Donald Fagen – 

Morph The Cat 

Reprise Records – 49975-1 

Series:Because Sound Matters Format: 2 x Vinyl, LP, Album, Stereo, Gatefold, 180 Gram Country:US Released:2006 Genre:Jazz, Rock Style:Jazz-Rock, Pop Rock A1Morph The Cat Backing Vocals – Donald Fagen, Jerry Barnes, Michael Harvey Bass – Freddie Washington Drums – Keith Carlock Guitar – Frank Vignola, Hugh McCracken, Wayne Krantz Guitar [Solo] – Jon Herington Piano [Fender] – Donald Fagen Tenor Saxophone [Solo] – Walt Weiskopf Trumpet – Marvin Stamm Vibraphone – Phonus Quaver 6:49 A2H Gang Backing Vocals – Donald Fagen Baritone Saxophone – Roger Rosenberg Bass – Freddie Washington Drums – Keith Carlock Guitar – Hugh McCracken, Wayne Krantz Guitar [Solo] – Jon Herington Percussion – Gordon Gottlieb Piano – Ted Baker Piano [Fender] – Donald Fagen Tenor Saxophone [Solo] – Walt Weiskopf Trombone – Mark Patterson (2) Trumpet – Marvin Stamm 5:14 B1What I Do Backing Vocals – Amy Helm, Carolyn Leonhart, Cindy Mizelle, Donald Fagen Bass – Freddie Washington Drums – Keith Carlock Guitar – Hugh McCracken, Jon Herington, Ken Emerson, Wayne Krantz Harmonica [Solo] – Howard Levy Piano [Whirly] – Ted Baker 6:01 B2Brite Nitegown Alto Saxophone – Walt Weiskopf Backing Vocals – Donald Fagen Baritone Saxophone – Roger Rosenberg Guitar – Jon Herington Guitar [Solo] – Wayne Krantz Marimba – Phonus Quaver Percussion – Bashiri Johnson, Gordon Gottlieb Piano [Fender] – Donald Fagen Tenor Saxophone – Lawrence Feldman Trombone – Mark Patterson (2) Trumpet – Marvin Stamm 7:16 C1The Great Pagoda Of Funn Alto Saxophone – Walt Weiskopf Backing Vocals – Donald Fagen, Jerry Barnes Baritone Saxophone – Roger Rosenberg Bass – Freddie Washington Drums – Keith Carlock Guitar – Jon Herington Guitar [Solo] – Wayne Krantz Percussion – Joe Pasaro Piano – Ted Baker Tenor Saxophone – Lawrence Feldman Trombone – Mark Patterson (2) Trumpet [Solo] – Marvin Stamm Vibraphone – Phonus Quaver 7:36 C2Security Joan Backing Vocals – Donald Fagen, Michael Harvey Bass – Freddie Washington Drums – Keith Carlock Guitar – Jon Herington, Wayne Krantz Guitar [Solo] – Ken Wessel Handclaps – Camille Meza, Candice Predham, Eddie Jackson (2), Jennifer Battista Organ – Donald Fagen Percussion – Gordon Gottlieb Piano – Donald Fagen Piano [Whirly] – Ted Baker 6:09 D1The Night Belongs To Mona Acoustic Bass – Harlan Post Jr. Backing Vocals – Donald Fagen Bass – Freddie Washington Bass Clarinet – Roger Rosenberg Drums – Keith Carlock Flute – Lawrence Feldman Guitar – Jon Herington, Wayne Krantz Harmonica – Howard Levy Percussion – Gordon Gottlieb Piano – Donald Fagen Piano [Fender] – Ted Baker Tenor Saxophone – Walt Weiskopf Trombone – Mark Patterson (2) Trumpet – Marvin Stamm 4:14 D2Mary Shut The Garden Door Backing Vocals – Carolyn Leonhart, Donald Fagen Bass – Freddie Washington Drums – Keith Carlock Flute – Illinois Elohainu Guitar – Jon Herington, Wayne Krantz Melodica [Solo] – Donald Fagen Percussion – Gordon Gottlieb Piano [Fender] – Ted Baker Vibraphone – Phonus Quaver 6:27 D3Morph The Cat (Reprise) Backing Vocals – Donald Fagen, Jerry Barnes, Michael Harvey Bass – Freddie Washington Bass [Remedial] – Brian Montgomery Drums – Keith Carlock Guitar – Hugh McCracken, Wayne Krantz Guitar [Chorus Solo] – Jon Herington Guitar [Tag Solo] – Frank Vignola Piano [Fender] – Donald Fagen Tenor Saxophone – Walt Weiskopf Trumpet – Marvin Stamm Vibraphone – Phonus Quaver 2:53 Mastered At – AcousTech Mastering Pressed By – Record Technology Incorporated – 14169 Phonographic Copyright ℗ – Reprise Records Copyright © – Reprise Records Phonographic Copyright ℗ – WEA International Inc. Copyright © – WEA International Inc. Recorded At – Avatar Studios Recorded At – Clinton Recording Studio Recorded At – Sear Sound Recorded At – Sugar Sound Lacquer Cut at – AcousTech Mastering Mastered At – Sony Mastering Record Company – Warner Music Group Published By – Freejunket Music Art Direction [For SMOG Design, INC.] – Jeri Heiden Coordinator [Production Assistant (Hawaii)] – Mary Lou Arnold Coordinator [Production Coordinator] – Cindy Osborne, Jill Dell'Abate Copyist [Music Copyist] – Gary Blu Design [For SMOG Design, Inc.] – Ryan Corey Engineer [Assistant] – Allan "A.T." Thomas*, Brian Montgomery, Bryan Smith (2), Chad Lupo, Eddie Jackson (2), Jim Keller, Matt Scheiner, Steve Mazur (2) Engineer [Overdub/ProTools Eningeer At Avatar, NYC and Sugar Sound, Kauai] – T.J. Doherty Engineer [Overdub/ProTools Eningeer At Avatar, NYC], Mixed By [Second Mix Engineer] – Brian Montgomery Engineer [Tracking Engineer At Clinton Recording Studios], Mixed By [Mix Engineer At Avatar Studios] – Elliot Scheiner Lacquer Cut By [Runout Entchings] – KPG*, SH* Lead Vocals – Donald Fagen Management – Front Line Management, Irving Azoff Mastered By [Additional Mastering] – Joe Palmaccio* Mastered By [For Vinyl] – Kevin Gray, Steve Hoffman Mastered By [Mastering Assistant] – Maria Triana Mastered By [Mastering Engineer] – Darcy Proper Photography By – Danny Clinch Producer – Donald Fagen Technician [Drum/guitar] – Artie Smith Technician [Piano] – Sam Berd, Wayne Williams (5) Written-By – Donald Fagen Plating and pressing by R.T.I. Mastered for vinyl by Kevin Gray and Steve Hoffman at AcousTech. HPV-180 gram. High Performance Vinyl...Because Sound Matters!!! A, B, C & D runouts are etched. Barcode: 0 9362-49975-1 1 Rights Society: ASCAP Matrix / Runout (Runout side A): 1-49975-1A KPG/SH@ATM 14169.1(3)... Matrix / Runout (Runout side B): 1-49975-1B KPG/SH@ATM 14169.2(3)... Matrix / Runout (Runout side C): 1-49975-1C KPG/SH@ATM 14169.3(3)... Matrix / Runout (Runout side D): 1-49975-1D KPG/SH@ATM 14169.4(3)... 

