For years,  wanted to be a big star, and there's no arguing that she had the talent, the smarts, and the drive to be as famous as she wanted. What  didn't have was a handful of records that would get her airplay on pop radio, and she set about changing that with 1977's , in which she hired a producer who could give her a Top 40 hit. Released in 1979,  upped the ante by delivering an aural smorgasbord of pop styles -- disco ("Star of the Show"), soft rock ("You're the Only One" and "Sweet Summer Lovin'"), ballads ("Do You Think That Time Stands Still" and "Almost in Love"), slinky R&B ("Down" and "It's Not My Affair Anymore"), and even a credible attempt at full-on rock & roll (the title cut). Considering how well (and how sympathetically)  produced herself on her last few pre-crossover efforts, the aggressive polish of  and 's studio settings is a bit disconcerting, but they thankfully seem aware at all times who is in the spotlight, and , professional that she is, rises to the challenge on all ten tracks. However,  only wrote four songs for this set, and it seems ironic that the most purely country cut on the LP is a cover of ' "Help!," which is given a sprightly neo-bluegrass arrangement, showing  certainly hadn't lost touch with her musical roots but was finding unusual ways of expressing them.