Condition:  To my NON US customers, do NOT ask me to alter /  change the declared value of your purchase for purposes of avoiding taxes in your country.  I will NOT do so.

 ‎– Music For 18 Musicians Label:  ‎– ECM 1129,  ‎– 2301 129,  ‎– ECM 1129,  ‎– 2301 129 Format: , LP, Album, Repress 
Country: Released:   Genre: Style: , ,  Tracklist APulse - Sections I - IV26:55BSections V - X - Pulse32:00 Companies etc Licensed From –  Phonographic Copyright (p) –  Copyright (c) –  Published By –  Credits Artwork [Cover Drawing] –  Cello –  Clarinet, Bass Clarinet – ,  Composed By, Liner Notes –  Design –  Engineer [Recording] –  Marimba, Maracas –  Marimba, Xylophone – , ,  Marimba, Xylophone, Piano –  Mixed By – , ,  Percussion [Metallophone], Piano –  Performer –  Piano – ,  Piano, Maracas –  Piano, Marimba –  Producer, Recording Supervisor –  Violin –  Voice – ,  Voice, Piano –  Notes "The composition of "Music for 18 Musicians" was supported by grants from: Mrs. Betty Freeman, The Rockefeller Foundation, The National Endowment for the Arts Grants to Composers 1974 and '76, and the New York State Council on the Arts Creative Artists Public Service Program 1974-75. 

The World Premiere of "Music for 18 Musicians" was presented at Town Hall in New York in April 1976 and the European Premiere was presented at the Metamusik Festival in Berlin in October of the same year. 

Backliner Photos: Bernard Perrine, Patrick Bertrand, Roberto Masotti, Mary Lucier, Betty Freeman, and Guido Harari. 

ECM Records Gleichmannstraße 10 München 60, Printed in W. Germany" 

This edition is similar to  but here ECM New Series appears on front, back and spine as well as the labels, and the sleeve is silver. Presumably from the late 80s. Barcode and Other Identifiers Rights Society: GEMA Label Code: LC 2516 Barcode (Sticker): 042282141712 Matrix / Runout (Side A): 2 563 931 S1=5 320 1 Matrix / Runout (Side B): 2563 931 S2=4 320 1A

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.