HORACE SILVER  - RARE AND VALUABLE 1ST EDITION EVER ON 45 SPEED AUDIOPHILE 180 GRAM DOUBLE LP SETS BOTH INDIVIDUALLY LOW NUMBERED FOR COLLECTORS 119 - THIS IS OUR LAST COPY FOREVER ONCE SOLD GONE FOREVER.

Rare Numbered Limited Edition Copies! 
Out Of Print! Very Limited Stock! First Come, First Served! 

Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue Note Master Tapes! 
The Definitive issue of this classic Blue Note title! 

THE SOUND: 
Mono or Stereo? Rudy Van Gelder first began recording Blue Note sessions in stereo in March of 1957. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. The stereo presentation revealed more air, more detail and more sheer life than the mono. The mono playback was a wonderful remembrance of the old LP we all knew and loved. The stereo playback from the original masters was eerie. It was like going back in time to that day in Rudy’s studio. Quite simply, the stereo masters revealed more of what it was like to be there that day. 

Why 45rpm? Simply...Because it sounds better! 180 gram pressings versus 200 gram? Music Matters, Lt. uses 180 gram pressings for the simple reason that they believe 180 gram weight is more than sufficient to provide a near perfect pressing. When Music Matters asked their friends at Record Technology Inc. for their recommendation to achieve the highest possible quality pressings their answer was unequivocal... go with 180 gram! 

Upgrading Connections at Acoustech! It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin Gray’s custom-built AcousTech Mastering studio in Camarillo, CA. Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech 

THE JACKETS: 
These Blue Note recordings deserve nothing less than the finest graphic presentation. The Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination... quality you’ll be able to feel in your hand the moment you pick up one of these albums.  - four times sharper than original Blue Note jacket photos.

THE REVIEWS: 
Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series  
"They’re BIG and open and definitely work in stereo because they’re not hard left/right stereo. The cymbals are so "chimey" and the skins so open! Even Rudy's typical boxy piano isn't too bad. These are going to be really good....!!!! (Real time reaction after hearing his first test pressing of Horace Parlan’s Speakin’ My Piece LP.)" - Michael Fremer, Stereophile Magazine 

"I’ve heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, none—and I mean none—convey the intensity of living, breathing music-making the way the Music Matter’s Blue Note series does. The sense of air, texture, and dynamic pop in these grooves is astonishing." - Wayne Garcia, The Absolute Sound

 E-BAY STORE.  FOR YOUR INDIVIDUAL HEAVY AUDIOPHILE VINYL SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN 200G OR HORACE SILVER INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE FOR ALLINDIVIDUAL TITLES + INFORMATION WILL APPEAR.

AUDIOPHILE 45 SPEED EACH LOW NUMBERED 109 TITLE

Here's How THE VINYL was done:

Using only the original analog master tapes, the renowned team of Steve Hoffman & Kevin Gray remastered and cut all of the titles at AcousTech Mastering, which features a pure Class-A disc-cutting system. AcousTech is located at Record Technology, Inc. the plant where the vinyl was pressed. It is a tremendous sonic advantage to have the pressing plant plating department & mastering room in the same facility as Steve & Kevin could cut a lacquer and plated immediately. This prevents the degradation of the grooves in a lacquer which is very fragile to quick deterioration.

And of course cutting at 45 speed is the audiophile choice for the highes quality. A 45-RPM record is sonically superior to a 33 1/3 variety because of a 35 percent reduction of groove curvature compared to a 33 1/3 cut.. It means that while you can't fit as much music into a 45, the undukations of the groove that your cartridge has to track are stretched over a longer distance. For these reissues, the music was displaced onto four sides, meaning each side contains about 10 minutes of music.

This is the ultimate reissues. The only way you'll get closer to this classic music is to listen to the master tapes or have been in the studio with the artist originally during the actual session.

High definition analog vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and ears. The ultimate record – the way music was meant to be heard. Out of Print forever!!

 you should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever.

 The Horace Silver Quintet The Tokyo Blues 180g 45rpm 2LP  

Incredible Jazz Records + the original analog master tapes + cut at 45 RPM + mastered by Kevin Gray and Steve Hoffman at AcousTech + pressed on two 180-gram virgin vinyl LPs by RTI = THE ULTIMATE LP REISSUE!

The same formula that made the Fantasy 45 Series perhaps the most successful audiophile reissue collection ever is now being reapplied to Blue Note reissues!

"…As much as I'd love to relay all kinds of anecdotes about the challenges Steve Hoffman and Kevin Gray encounter during the mastering sessions, I witness none. These boys know the sound of the facility and the Van Gelder masters like the backs of their hands…Back home a month later, I unpack some test pressings Chad Kassem has sent me…I hear the most realistic-sounding drums ever reproduced by my system. It's as though I'm sitting at the point of creation, experiencing the same high that brought such gifted musicians together as one. Steve Hoffman, Kevin Gray, Chad Kassem, and Don MacInnis have done Rudy Van Gelder and his Blue Note artists proud." – Jason Victor Serinus, Stereophile, April 2008

Tokyo Blues, a quintessential mid-'60s Blue Note session, is Horace Silver's tribute to the Japanese people who have long supported his funky, Latin-flavored modern jazz. American jazz has always been wildly popular in Japan, and this album is Silver's homage to the many fans that he has encountered on various triumphant tours of the island nation. While Silver's trademark funky Latin/swing is at the forefront, the inspiration of eastern delights is clearly evident in all aspects of this grooving date.

Features:
• Stereo
• Numbered & Limited to 2500 copies
• Original analog master tapes
• 45 RPM
• Two 180g Virgin Vinyl LPs
• Mastered by Kevin Gray & Steve Hoffman at AcousTech
• Pressed by RTI

Musicians:
Blue Mitchell, trumpet
Junior Cook, tenor sax
Horace Silver, piano
Gene Taylor, bass
John Harris, Jr., drums

Selections:
1. Too Much Sake
2. Sayonara Blues
3. The Tokyo Blues
4. Cherry Blossom
5. Ah! So 

 

International Buyers – Please Note:
Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "GIFT" or mark item at a LESSER VALUE in order to avoid customs fees

INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES.  

FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE.

USA SHIPPING:   We box/package protectively – Ship UPS Ground/Insured within Continental USA – Hawaii/Alaska by mail.  We accept PayPal ONLY WITH CONFIRMED SHIPPING ADDRESS

INT’L SHIPPING: We box/package protectively for safe world-wide shipping.  When accepting PayPal, ship ONLY BY PRIORITY MAIL/FULLY INSURED OR EXPRESS MAIL FULLY INSURED – 

International Buyers are responsible for their country’s Customs Fees.

Check out Mymusicfix for additional Audiophile Vinyl by hitting “ME” AND the “Stores” Tab on the Title Purchase Page to view our current items up on E-Bay. Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay.

  cllp