedback:
36960
Buyer Feedback:
0
Sound clips are not from the actual item for sale - they are provided for customers to investigate the music contained on the record.
Roger Waters - 5:06AM (Every Strangers Eyes)
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Roger Waters – The Pros And Cons Of Hitch Hiking
Label:
Harvest – 1C 064 2401051, Harvest – 064 2401051
Format:
Vinyl, LP, Album, Stereo, Gatefold
Country:
Europe
Released:
1984
Genre:
Rock
Style:
Classic Rock, Art Rock, Prog Rock
Tracklist
A14:30am (Apparently They Were Traveling Abroad)3:14
4:33am (Running Shoes) / 4:37am (Arabs With Knives And West German Skies)(6:22)
A24:33am (Running Shoes)
A34:37am (Arabs With Knives And West German Skies)
A44:39am (For The First Time Today - Part 2)2:04
4:41am (Sexual Revolution) / 4:47am (The Remains Of Our Love)(7:54)
A54:41am (Sexual Revolution)
A64:47am (The Remains Of Our Love)
4:50am (Go Fishing) / 4:56am (For The First Time Today - Part 1) / 4:58am (Dunroamin, Duncarin, Dunlivin)(11:40)
B14:50am (Go Fishing)
B24:56am (For The First Time Today - Part 1)
B34:58am (Dunroamin, Duncarin, Dunlivin)
B45:01am (The Pros And Cons Of Hitch Hiking - Part 10)4:36
B55:06am (Every Strangers Eyes)4:49
B65:11am (The Moment Of Clarity)1:25
Companies, etc.
Copyright (c) – Zuccarelli Labs. Ltd
Recorded At – Olympic Studios
Recorded At – Eel Pie Studios
Recorded At – The Billiard Room
Mastered At – The Mastering Lab
Phonographic Copyright (p) – Pink Floyd Music Ltd.
Copyright (c) – Roger Waters Music Ltd.
Record Company – EMI Records Ltd.
Marketed By – EMI
Manufactured By – EMI
Distributed By – EMI
Printed By – EMI Services Benelux B.V.
Credits
Art Direction [Co-ordination] – The Artful Dodgers
Backing Vocals – Doreen Chanter, Katie Kissoon, Madeline Bell
Conductor, Arranged By – Michael Kamen
Design [Sleeve Design] – Gerald Scarfe, Roger Waters
Drums – Andy Newmark
Effects [Sfx Boffin] – Michael King (8)
Engineer – Andy Jackson
Engineer [Assistant] – Laura Boisan
Horns – Kevin Flanagan, Raphael Ravenscroft, Vic Sullivan
Illustration, Typography [Lettering] – Gerald Scarfe
Lead Guitar – Eric Clapton
Mastered By – Doug Sax, Mike Reese
Orchestra – The National Philharmonic Orchestra*
Organ [Hammond Organ], Twelve-String Guitar – Andy Brown
Percussion – Ray Cooper
Photography By – Alex Henderson (5)
Piano – Michael Kamen
Producer – Michael Kamen, Roger Waters
Rhythm Guitar, Bass Guitar, Vocals – Roger Waters
Saxophone – David Sanborn
Voice Actor [Hells Angel's Girlfriend] – Madeline Bell
Voice Actor [Hells Angel] – Jack Palance
Voice Actor [Hitch Hiker & Waitress] – Cherry Vanilla
Voice Actor [Man] – Roger Waters
Voice Actor [Truck Drivers] – Ed Bishop, Manning Redwood
Voice Actor [Welshman In Operating Theatre] – Andy Quigley
Voice Actor [Wife] – Beth Porter
Written-By – Roger Waters
Notes
Holophonics by Zuccarelli Labs Ltd ©
Recorded in England at Olympic, Eel Pie & The Billiard Room between Feb & Dec 1983.
Mastered at the Mastering Lab Los Angles.
This album is dedicated to Carolyne.
Eric Clapton appears courtesy of Warner Brothers Records Ltd.
Andy Brown appears courtesy of EMI Records Ltd.
℗ 1984 Original sound recordings made by Pink Floyd Music Limited.
© 1984 Roger Waters Music Limited.
Printed in Holland by EMI Services Benelux B.V., Uden
Made in EEC.
Direct Metal Mastering.
Barcode and Other Identifiers
Barcode (Printed): 5 099924 010511
Barcode (Scanned): 5099924010511
Rights Society (Boxed on labels): GEMA
Rights Society (Unboxed on labels): STEMRA
Label Code: LC 1305
Matrix / Runout (Label Side A): 1C 064 2401051 A
Matrix / Runout (Label Side B): 1C 064 2401051 B
Matrix / Runout (Runout Side A, Variant 1): 2401051-A3+D
Matrix / Runout (Runout Side B, Variant 1): 2401051-B3+D
EEC/EUROPE FIRST PRESSING VINYL ALBUM IN UNCENSORED GATEFOLD SLEEVE WITH ORIGINAL POLY-LINED INNER SLEEVE.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. SMALL PRICE STICKER MARK TOP RIGHT FRONT. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.
DISC: EXCELLENT. NO MARKS OR SCRATCHES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
1. USA BY MEDIA MAIL IS $5.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.