Condition:

 &  ‎– Play Richard Rodgers Label:  ‎– PRST 7322 Format: , LP, Stereo, Compilation 
Country: Released:   Genre: Style: ,  Tracklist A1 –It Never Entered My MindA2 –Spring Is HereA3 –My Funny ValentineB1 –Surrey With The Friends On TopB2 –Blue RoomB3 –I Could Write A Book Companies etc Record Company –  Credits Double Bass –  (tracks: A1-A3, B1, B3),  (tracks: B2) Drums – * (tracks: A1, A3, B1, B3),  (tracks: A2),  (tracks: B2) Liner Notes [Jan. 1963] –  Piano –  (tracks: B2),  (tracks: A1, A3, B1, B3),  (tracks: A2) Producer –  Supervised By –  Tenor Saxophone –  (tracks: A2, B1, B3) Trumpet –  (tracks: A1, A3, B1-B3), * (tracks: A2) Written-By –  Barcode and Other Identifiers Matrix / Runout (Side 1): PRST 7322 A Matrix / Runout (Side 2): PRST 7322 B
Miles Davis (trumpet) Bennie Green (trombone) John Lewis (piano) Percy Heath (bass) Roy Haynes (drums) Apex Studios, NYC, January 17, 1951 130BBBlue RoomMiles Davis (trumpet) John Coltrane (tenor saxophone -1) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums) Rudy Van Gelder Studio, Hackensack, NJ, May 11, 1956 1. 895The Surrey With The Fringe On Top2. 896It Never Entered My MindMiles Davis (trumpet) John Coltrane (tenor saxophone -1) Red Garland (piano) Paul Chambers (bass) Philly Joe Jones (drums) Rudy Van Gelder Studio, Hackensack, NJ, October 26, 1956 1. 1000I Could Write A Book2. 1006My Funny ValentineWilbur Harden (flugelhorn, trumpet) John Coltrane (tenor saxophone) Red Garland (piano) Paul Chambers (bass) Jimmy Cobb (drums) Rudy Van Gelder Studio, Hackensack, NJ, July 11, 1958 1541Spring Is Here** reissue of Moodsville MVLP 32.

See our other EBAY auctions by using search by seller and using “recordcollectormichigan”

Ferndale, Michigan 48220
Phone: 248-548-9888 
Hours: Monday thru Saturday NOON to 6:00 PM (Eastern) 

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.