Phil Woods and His European Rhythm Machine ‎– Alive and Well in Paris (1968)

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[isdntekvideo] (Visually Graded) Vinyl looks Near Mint and sleeve looks VG+. See pics and info for details.

Phil Woods European Rhythm Machine: Alive And Well In Paris

Label:    Pathé – SPTX 340.844
Format:    Import, 12" Vinyl, LP, Album
Country:    France
Released:    Nov 1968
Genre:    Jazz
Style:    Hard Bop, Free Jazz

A1        And When We Are Young    14:00
A2        Alive And Well    4:30
A3        Freedom Jazz Dance    7:40
B1        Stolen Moments    9:35
B2        Doxy    1:30

    Alto Saxophone – Phil Woods
    Bass – Henri Texier
    Drums – Daniel Humair
    Piano – George Gruntz

First French pressing
Red label
Laminated cover.

-bio- Philip Wells Woods (November 2, 1931 – September 29, 2015) was an American jazz alto saxophonist, clarinetist, bandleader, and composer.
Biography

Woods was born in Springfield, Massachusetts. After inheriting a saxophone at age 12, he began taking lessons at a local music shop. His heroes on the alto saxophone included Benny Carter and Johnny Hodges. He studied music with Lennie Tristano at the Manhattan School of Music and at the Juilliard School.[1] His friend, Joe Lopes, coached him on clarinet as there was no saxophone major at Juilliard at the time and received a bachelor’s degree in 1952. Although he did not copy Charlie Parker, Woods was known as the New Bird, a nickname also given to other alto saxophone players such as Sonny Stitt and Cannonball Adderley.

In the 1950s, Woods began to lead his own bands. Quincy Jones invited him to accompany Dizzy Gillespie on a world tour sponsored by the U.S. State Department. A few years later he toured Europe with Jones, and in 1962 he toured Russia with Benny Goodman.

After moving to France in 1968, Woods led the European Rhythm Machine, a group which tended toward avant-garde jazz. He returned to the United States in 1972 and, after an unsuccessful attempt to establish an electronic group, he formed a quintet which was still performing, with some changes of personnel, in 2004. As his theme, Woods used a piece titled "How's Your Mama?"

Woods earned the top alto sax player award almost 30 times in DownBeat magazine's annual readers' poll. His quintet was awarded the top small combo title several times.

In 1979, Woods recorded the album More Live at Armadillo World Headquarters in Austin, Texas. Perhaps his best known recorded work as a sideman is a pop piece, his alto sax solo on Billy Joel's 1977 "Just the Way You Are". He also played the alto sax solo on Steely Dan's "Doctor Wu" from their 1975 album Katy Lied, as well as Paul Simon's "Have a Good Time" from the 1975 album Still Crazy After All These Years. -wikipedia

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- General Standards For Record Grading -

NM-
(NEAR MINT) The vinyl is almost flawless, bright and shiny. A very light minor, barely visible mark or two may be permitted. The disc should play with no audible noise. The label is bright, clean and unmarked. Sleeve looks almost Mint.
VG++/EX
(VERY GOOD ++/ Excellent) Disc plays near perfectly, but may have minor, light scuffs that do not interfere with the sound quality. There can possibly be a light hairline scratch or two but nothing that is obvious or affects play. Vinyl is bright and shiny; label is clean and unmarked. Sleeve is Excellent.
VG+
(VERY GOOD PLUS) Some visible surface wear, very minor scratches and scuffs, but minimal impact on the sound quality. Vinyl will still have good luster; labels may have minor imperfections (small labels or initials, etc.) but otherwise clean. Sleeve may have some shelf wear, or minor writing, no seem splits.
VG
(VERY GOOD) Vinyl will have noticeable scratches and scuffs that cause surface noise There should be no skips. Vinyl may appear somewhat dull and grayish. Labels may have small tears, tape marks, larger writing, etc. but still easily legible.  Sleeve may have moderate wear or writing, tape, price tags etc, seem splits. May have promo corner, hole or notch in sleeve.