This is the RARE ORIGINAL 2006 U.S. Double LP.

Vinyl is NEAR MINT!

The gatefold cover is NEAR MINT!

The lyric insert is included!

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PLEASE NOTE: With 30 years of experience selling/collecting vinyl, we make every effort to detail sealed records to the best of our ability. We've sold thousands of sealed LP's over the years and our feedback on them is impeccable. However, we can NEVER be certain of the contents. Most people choose not to open sealed LP's. Sealed items CANNOT be returned if buyer opens them. If you are looking for a guaranteed mint play copy, PLEASE search for an open one.
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   GRADING: Since vinyl collecting is a new hobby for some of you, and grading seems to vary greatly between dealers, here is an overview of our grading system:
We use a modified version of the Goldmine grading system. Our system adds a few additional grades for better precision.
Please note: unless otherwise stated, our products are VISUALLY graded. With thousands of items available we just don't have the time or staff to play grade everything. We grade VERY conservatively, which makes for thousands of happy customers all around the globe! All flaws worth noting to potential buyers (scratches, MINOR warps, cut out holes, saw marks, split cover seams, writing, etc.) WILL be listed in the item descriptions.
Still Sealed: When the item is still wrapped and unopened from the time it was originally manufactured. We do our best to ensure the items are not re-sealed before we acquire them for sale.
Mint: We NEVER grade any item "MINT"! Even brand new and untouched items, no matter how perfect they appear at first glance will have flaws. The flaws may be insignificant to most people, but a truly MINT item is absolutely perfect. This grade is THE MOST OVERUSED of all, primarily by sellers without much experience. If you see the word "MINT" used often, beware!
Near Mint (NM): Our highest grade. The item looks new/unused. With vinyl, it may have never seen a turntable. Covers are bright and crisp. NO splits or writing. Posters have NEVER been hung!
Near Mint Minus (NM-): An item that has VERY little (if any) use. The item looks NEARLY new. Vinyl may have LIGHT paper scuffing (light surface discoloration visible under the light caused by either contact with the paper inner sleeve or sometimes a minor pressing flaw; SCUFFS DON'T AFFECT PLAY). Covers may have a minor flaw such as a small wear spot or mark, but look otherwise NM. Usually these small imperfections will not bother anyone but the most discerning collector.
VERY GOOD PLUS PLUS (VG++): Also known as Excellent Plus (EX+): An item with a more noticeable flaw, such as a scuff line on vinyl (a LIGHT surface mark that can be seen, but NEVER heard) or MINOR ring wear on the cover. Again, flaws that are minor and perfectly acceptable to most collectors.
VERY GOOD PLUS (VG+): Also known as Excellent (EX): Items that have been played, but cared for. Vinyl may have multiple scuffs or some LIGHT scratches that cannot be felt by lightly brushing with the fingernail. Vinyl should still play fine, usually with no noise. Covers may have light ring wear or edge wear. They may have minor writing or creasing. Still, flaws should not stop the collector from enjoying the item.   VERY GOOD (VG): Items show wear. Records may have light scratches. They should PLAY THROUGH with NO skips or repeats, but MAY have some popping, ticking or background noise. Covers may have heavy ring wear,  light staining, writing,etc., but will still be intact. VG records are good filler copies for collectors to fill a gap, or good copies for the less discerning record buyers. VG records are NOT trashed COPIES!
VERY GOOD MINUS (VG-): These items usually look rough. The only items we list in this condition are rare titles that someone may want to own, regardless of condition.
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