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Sold Date:
June 25, 2016
Start Date:
October 18, 2013
Final Price:
$31.88
(USD)
Seller Feedback:
2129
Buyer Feedback:
25
This item is not for sale. Gripsweat is an archive of past sales and auctions, none of the items are available for purchase.
King Tubby – Presents The Roots Of Dub
Label:
Jamaican Recordings – JRLP035
Format:
Vinyl, LP, Album, Reissue
Country:
UK
Released:
2010
Genre:
Reggae
Style:
Dub
Tracklist
A1 Natty Dub
A2 Dub Magnificent
A3 A First Class Dub
A4 The Stepping Dub
A5 Rude Boy Dub
A6 A Closer Dub
B1 Roots Of Dub
B2 Dub You Can Feel
B3 Loving Dub
B4 The Immortal Dub
B5 Dread Locks Dub
B6 Rocking Dub
Companies etc
Mixed At – King Tubby's Studio
Mastered At – Federal Records Studio
Credits
Bass – George 'Fully' Fullwood*, Robbie Shakespeare
Design [Original Album Design], Photography By – Gillian A. Gordon
Drums – Brother Benbow*, Carlton 'Santa' Davis*, Carlton Barrett
Lead Guitar – Earl 'Chinna' Smith*
Mastered By – Paul Khouri
Organ – Brother Ian, Ossie "Nogo" Bongo*
Piano – Bernard 'Touter' Harvey*
Producer – Bunny Lee
Rhythm Guitar – Aston 'Family Man' Barrett*, Brother Bogga, Tony Chin
Notes
Original 1974 Release
Sources:
A1: Natty / Cornell Campbell
A2: Where Ever I Lay My Hat / Cornell Campbell
A3: I Don't Want To See You Cry / Cornell Campbell
A4: I Shall Not Remove / Cornell Campbell
A5: Don't Be A Rude Boy / Johnny Clarke
A6: Close To Me / Johnny Clarke
B1: Stars / The Eternals - Cornell Campbell
B2: A Love I Can Feel / Johnny Campbell
B3: Do You Love Me / Johnny Clarke
B4: Queen Of The Minstrels / The Eternals - Cornell Campbell
B5: Natty Dread Is The Greatest / Linval Thompson
B6: Rock With Me Baby / Johnny Clarke
Mixed at: King Tubby's, 18 Dromilly Avenue, Kingston 11
Mastered at: Federal Studio by Paul Khouri
Original Design: Gillian A Gordon
Manufactured under Licence from: E.Lee.
Made in England.
Barcode and Other Identifiers
Barcode: 5 060135 760410
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Goldmine Grading Standard.
Still Sealed (SS)
Near Mint (NM or M-)
The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap.
Very Good Plus (VG+)
A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
Good (G), Good Plus (G+)
A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the cover.
Poor (P), Fair (F)
The record is cracked, badly warped, and won't play through without
skipping or repeating. The picture sleeve is water damaged, split on
all three seams and heavily marred by wear and writing. The LP cover
barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.