Gripsweat is shutting down. Starting on February 1st, 2025 the site will no longer be doing daily updates, adding any new items, or accepting new memberships. The site will continue to run in this "historical" mode until January 1st, 2026, when the site will go offline. More information is available here.
Sold Date:
November 29, 2024
Start Date:
June 15, 2023
Final Price:
$100.37
(USD)
Seller Feedback:
2975047
Buyer Feedback:
0
Additional Information from Movie Mars
Product Description
Contains remixes of tracks on HELLBILLY DELUXE by various artists including Charlie Clouser, God Lives Underwater, Philip Steir, Rammstein, Chris Vrenna.
Personnel: Rob Zombie (vocals); Riggs (guitar); Blasko (bass); Tempesta (drums).
Full Title: American Made Music To Strip By.
Contains remixes of tracks on HELLBILLY DELUXE by various artists including Charlie Clouser, God Lives Underwater, Philip Steir, Rammstein, Chris Vrenna.
Personnel: Rob Zombie (vocals); Riggs (guitar); Blasko (bass); Tempesta (drums).
Rob Zombie has made a successful career out of bombastic rock music, with huge drums and even huger riffs accompanying scary lyrics, packaged like contemporary versions of '50s B-movies seen through the eyes of high school students. His second album since the dissolution of his band White Zombie is a collection of remixes of tracks from his first, HELLBILLY DELUXE, and on it he moves into the world of dance music--sort of. The remixes here do two primary things: they increase the beats per minute and they move the vocals further forward in the mix.
"Meet the Creeper," remixed by DJ Lethal, is one a few tracks that successfully managed to amp up the B-movie threat--which, given its largely cartoony nature, is no mean feat--into an actual threatening sound. No strangers to cartoony threatening music themselves, Rammstein's take on "Spookshow Baby" is surprisingly effective, adding massive crunch against a more spacious backing. "Demoniod Phenomenon" is a treated to a jackhammer dance beat. While most of the mixes here rearrange the beats without messing with the riffs, when "Return of the Phantom Stranger" does it comes across as a carefully controlled creep-out that is far superior to the original version.
About Movie Mars