Sold Date:
May 19, 2020
Start Date:
April 21, 2020
Final Price:
$67.99
(CAD)
Seller Feedback:
1306
Buyer Feedback:
250
EVERYTHING'S EVENTUAL VINYL
**ORIGINAL NEW 2 LP Set: 45 rpm**
LP shrink is open but LPs are unplayed
Any reference I can find, says the issue was blue Vinyl but these appear 'Black' to me.
**ANNE BISSON**
**BLUE MIND**
Limited Edition # 0562/1000
Review by | December 2017
"The one thing most pursued by artists in their work is originality. When I hear a remarkable recording, I wish the musicians well should they ever make the decision to do follow-ups. This recording of Anne Brisson strikes me as unrushed, lighthearted, spirited, uncharacteristically trailblazing and preciously original. The level of serenely emotional engagement is epical. A follow-up seems logical.
While developing his megabuck speaker systems, such as the Genesis Prime Dragon Edition with four towers, Gary Leonard Koh of Genesis Advanced Technologies engages the recording industry continuously. Having introduced Lyn Stanley in her first audio show appearance at the 2015 California Audio Show, Gary now brings us Anne Bisson with her 2012 recording, Blue Mind. now remastered by Bernie Grundman and pressed by Los Angeles-based RTI on HQ-180 vinyl. Two editions of Blue Mind was sent to me, one in the 33 1/3 rpm edition, the other a 45rpm double LP test pressing set.
On the back cover of this 33rpm RTI-reissue LP, Anne describes how one night, “I sat at the piano in my studio and a surprisingly touching song emerged, Little Black Lake. It was the first song of this very personal album. I’ll always remember Michel and Rene from Fidelio sitting in my car, listening to it! Michel had tears in his eyes and said, ‘Anne, you should write more like this: you write beautifully … where did you get all the emotion?'”
To me, Anne does not come across as quite as temperamental as some, thus I find comfort in the fact that the LP’s overall mood is one of serenity. That being said, I can’t sympathize enough with some lyrics that I thought constituted portrayal of a deprived woman, while a few tracks are love songs that lament and yet others wonder and wring.
This is not an orchestral recording in a large hall so the spatiality is intimate while still reverberant and airy. As opposed to packing as many instruments as can be arranged into any given track, the music is consistently consisted of Anne’s vocal accompanied by a solo piano. I love piano music and they are mostly classical in genre. And this is jazz and it leaves a strong impression. Anne doesn’t sing at the top of her voice and maybe that is the direction of the production and not indicative of her limitations. I would say she’s found a good niche in this vocal style. Yet, it isn’t like a closed-mike recording in which every spit and swallow hits the microphone. Rather, her soft singing is adequately and professionally captured to beautiful effects.
The 45rpm double-LP edition has more lead-in tracks than most 45rpm albums I’ve played, it allows a cartridge to find and land inside the groove quicker with quieter impact. A very thoughtful arrangement. Then, the first piano note came in dense but clear, officially declaring its sonic purity and superiority. Seldom has the sound of piano so musically resplendent and sonically engaging, and I reckon it all has to do with the suppleness of tone as accorded by the 45rpm format from a meticulous production process.
The 45rpm made the solo piano alone an evening-long sensation to behold. There are plenty of piano accompanied jazz singing productions out there but few are as lyrical in artistry and yet consistent in mood, fluidic in execution and three-dimensional in spatiality as this RTI 45rpm 2-LP set. Kudos to remastering engineer Bernie Grundman and RTI for this fine production, for I would’ve cast less a vote of confidence in a follow-up production if it were another group by another producer, but with Bernie and Gary together at the helm, lightning will strike twice. Demonstration class in musicality and sound."
Tracks Include : see above
CONDITION
Jacket: NEW NM++ Condition
Vinyl: NEW, Shrink is open but vinyl is unplayed -as New
ORIGINAL 2017 PRESS
****ANNE BISSON****
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PLEASE READ: GRADING AND EVALAUTION
Grading records is not a ‘Scientific’ exercise, instead it is a subjective activity. I do my best to listen carefully to both sides of the record before grading based on the listening experience. Flaws, if any, that I hear will be reflected in the grade rating, and if noteworthy, will be mentioned. The nature of how records are played (i.e. physical contact between the moving grooves and the stylus tip) makes it a medium where flaws are often inherent in the process. Also, please keep in mind that there may well be subtle differences between turntables. Records are not the ‘sterile’ medium of CDs. Flaws generally range from somewhat normal quiet background noise in run-ins between tracks to more serious issues such as pressing flaws, groove wear, skips, repeats and long scratches producing consistent ticks or pops.
I try to follow a grading system similar to Goldmine where I will have NM, NM-, VG+, VG, VG- etc. I may also have combinations such as VG+/NM-. Generally, I do not sell records below the VG+ rating unless somewhat rare, in which case I will point out the issues.
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