BILL WITHERS Still Bill SUSSEX FROM 72-SMOOTH PHILLY SOUL-SMOKY LATE NIGHT FUNK

Sold Date: March 4, 2015
Start Date: February 12, 2015
Final Price: $22.50 (USD)
Seller Feedback: 4215
Buyer Feedback: 25


BILL WITHERS Still Bill SUSSEX FROM 72-SMOOTH PHILLY SOUL-SMOKY LATE NIGHT FUNK





A VG LP ON SUSSEX 7014

FROM 1972 IN STEREO WITH GATEFOLD COVER WITH FRONT CENTER OPENING

PRODUCED BY BILL WITHERS WITH RAY JACKSON, JAMES GADSON, MELVIN DUMLAP, BENORCE BLACKMAN AND RECORDED BY PHIL SHEER AND BOB HUGHES

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Bill Withers came into his own on his third album, Still Bill. Released in 1972, the record is a remarkable summation of a number of contemporary styles: the smooth soul coming out of Philly, smoky, late-night funk via Bobby Womack, bluesy Southern soul, and '70s singer/songwriterism. It's rich, subtly layered music, but its best attribute is that it comes on easy, never sounding labored or overworked. In fact, it takes several spins of the album to realize just how versatile Withers is on Still Bill, to hear how he makes intricate, funky rhythms sound as effortless and simple as the album's best-known song, the gospel-tinged inspirational anthem "Lean on Me." That's the genius behind Withers' music: it's warm and easily accessible, but it has a depth and complexity that reveals itself over numerous plays -- and, given the sound and feel of the music, from the lush arrangements to his comforting voice, it's easy to want to play this again and again. Then there's the quality of the songwriting, which is as assured on the grooving "Lonely Town, Lonely Street" as it is on the suspicious, paranoid "Who Is He (And What Is He to You)?" or "Use Me," where he happily submits to being used by his object of affection. This high level of songwriting is sustained throughout the record, making this the greatest testament to his considerable gifts.

GATEFOLD COVER STOCK WITH OBVIOUS RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. CREASE LINES AROUND EDGES, BOTTOM RIGHT CORNER WITH BEND MARKS. EDGES WITH SOME FRAYING AND SMALL OUTER LAYER LOSSES. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

SPINDLE HOLE WITH SOME LIGHT RUB MARKS. THE HIGH LUSTER VINYL BLANK WITH SOME LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.

PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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